Mark Oliver Movies

Disaster movie maven Roland Emmerich (Independence Day, The Day After Tomorrow) crafts this apocalyptic sci-fi thriller following the prophecy stated by the ancient Mayan calendar, which says that the world will come to an end on December 21, 2012. When a global cataclysm thrusts the world into chaos, divorced writer and father Jackson Curtis (John Cusack) joins the race to ensure that humankind is not completely wiped out. Chiwetel Ejiofor, Danny Glover, Amanda Peet, Thandie Newton, and Oliver Platt round out the cast of this end-of-the-world thriller co-scripted by the director and his 10,000 B.C. writer/composer, Harald Kloser. ~ Jason Buchanan, All Movie Guide

The Christmas-themed animated Tom and Jerry: A Nutcracker Tale features the cartoon cat and mouse antagonizing each other while the rodent attempts to stage a holiday-themed extravaganza. The film utilizes Tchaikovsky's familiar music for The Nutcracker Suite. ~ Perry Seibert, All Movie Guide

A true story of tragedy, hope, and resilience comes to the screen in this sports drama. Huntington, WV, is home to Marshall University, a school where college football is a way of life. Huntington is also a town that learned to deal with tragedy in the fall of 1970 when Marshall's "Thundering Herd" boarded an airliner to return home after a football game in North Carolina. The jet crashed into a hill due to bad weather, and 75 members of Marshall's football squad and athletic staff died that night. The accident dealt a crippling blow to the city of Huntington, as well as Marshall's faculty and student body, and university president Donald Dedmon (David Strathairn) considered abandoning the school's football program. But instead Coach Jack Lengyel (Matthew McConaughey) was recruited from Ohio's College of Wooster to rebuild Marshall's football program. Lengyel was not naïve about the task ahead of him, and working beside Red Dawson (Matthew Fox), an assistant coach who narrowly missed the doomed flight and was one of the program's only survivors, he came to understand his job was not just to put a team on the field, but help a college and a community heal their wounds from the tragic accident. Together Lengyel and Dawson turned a handful of rookies and second-string players into a competitive team who in 1971 showed the world what they could do in a legendary game against Marshall's rivals, Xavier University. Produced with the cooperation of Marshall University and filmed in part on their campus, We Are Marshall also stars Ian McShane, Anthony Mackie, and January Jones. ~ Mark Deming, All Movie Guide

In the United States, government funding for the arts has never been popular among the more conservative members of Congress, and to populists it has an unappealing odor of elitism. Nonetheless, at one time the arts were held in sufficiently high esteem that the National Endowment for the Arts was created and funded. In the late '80s and early '90s, the efforts of avant-garde members of the art community to shock the sensibilities of the American mainstream succeeded beyond their wildest expectations. The resulting furor elicited frenzied and at times foolish-looking denunciations from the religious and social right, and vapid self-righteous posturings from the art community, who were unable to admit the possibility that the (publicly funded) excesses of artists like Andres Serrano and Robert Mapplethorpe, whatever their purely artistic merits, were damaging the cause of public funding for the arts, which relies on popular support or at the very least popular acceptance. This documentary gives the very conservative Rev. Donald Wildmon a chance to speak freely, along with responses from the pro-arts funding community by Christie Hefner (Hugh's daughter) and others. Other notable figures involved in the controversy whose views are aired include Senator Alfonse D'Amato and Jesse Helms. ~ Clarke Fountain, All Movie Guide

Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young girl's dream, and Tracy improbably wins a featured spot when she infiltrates a dance contest and makes a better impression than her favored rival, the catty Amber von Tussle (Colleen Fitzpatrick). Always able to have fun, even when she's being mocked by the jealous popular girls, Tracy wins the affections of Amber's boyfriend and soon begins leading a movement to integrate the dance show, which has previously featured blacks only in a once-weekly theme night. She is arrested following a demonstration at a local theme park owned by Amber's father (Sonny Bono), who subscribes to the same theory of race relations as "The Corny Collins Show." Tracy's adventures are also filtered through her loving but eccentric parents (Divine and Jerry Stiller) and involve a humorous cultural clash with pot-smoking beatniks (Ric Ocasek and Pia Zadora). ~ Derek Armstrong, All Movie Guide