Frances E. Nealy Movies

Gregory Hines plays the ex-convict son of a famed tap-dancer. Taking over his late father's Harlem dance studio, Hines can't shake memories of his childhood, when he was being touted as a dancing prodigy. Challenged to fulfill his destiny by his dad's old cronies--among them such terpsichorean giants as Sammy Davis Jr., Steve Condos, Jimmy Slyde and Harold Nicholas--Hines does his best to avoid lapsing back into a life of crime. The struggle to save Hines' soul is a titanic one, with Hines' girlfriend Suzzanne Douglas tugging at him from one direction and his old burglary partner Joe Morton yanking from the other. The plotline of Tap is merely an excuse to show off some of the most dazzling footwork ever recorded on film. The director is Nick Castle Jr., who like star Gregory Hines is scion of a legendary dancing family. ~ Hal Erickson, All Movie Guide

Colors stars Robert Duvall and Sean Penn as partners on the LAPD's gang crime division. Duvall had hoped to spend more time with his family, but he's pulled back into active service because of a step-up in gang activity. He makes no secret of his contempt for his novice partner Penn, but eventually comes to rely on the younger man as a valuable street contact. The central crisis is the battle for supremacy between the "Crips" and the "Bloods", with every effort to call a truce stymied by the gang members themselves and by undue police intervention. ~ Hal Erickson, All Movie Guide

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Everett Silas plays a 30-year-old black male who works at the Watts dry cleaning business owned by his family. He is quite comfortable with the debilitated African-American community around him--but not with his brother, who has escaped the ghetto and achieved prosperity as a lawyer. The day of his brother's wedding is the same day as the funeral of his best friend. Silas thus has only twenty-four hours to make a permanent decision: whether to cast his lot with the underprivileged, as represented by his late friend, or with those who aspire for better things, represented by his brother. My Brother's Wedding has the crudity to be expected of an independent production, but also has more honesty and energy than most mainstream films dealing with internal racial divisiveness. ~ Hal Erickson, All Movie Guide

George Jefferson (Sherman Hemsley) has had just about enough of his contentious store manager, Wendell Thomas (Earl Billings) -- a sentiment shared by the rest of George's employees. Alas, just as George is firing Wendell, the much-despised manager drops dead. Can things get any worse? You bet: George is called upon to deliver the eulogy at Wendell's funeral. ~ Hal Erickson, All Movie Guide

Appointed head of the apartment building's maids union, Florence (Marla Gibbs) wants to hold a meeting in the Jeffersons' apartment. But upon learning that landlord Whittendale fiercely opposes the meeting, George Jefferson (Sherman Hemsley) refuses. George's wife, Louise (Isabel Sanford), conspires with Florence to hold the meeting without anyone being the wiser. Jack Fletcher makes his first series appearance as the hitherto unseen (but much-discussed) Mr. Whittendale. ~ Hal Erickson, All Movie Guide

J.J. (Jimmie Walker) is invited to speak at a re-election campaign rally for fatuous local alderman Fred Davis (Albert Reed). Correctly sensing that Davis is several miles removed from honesty, J.J. refuses the invitation. The result: intense political pressure, and a terse eviction notice for J.J.'s nonplussed mom, Florida (Esther Rolle). ~ Hal Erickson, All Movie Guide

A tough biker gang comprised of African-American women heads off to find a member's mother and her abductor in this exploitation comedy ostensibly designed to make fun of racial stereotypes. The film was later retitled Get Down and Boogie. ~ Sandra Brennan, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide