Gordon Connell Movies
- 1998
Could the death of a 12-year-old quadriplegic, who suffocated in his own home, have been deliberate? The suspects range from the dead boy's parents to his older sister. Once revealed, the perpetrator claims to have been an angel of mercy -- a statement which might actually be a smokescreen for a "thrill killing." Telecast April 24, 1998, "Burden" was one of the few Law & Order episodes to be seen on a Friday evening, rather than its customary mid-week time slot. ~ Hal Erickson, All Movie Guide
- 1992
President Abraham Lincoln leads the Union in the fight to end the awful bloodshed of the Civil War. The year is 1863. The president had a continuous struggle with the commanders of his army, and the bloodshed from the fighting at Antietam and Fredericksburg distressed him greatly. 1863 was the year of his Emancipation Proclamation and Gettysburg Address. Listen to the story of the events that led to the amazing address at Gettysburg. Actor Jason Robards brings to life the voice of President Lincoln. PBS originally aired this program, the second of a four-volume set narrated by actor James Earl Jones. ~ Linda J. Shriver, All Movie Guide
- 1992
A shrewd politician, Abraham Lincoln had the intelligence, ambition, and principles to grow into his job as president. This is the first of four videos in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones, and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Pivotal Year, 1863, Lincoln: I Want to Finish This Job, 1864, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, All Movie Guide
- 1992
This video is the fourth installment of the Lincoln series, originally aired on PBS. This volume focuses on the last days and hours of Abraham Lincoln's life. Viewers watch as Lincoln's enemies plot their final revenge on the man they believed had dishonored their heritage. The video also reveals how Lincoln's own dreams foreshadowed his murder and how the series of public funerals, following his death, helped fuel his legendary status that has only grown with time. ~ Karla Baker, All Movie Guide
- 1992
By the third year of the Civil War, personal and national tragedy had worn down President Lincoln. However, he focused on his job tenaciously, having a strong sense of history. This is the third of four programs in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Making of a President, 1860-1862, Lincoln: The Pivotal Year, 1863, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, All Movie Guide
This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, All Movie Guide
- Starring:
- Lois Chiles, George Kennedy, (more)
- 1979
George and Louise Jefferson (Sherman Hemsley, Isabel Sanford) come across an old will written by George's father. It turns out that the senior Jefferson insisted upon being buried next to his wife, George's mother. Naturally, George wants to honor his late father's wishes by arranging for adjoining graves. Only one problem: Nobody seems to know where Papa Jefferson's body is interred. ~ Hal Erickson, All Movie Guide
- Starring:
- Sherman Hemsley, Isabel Sanford, (more)
- 1978
In this second episode of a two-part story, George Jefferson (Sherman Hemsley) steps up his campaign to purchase a warehouse owned by Alan Willis (Jay Hammer), the hippie son of interracial couple Tom and Helen Willis (Franklin Cover, Roxie Roker). Taking advantage of an argument between Alan and Tom, George invites the younger Willis to move into the Jefferson apartment. The plot thickens when George's wife Louise (Isabel Sanford) and Alan's mother Helen have a run-in with the landlord of the Help Center, where both women put in volunteer work. ~ Hal Erickson, All Movie Guide
- Starring:
- Sherman Hemsley, Isabel Sanford, (more)
- 1978
Based on a book by John C. Fuller, the made-for-TV Ghost of Flight 401 is predicated on the "actual events" surrounding a real-life plane crash. In December of 1972, Flight 401 nose-dived into the Florida Everglades, killing its flight officer (played herein by Ernest Borgnine). Though damaged beyond repair, the plane is cannibalized for its parts, which are recycled to newly built aircraft. On each of these new planes, it is reported that the ghost of 401's flight officer has made unexpected appearances, to warn the crews of impending disasters. OoooOOOOOOoooooooo..... Those who dared first watched The Ghost of Flight 401 on February 18, 1978. ~ Hal Erickson, All Movie Guide
- 1971
The citizens of Hooterville are thrilled when Lisa (Eva Gabor) announces the eminent arrival of the son of a WWII war hero. What Lisa has failed to mention is that the distinguished visitor is a duck named Drobney. However, she hasn't misrepresented the situation: Drobney's feathered father was indeed instrumental in defeating the Axis, as illustrated in a riotous flashback. For the record, "Son of Drobney" originally aired the same night as the debut episode of All in the Family -- which didn't have any ducks in the cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Parley Baer, Gordon Connell, (more)
In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Mia Farrow, John Cassavetes, (more)
