Noel Conlon Movies

The Crane household is set on its ear when social-climbing Frasier (Kelsey Grammer) hires a "veddy" proper British butler named Ferguson (Victor Garber). Not only is he the perfect gentleman's gentleman, but Ferguson is also knowledge on all matters ranging from social decorum to gourmet food -- and he isn't afraid to express his opinions, albeit ever-so-respectfully. Ferguson, however, draws the line at any familiarity between employer and employee -- which does not rest well with the very "familiar" Daphne (Jane Leeves). ~ Hal Erickson, All Movie Guide

"A good man is hard to find. A rich man is worth the effort." This advertising tagline could just as easily have been applied to Gold Diggers of 1933 or How To Marry a Millionaire as to the made-for-TV Rich Men, Single Women. Three attractive women of a certain age decide to pool their resources and land wealthy husbands. The first step is to convince their victims-er, potential soulmates-that they are "the women of their dreams." Suzanne Somers, Heather Locklear and Deborah Adair star as the Gold-diggers of 1990, who, according to one reviewer, "could set feminism back 20 years." Concocted by Aaron Spelling and Douglas S. Cramer-the folks who inflicted The Love Boat on an unwary nation--Rich Men, Single Women premiered January 29, 1990. ~ Hal Erickson, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, All Movie Guide

With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide

First telecast May 16, 1977, Alexander: The Other Side of Dawn is the gender-switch follow-up to the 1976 TV movie Dawn: Portrait of a Teenage Runaway. While Dawn concentrated on the sordid descent of a young girl into crime and prostitution, Alexander devotes its time to the exploits of a teenaged boy (Leigh J. McCloskey), whose character was introduced in the earlier film. A former Oklahoma farm boy, Alexander takes to the streets of LA, where he becomes a hustler and gigolo. After falling in love with Dawn (Eve Plumb), Alexander strives to escape his dead-end world and begin life anew. Director John Erman uses moody overtones to capture the darkness and despair of Alexander's life. Erman, an accomplished director of television movies, also directed the highly-acclaimed, touching AIDS drama, An Early Frost. ~ Hal Erickson, All Movie Guide