John Amplas Movies
- 2003
Pittsburgh-based filmmaker Brady Lewis makes his feature debut as a writer/director with the retro-styled B-movie Daddy Cool. Shot in various black-and-white and color film formats, this bizarre film borrows plot elements from film noir, science fiction, and horror classics. Transgendered adult female Roxanne Alter (Streeter Nelson) hates her father (John Amplas), a televangelist who used to be a the host of a TV science program. She finds herself becoming obsessed with her mysteriously missing twin sister (also Nelson) and soon she's seeing strange things in her TV set. She tells her story to a therapist, Dr. Talbot (Larry John Meyers), who also happens to be a werewolf. Daddy Cool was shown at the 2003 L.A. Outfest. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Streeter Nelson, Larry John Meyers, (more)
- 1994
The life of a regular guy is the focus of this slice-of-life film. The film has no real plot; it simply follows the life of Eddie a single working man going through the motions of life. He rooms in a suburban house with his dog. He and his landlady who is married to a jerk, are becoming attracted to each other. Eddie is also trying to find Connie, a woman he met at a wedding. When he is not working as a machinist or out drinking at the bar, he is attempting to study at a community college. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Amplas, Lori Cardille, (more)
Day of the Dead, the third and concluding chapter in George Romero's zombie trilogy is the most distinctly 1950s-style science fiction version of the lot. Set in Florida, as the film begins the dead have taken over the world, outnumbering humans 400,000 to one. The handful of surviving humans have taken refuge in an underground missile silo and argue and yell at each other like players in a Rod Serling Twilight Zone episode. Among the survivors are Sarah (Lori Cardille) -- a scientist who is trying to reverse the process whereby the dead turn into flesh-eating, irrational zombies -- and Dr. Logan (Richard Liberty) -- an out-of-his-mind psychologist who wants to capture the zombies and turn them into domestic help. Things heat up when the military tries to take over the scientific experiments. ~ Paul Brenner, All Movie Guide
- Starring:
- Lori Cardille, Terry Alexander, (more)
Two of the most venerable names in the horror field, author Stephen King and director George A. Romero, present this anthology of original twisted tales inspired by the E.C. horror comics of the 50's and 60's (themselves a more direct basis for the popular Tales from the Crypt TV series). The five stories are framed within the pages of a comic book which a boy's insensitive father has thrown in the garbage. The first tale, "Father's Day," features a zombie patriarch returning to claim his Father's Day cake; "The Lonesome Death of Jordy Verrill" stars King himself as a slack-jawed yokel whose discovery of a radioactive meteorite turns him into a walking weed; "Something to Tide You Over" presents a deadly-serious Leslie Nielsen as a cuckolded husband who plans an elaborate seaside revenge; "The Crate" unleashes its ferocious man-eating contents on the enemies of a meek college professor; and "They're Creeping Up On You" pits obsessively-clean billionaire E.G. Marshall against a swarm of cockroaches in his sterile penthouse. The chapters are uniformly creative, filmed in garish comic-book colors, and Tom Savini's makeup effects are quite memorable (particularly the monster from "The Crate"), though the campy treatment does become exhausting after two hours' runtime. The final segment is the most impressive, thanks to Marshall's over-the-top performance, though the planned scope of the cockroach invasion was drastically reduced (no doubt due to budget constraints). ~ Cavett Binion, All Movie Guide
- Starring:
- Hal Holbrook, Adrienne Barbeau, (more)
In this occult horror film, director John Russo, best known for Night of the Living Dead, has created a few twists on the plot of a heroine escaping one evil, only to encounter another, even worse. Some asides on the nature of racism are thrown in for good measure. After Nancy Johnson (Melanie Verlin) runs away from home because her drunken stepfather (Lawrence Tierney) tried to rape her, she is given a ride by two men who are actually thieves, and they all end up prisoners of a Southern family of Satanists. They plan on offering Nancy to the Devil himself at midnight on Easter Sunday. Some cinematic goofs -- Easter Sunday apparently falls in autumn since the leaves are turning color outside, and the "South" looks a lot like Pittsburgh -- are somewhat off-set by the make-up artistry of Tom Savini and a lively performance by Lawrence Tierney. Yet the pace is slow and the lesser protagonists solidly one-dimensional, tipping the balance more toward the minus -- which may be a plus to some viewers. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lawrence Tierney, Melanie Verlin, (more)
Knightriders may well be the only cycle flick ever to be played out in suits of armor. A hardcase motorcycle gang led by Ed Harris has found itself a neat money-making gimmick. Dressed as the knights of the round table, the cyclists pick up a few bucks at local "renaissance" fairs, selling handicrafts made by the more talented members of the gang. Harris' great rival is Tom Savini, who has his own band of "black knights." Keep an eye out for a chucklesome unbilled bit by novelist Stephen King. ~ Hal Erickson, All Movie Guide
- Starring:
