Vijay Amritraj Movies
Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
- Starring:
- William Shatner, Leonard Nimoy, (more)
Meant to be a parody of the martial arts genre, this weakly plotted story centers around a kidnapping in Manila engineered by two terrorists to obtain the release of a political prisoner in the Middle East. In order to save the busload of tourists that are being held hostage, the U.S. Embassy summons three international agents: Spike Shinobi (Sho Kasugi) who, inspired by Kojak (Telly Savalas' TV detective), puts a lollipop in his mouth in-between fights, Steven Gordon (Brent Huff), and Jennifer Barnes (Emilia Lesniak). The trio are up against the deranged German Alby the Cruel (Blackie Dammett) and the sadistic lesbian Honey Hump (Regina Richardson), the terrorists holding the tourists. Wild exaggeration in-between the karate action is meant to bring humor to the proceedings. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Brent Huff, Emilia Lesniak, (more)
In Fleshburn Calvin Duggai (Sonny Landham) is a Native American who can't put his wartime experiences behind him. His main beef is against the team of psychiatrists who shipped him off to an institution. After making his escape, Duggai kidnaps the four doctors and maroons them in the middle of the desert. Now, he reasons, they can experience the hell he's been through, both as a soldier and as an American Indian. Of the four abductees, Sam MacKenzie (Steve Kanaly) stands the best chance for survival--and that chance is none too good. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Kanaly, Karen Carlson, (more)
This (13th) time around, "007" receives the usual call to come and visit "Mother" when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby's. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Roger Moore, Maud Adams, (more)
- 1979
- PG
A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future. Players is loaded with cameos from major tennis stars, including John McEnroe, Guillermo Vilas, and Ilie Nastase; Pancho Gonzales has a major supporting role as Chris' coach. ~ Mark Deming, All Movie Guide
- Starring:
- Ali MacGraw, Dean Paul Martin, (more)
