James O'Connell Movies

A young man learns something about making his fantasies into reality from an older man who has already been there in this coming-of-age drama. Cameron (Michael Angarano) is a teenage film buff living in Los Angeles who dreams of making movies himself someday, an ambition that doesn't impress his parents very much. Cameron doesn't have many friends beyond fellow outcast Murphy (Joshua Boyd), and wealthy and popular classmate Brett (Taber Schroeder) takes great pleasure in making Cameron's life miserable. A major film school in L.A. has announced a competition for young filmmakers, but while Cameron has talent and ideas, Brett has the money to buy film stock and rent equipment, and Cameron wonders if he stands any chance at all. One evening, while attending a screening of Orson Welles' Touch of Evil at a revival theater, Cameron sees an elderly man who shouts at the screen about his old pal Orson. Cameron is thus introduced to Flash Madden (Christopher Plummer), who worked as a lighting man during the Golden Age of Hollywood and really did work with some of the most respected names in the business, including Welles. While cranky Flash doesn't much care for Cameron at first, in time he sees a kindred spirit in the movie-mad teenager, and offers his technical know-how and sources of equipment to the would-be director. Flash also introduces Cameron to Mickey Hopkins (M. Emmet Walsh), a former screenwriter who helped script a number of silver-screen classics but is now living in a shabby old folks' home, and in Hopkins, Cameron finds the inspiration for just the sort of movie he wants to make. ~ Mark Deming, Rovi

Originally planned as a silly vehicle for Chris Farley, in the hands of director Ben Stiller and star Jim Carrey, The Cable Guy became an opportunity for Carrey to flex some of his darker comedic muscles as stalker Chip Douglas. Matthew Broderick plays Steven, an average Joe who is forlorn over his recent breakup with girlfriend Robin (Leslie Mann). When he moves into a new apartment, Steven comes in contact with Chip, who shows up to hook up the cable. Before he knows it, and whether he likes it or not, Steven has a new best-friend in the obnoxious and clingy Chip. However, Steven soon learns that obnoxious is a walk in the park compared to Chip's behavior when Steven tells him he doesn't want to be his pal anymore. What's worse, no one -- including Robin or his family -- believes Steven when he accuses the seemingly harmless Chip of being a malevolent menace. George Segal and Jack Black also star along with Stiller, who plays twins loosely-based on the Menendez brothers. ~ Matthew Tobey, Rovi

Just before attending the funeral of an old friend, Jessica (Angela Lansbury) makes the acquaintance of young Rick Banner (Marc Singer), former college roommate of the dead woman's long-lost son Peter. When Rick hears a song written by Peter, the ball starts rolling for a onslaught of intrigue, ill will and murder predicated on the fact that the missing Peter will fall heir to millions should he ever make a return appearance. Jessica's fellow sleuth on this occasion is rumpled, clownish Chief Underwood (Lane Smith), who may remind some viewers of Peter Falk's Lieutenant Columbo (of course, both Columbo and Murder, She Wrote were created by the same writing team!) ~ Hal Erickson, Rovi

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi

The made-for-television Pray TV was the subject for hot debate long before its February 1, 1982 debut. This even-handed exploration of the televangelism business stars Ned Beatty as the Reverend Freddy Stone, whose religious empire nets $3 million annually. John Ritter co-stars as Rev. Tom McPherson, a newly ordained clergyman who joins the Stone operation. As Ritter begins to question the religious ethics behind Stone's lucrative ministry, a subplot develops involving Reverend Gus Keffer (Richard Kiley), who in contrast to Stone must operate on a shoestring, minus the glittery trappings of TV, radio, and SRO revival meetings. Lane Slate's teleplay takes great pains to offend no one; whether this is good or bad is up to you. Pray TV bears no relation to the earlier theatrical-feature comedy of the same name. ~ Hal Erickson, Rovi

Bob Rafelson's remake of 1946's The Postman Always Rings Twice, with a screenplay by the award-winning playwright David Mamet, stars Jack Nicholson as Frank Chambers, a depression-era drifter who ends up at a diner run by Nick Papadakis (John Colicos), who offers Frank a job. Frank takes him up on the offer, but quickly begins a torrid affair with Nick's wife Cora (Jessica Lange). The adulterous lovers soon hatch a plan to kill Nick and share in the insurance payout. The second big-screen adaptation of the James M. Cain novel, the film garnered a certain degree of notoriety for the explicit sex scenes between Lange and Nicholson. ~ Perry Seibert, Rovi

Set in the '30s, Mountie Millen (Lee Marvin) is assigned to track down accused murderer Johnson (Charles Bronson), who has escaped in the high passes of the Canadian Rockies. Johnson, a trapper, has extensive knowledge of wilderness living, but Millen has the resources of the Canadian police at his beck and call. ~ John Bush, Rovi

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, Rovi

Kim Hunter guest stars as Crazy Annie, a skid row derelict. Undercover detective Tony Baretta (Robert Blake) invades the shadowy, squalid world of Annie and her fellow down-and-outers as he searches for an elusive killer. Before he quite knows what has happened, Baretta is kidnapped by Annie, who is convinced that the cop is her long-lost son. ~ Hal Erickson, Rovi

Partly to help out with the family's finances, and partly because she feels lonely and isolated, Olivia (Michael Learned) takes a job as a streamstress. In this capacity, she forms a strong friendship with Stella Lewis (Abby Dalton), who suggests that Olivia go into business for herself. Will she follow up on Stella's advice, or will she return to her "dull" home life? Meanwhile, elderly Maudie Gormley (Merie Earle) accedes to her family's wishes and enters a nursing home--which she hates on sight! ~ Hal Erickson, Rovi