- Ed Harris, Gary Lahti, (more)
George A. Romero completists will note the presence of Martin's anemic vampire-boy John Amplas in the role of baby-faced federal agent Phillips in this Pennsylvania-lensed horror flick. One of many dead-headed stepchildren of Night of the Living Dead (1968), this film's basic premise is actually more reminiscent of Romero's Code Name: Trixie (aka The Crazies). Said plot involves a band of happy pot-growers whose crops of juju-weed are sprayed by a special new government-approved defoliant called "Dromax" -- which harshes the dopers' buzz so badly that they make the transition from cannabis farmers to cannibal farmers at the drop of a bong. When the inevitable case of the munchies ensues, the hemped-up zombie yokels seek sustenance at the jugulars of anyone unfortunate enough to wander onto their illicit plantation, resulting in gouts of fake-looking gore. Released on video under the more environmentally-aware title Toxic Zombies. ~ Cavett Binion, All Movie Guide
- Starring:
- Chuck McCrann, Beverly Shapiro, (more)
Director George A. Romero's epic sequel to his legendary Night of the Living Dead has firmly established itself as the equal of its ground-breaking predecessor. Though shot in 1978 -- ten years after the first films' release -- Dawn's story begins as if the events in Night had happened only a few months before: after shambling armies of the recently-dead take over every major city -- seeking warm human flesh for food -- the U.S. government imposes a state of martial law, sending in special National Guard units to attack and destroy zombie infestation where they find it. Two members of one such unit, Peter (Ken Foree) and Roger (Scott Reiniger) have been tasked to overthrow a nest of zombies in a Pittsburgh housing project (one of the film's most explicitly gory scenes). When the job turns ugly and Peter is forced to terminate his own berserk, racist commanding officer, the pair decide to split the outfit with the help of his friend Stephen (David Emge), a traffic pilot for WGON-TV, and the station's floor manager, Stephen's girlfriend Frances (Gaylen Ross). Together they steal the station's helicopter and head for less-populated areas, but after some narrow scrapes with flesh-hungry redneck ghouls in the country outside Harrisburg, they opt for a more secure hideout. Eventually they find the perfect solution: a massive, sprawling shopping mall. After the lengthy process of purging the building of zombies is complete, the four secure themselves snugly in the miniature city, consigned to live out their lives in a dull but cushy consumer's paradise... but the arrival of a menacing gang of nomadic bikers proves that this is not to be. With their survival instincts weakened by a mallful of toys and trinkets, the crew are again forced to face grim reality as they face both living and undead foes in a final battle. Romero's excellent, multi-layered story combines high-adventure heroics, three-dimensional characters and explicit gore (by the always masterful Tom Savini, who plays a small role as a leering biker) to excellent effect. The subtext comparing the glassy-eyed behavior patterns of the ghouls to those of American consumers is clear, but not overdone: "It's some kind of instinct," Stephen comments, observing the zombies' attraction to the mall; "This was an important place in their lives." Despite the glimmer of hope offered by the film's closing scene, the outlook for humankind is grim. Perhaps it is Frannie who best expresses Dawn's outlook for humanity: "We're not gonna make it, are we?" Several versions of this film are available on video, including a faster-paced European version edited by overseas distributor Dario Argento and a "Director's Cut" with a great deal of exposition restored (though Romero is quoted as having preferred the unrated cut released initially to U.S. theaters). The shooting script also contains a more downbeat ending, which was never filmed. ~ Cavett Binion, All Movie Guide
- Starring:
- Scott Reiniger, Ken Foree, (more)
Nearly a decade after George A. Romero changed the face of modern horror films with Night of the Living Dead -- and following the less successful projects Season of the Witch and The Crazies -- the Pittsburgh-based auteur returned to top form with this superb vampire tale. Set in a rapidly crumbling steeltown suburb, the story focuses on shy, moody Martin (John Amplas), a teenager of East European descent who may or may not be a vampire. Though he possesses no fangs or supernatural powers and has no aversions to either crucifixes or garlic, Martin is nevertheless compelled to drug pretty young women, slash them with razor blades, and consume their blood. His motivations seem purely psychological -- as revealed to a call-in radio talk show where Martin has become an anonymous celebrity -- but the notion of a family vampire curse is fostered by Martin's stoic uncle Cuda Lincoln Maazel, who is convinced that he must destroy the boy by hammering a stake through his heart. Romero's superb script keeps the film's supernatural questions ambiguous, focusing instead on the characters' inner turmoil as modern-day attitudes and values clash with vanishing Old World traditions. Filmed on an extremely low budget, Martin benefits from its gritty, kitchen-sink realism, making the outbursts of graphic horror even more surreal and disturbing and creating a sense of doom that builds to a tragically ironic climax. ~ Cavett Binion, All Movie Guide
- Starring:
- John Amplas, Lincoln Maazel, (more)
