Anjanette Comer Movies

Millstone is the all-too-appropriate name of the Texas hometown of sophisticated career woman Martha (Loni Anderson). No sooner has Martha returned home after a 15-year absence than she witnesses a murder. Relating this information to her sisters, Martha is confused by their reaction. Only when it is nearly too late does the truth come out: The killer is Martha's own brother-in-law Eddie (Greg Evigan). This shock from the present only serves to dredge up long-buried secrets from the heroine's past--hence the title of this made-for-TV melodrama. First telecast by NBC on December 14, 1995, Deadly Family Secrets was based on Franklin Coen's novel Vinegar Hill--and also bears eerie echoes of the 1951 Ginger Rogers theatrical-movie vehicle Storm Warning. ~ Hal Erickson, All Movie Guide

James Garner's longtime Rockford Files colleague directed this Saroyanesque 1982 TV movie. George Adams (Garner) is a railroad steam-engine handyman in Cushing, Oklahoma, circa 1952. Increasing reliance upon the diesel engine has rendered George's job obsolete; the only employment he can find is as a night watchman, which subjects him to ridicule from the community. George struggles to hold his home and family together, despite such roadblocks as a tattered relationship with his wife (Joan Hackett), a brief affair with the town temptress (Anjanette Comer), a fistic bout with the local business bigwig, and a nocturnal tussle with a gang of bank robbers. The Long Summer of George Adams was based on a novel by Weldon Hill. ~ Hal Erickson, All Movie Guide

Most of this episode is related in flashbacks, as undercover cop Tony Baretta (Robert Blake) reads a suicide note left behind by a close friend. The bulk of the story concerns policewoman Pat Harley (Anjanette Comer), who had teamed up with Baretta to investigate the death of her husband, likewise a police officer. The investigation dredges up frustrating memories of Pat's private turmoils, culminating in a shattering climax. ~ Hal Erickson, All Movie Guide

A former schizophrenic finds herself stalked by a mysterious foe in this thriller. ~ Sandra Brennan, All Movie Guide

In this made-for-TV thriller, a vacation for two men turns deadly when their wives are kidnapped by several escaped convicts. ~ John Bush, All Movie Guide

In the Mexican horror film The Night of the Thousand Cats, the villain of the story is a handsome, wealthy playboy (Hugo Stiglitz) who likes to make love to vast numbers of lovely women. For some reason, once he has had his way with them, he decapitates them, preserves their heads in alcohol, and feeds their bodies to his many cats. He travels out of his mansion in fabulous motorcars, motorcycles and helicopters in pursuit of feminine fulfillment. Eventually the cats choose their own victim. ~ Clarke Fountain, All Movie Guide

Five Desperate Women debuted as an ABC Movie of the Week on September 28, 1971. Anjanette Comer, Joan Hackett, Denise Nicholas and Stefanie Powers are four of five graduates of an exclusive girl's college, meeting together for a reunion on a remote island. The fifth girl (whose name we'll withhold for suspense purposes) is the one that's murdered first. It appears that an unknown assailant plans to pick off the girls one by one. The survivors must figure out who's doing them in and why before fade-out time. Aaron Spelling was the producer of this middling clichefest. ~ Hal Erickson, All Movie Guide

The Firechasers, a British film, was given what was assumed to be an added boxoffice boost by having an American star, Chad Everett, in the lead. Everett is a journalist who is on the trail of the Persons Unknown who set fire to a warehouse. The newspapermen and insurance investigators who work together to find the arsonist are the "firechasers" of the title, rather than the firefighters. Barely released in the US, The Firechasers was given a network TV slot in the Spring of 1972 thanks to the popularity of Chad Everett's Medical Center series. The film was easily bested in the ratings by a repeat showing of Spartacus on a rival network. ~ Hal Erickson, All Movie Guide

An exclusive LA country club provides the setting for this sudsy melodrama that centers on a handsome assistant golf pro and the women that love him. One woman is particularly desperate to have him. It also follows the efforts of a conniving former-caddy to take the assistant's job. ~ Sandra Brennan, All Movie Guide

The satire in Evelyn Waugh's darkly comic novel The Loved One was originally double-edged. The book was not only an attack on the Southern California funeral industry but also a lampoon of Hollywood's "British colony," those clannish, cricket-playing English actors of years gone by who bemoaned the artificiality of Tinseltown while eagerly accepting the demeaning and insignificant movie roles they were offered. The film version of The Loved One, anxious to live up to its ad-campaign promise of containing "something to offend everybody," downplays the British-colony business (save for the presence of the magnificent Robert Morley) and pumps up the "death" gags. Innocent British poet Dennis Barlow (Robert Morse) falls in love with funeral-home cosmetician Aimee Thanatogenos (Anjanette Comer), who in turn is loved by prissy funeral director Mr. Joyboy (Rod Steiger). The latter lives with his obese mother (Ayllene Gibbons), whose eating sequence is far more hilarious (and more tasteless) than many of the film's calculatedly "black" jokes. A huge guest-star cast is headed by Jonathan Winters in a dual role as a funeral home manager and his covetous twin brother, who operates an elaborate pet cemetery. Musician Paul Williams is also on hand as a 13-year-old aeronautics genius who develops a method of sending corpses into "eternal orbit" (a plot device that Waugh neglected to include in his novel). Film historian William K. Everson has commented that The Loved One is one of the best and most underrated comedies of the 1960s. For others, especially those who might feel guilty chuckling at the sight of Anjanette Comer committing suicide with an embalming needle, it's purely a matter of taste...or lack of same. ~ Hal Erickson, All Movie Guide

In this comedy, an introverted journalist for a prominent magazine is assigned to do a story on "Little America" in Antarctica. Once there he gets in all sorts of trouble with the army, a rival, and the penguin Milton Fox. He also finds himself embroiled in a plot to ship some Kiwi women to the base, and in the attempted defections of a number of Russian scientists. ~ Sandra Brennan, All Movie Guide

A remake of the classic Robert Siodmak film noir Criss Cross, Steven Soderbergh's The Underneath follows much the same plot and narrative arc of the original, but expands the possibilities of its thriller structure to also explore the complexities and insecurities at the heart of modern relationships. Peter Gallagher stars as Michael, a compulsive gambler who returns to his Texas home for the wedding of his mother (Anjanette Comer). In his absence, his ex-wife Rachel (Alison Elliott) has married Tommy (William Fichtner), a ruthless local hood. Michael and Rachel soon resume their relationship, incurring Tommy's wrath. Out of their deceptions grows a plot to heist an armored car, a crime which requires the unwitting aid of Michael's stepfather (Paul Dooley) as well as a banker (Elisabeth Shue) with whom Michael shared a brief fling. ~ Jason Ankeny, All Movie Guide