Charles "Heinie" Conklin Movies

Although a few character names and minor details are different, Vicki is a fairly faithful remake of the 1941 murder melodrama I Wake Up Screaming. The title character, Vicki Lynn, played by Jean Peters, is a waitress who is transformed into a top fashion model by press agent Steve Christopher (Elliot Reid). When Vicki is murdered, psychotic detective Ed Cornell (Richard Boone) tries to pin the blame on Christopher. In fact, Cornell knows who the real killer is, but he was so desperately (and hopelessly) in love with the dead girl that he intends to railroad Christopher into the electric chair. With the help of Vicki's sister (Jeanne Crain), Christopher tracks down the genuine culprit and exposes Cornell for the nutcase that he is. Featured in the cast is future TV producer Aaron Spelling. ~ Hal Erickson, All Movie Guide

In the late 1940s - early 1950s, Columbia Pictures enjoyed a great deal of success with a series of slapsticky feature films built around the talents of such gifted funsters as Red Skelton, Lucille Ball, William Bendix and Jack Carson. In this tradition, Columbia's Traveling Saleswoman is a showcase for the delightful Joan Davis. The star plays Mabel King, who heads westward to sell her father's soap. Tagging along is Mabel's erstwhile beau Waldo (Andy Devine). In the course of the film's 74 minutes, Mabel wins over a hostile Indian tribe, makes short work of an outlaw named Cactus Jack (Joe Sawyer) and a saloon chirp named Lilly (Adele Jergens), and even gets to warble a song or two in her own inimitable fashion. Traveling Saleswoman was produced by Tony Owen, who later prospered as producer of a long-running TV sitcom starring his wife, Donna Reed. ~ Hal Erickson, All Movie Guide

Country-western favorite Roy Acuff and his Smoky Mountain Boys star in the Columbia musical western Smoky Mountain Melody. Not much happens plotwise: Acuff, playing "himself," is a tenderfoot who somehow manages to come out on top when he heads westward. The villains (who aren't all that villainous) try to promote a phony stock deal, but Roy and his pals foils their plans. The comedy honors go to Guinn "Big Boy" Williams as a blowhard sheriff. Smoky Mountain Melody was scripted by Barry Shipman, the son of pioneering female filmmaker Nell Shipman. ~ Hal Erickson, All Movie Guide

Gene Autry goes in search of the man who killed his friend during a blackout in this action-packed western from Columbia. Someone cuts the lights and kills Ed Norton (Stanley Blystone) during a heated poker game and that someone, according to Sheriff Cramer (Chill Wills), may just be young hothead Larry Evans (Russell Arms). Gene, however, thinks otherwise and arranges for Larry to hide out in a cabin belonging to elderly prospector Jim Hedge (Clem Bevans). But the real killer is doing his best to incriminate Larry and Gene must not only fight the sheriff but also the accused man's pretty sister, Mary (Barbara Britton), in order to uncover the truth behind the killing. Despite a preponderance of action, Autry, backed by the Cass County Boys, manages to perform five songs in Loaded Pistols: "Pretty Mary", "Jimmy Crack Corn", "When the Bloom is on the Sage", "A Boy from Texas, A Girl from Tennessee" and the title tune. ~ Hans J. Wollstein, All Movie Guide

The third of four films bearing the title of The Perils of Pauline, this musical biopic purports to tell the life story of famed silent serial queen Pearl White. Right at the beginning, however, an introductory title informs the audience that what follows is merely "suggested" by incidents in White's life and career. Translation: The film is a fabrication from beginning to end, but an enjoyable one. Played on all four cylinders by Betty Hutton, White is introduced as a frustrated factory worker who aspires to become a dramatic actress. She joins a touring theatrical troupe managed by handsome but pompous Mike (John Lund), but fame and fortune elude her because she's unable to suppress her natural rambunctiousness. In desperation, White takes a job at a movie studio, where she promptly finds herself in the middle of a slapstick pie fight. With the help of bombastic director Mac (William Demarest), top-hatted villain portrayer Timmy (Billy De Wolfe), and imperious dramatics coach Julia (Constance Collier), Pearl soon becomes world-famous as the star of such cliffhanging, tied-to-the-railroad-tracks serials as The Perils of Pauline (hence the title of this film). At the height of her fame, she arranges for her theatrical mentor Mike to get a job as her leading man, forcing him to swallow his pride and admit that he's been in love with her from the moment he met her. A series of clichéd complications contrive to separate White and Mike, but he returns to her arms when she's seriously injured during a Parisian stage performance. A few fairly credible recreations of silent moviemaking techniques aside, The Perils of Pauline is wildly anachronistic and inaccurate (for one thing, Pearl White made most of her serials in New Jersey rather than Hollywood). As a musical comedy, however, the film passes muster, especially during the performance of such Frank Loesser tunes as "I Wish I Didn't Love You So" and "The Sewing Machine." As a bonus, the film rounds up several silent-movie veterans in cameo roles, including William Farnum, Chester Conklin, Jimmy Finlayson, Creighton Hale, Hank Mann -- and Paul Panzer, who played the sneering villain in the original 1914 Perils of Pauline. ~ All Movie Guide

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

In this comedy, a slightly addled young advertising executive works for his father's radio-advertising agency. His first job is to hire a famous big-game hunter for an upcoming show. Unfortunately, the man he chooses proves to be a fake and mayhem ensues. ~ Sandra Brennan, All Movie Guide

In one of their all-time most hilariously insane comedy two-reelers, the Three Stooges save a destitute mother and her child by winning the big race -- with monies "borrowed" from the child's piggy bank. They are then cheated by a ventriloquist into buying a retired race horse, in effect losing all their winnings. Curly, however, saves the day by swallowing horse vitamins and giving birth to a colt. ~ Hans J. Wollstein, All Movie Guide

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide

Margie is one of the fast and funniest of Universal's pocket musicals, though its two-director dichotomy hardly seems necessary. Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon). And just in case anyone should take this thing seriously, Andy Devine bursts onto the set in full cowboy regalia, guns at the ready--only to withdraw apologetically a few seconds later, explaining that he's in the wrong movie. ~ Hal Erickson, All Movie Guide

The "Little Tough Guys" get involved in a circulation war between a paper with underhanded tactics and a paper being mismanaged by the woman who inherited it. The Tough Guys' leader is partial to the latter, since it took him in when his sheriff father was murdered. He helps draw readers away from the other paper and gets to avenge his father's death, since the man playing dirty is his father's killer. ~ Steve Huey, All Movie Guide

A big city lawyer returns to his tiny home town to enter the firm of his late father. His father's partner is happy to have him, but the partner's lovely daughter is even happier.. Every one is happy until the young attorney decides to represent the local villain, a ruthless factory owner who cares more for money than his employees. When the abused workers go on strike, the partner drops the factory owner's account, but the young slicker stays with the magnate. This upsets the partner's daughter. Tragedy and chaos follow when gangsters get involved. ~ Sandra Brennan, All Movie Guide