Jeffrey Combs Movies

Initially stunning audiences with his wild-eyed portrayal of psychotic Dr. Herbert West in the over-the-top 1985 splatter-comedy Re-Animator, actor Jeffrey Combs made a name for himself in films based on the works of legendary horror author H.P. Lovecraft and such Star Trek spin-offs as Star Trek: Deep Space Nine and Enterprise. Born in Oxnard, CA, in 1954, Combs was raised in nearby Lompoc. After graduating from high school in 1972, he entered the world of acting by attending numerous theatrical schools and performing in repertory theater. Frequently appearing in such venues as the Mark Taper Forum and South Coast Repertory, Combs made his film debut in Whose Life Is It Anyway? (1981), which was followed by supporting roles in Honky Tonk Freeway (1981), Frightmare (1983), and The Man With Two Brains (1983). Still performing frequently on-stage during this period, Combs was approached by a young director named Stuart Gordon and asked if he would be interested in appearing in an adaptation of a Lovecraft story. Attracted by the strong script, the actor agreed. Released in 1985, Re-Animator shocked and nauseated audiences into uncontrolled laughter with its outrageous violence and imaginative set pieces. Combs' manic portrayal of a mad doctor who claims to have discovered the key to immortality immediately earned him a place in the lexicon of horror history as one of the great screen psychos.

Subsequently re-teaming with Gordon for yet another Lovecraft adaptation, From Beyond (1986) proved to be a disappointment when it was released in a truncated form. Knowing that the excess of Re-Animator would be difficult, if not impossible, to top, Combs and Gordon remained undaunted, collaborating on such efforts as Robot Jox and The Pit and the Pendulum (both 1990). Released that same year and directed by Gordon-cohort Brian Yuzna, Bride of Re-Animator didn't quite live up to fan expectations, although ultimately proved to be an entertaining sequel by remaining loyal to the tone and content to its predecessor. Subsequently working with such horror stylists as Fred Olen Ray (The Phantom Empire [1986] and Cyclone [1987]) and Full Moon's Charles Band (Trancers II: The Return of Jack Deth [1991] and the Dr. Strange-influenced Doctor Mordrid [1992]), Combs continued to build a dedicated cult following who remained eager to see what the quirky actor would attempt next. Continuing to appear in Lovecraft-based films, he also branched out with a role as a hitman in Love and a .45 (1994) and as actor Montgomery Clift in the made-for-TV Norma Jean and Marilyn (1996). A seemingly natural teaming with New Zealand splatter-king Peter Jackson also resulted in a hilarious turn as an unstable FBI agent in The Frighteners (1996). Combs' career took an unexpected turn later that year. Having previously lost the role of Commander William Ryker in Star Trek: The Next Generation to Jonathan Frakes, he returned to the Star Trek fold when Frakes (as director) cast him as Weyoun in an episode of Deep Space Nine. Returning in various capacities later, Combs would become the first actor to play three different characters in a single season of any Star Trek series. His popularity in the franchise growing, he was later cast in a recurring role in the subsequent Enterprise series. Simultaneously continuing to appear in such features as I Know What You Did Last Summer (1998), House on Haunted Hill (1999), and Yuzna's long awaited Faust: Love of the Damned (2001, channeling Bruce Campbell), Combs fans were thrilled to hear that he would be returning to the role of Herbert West in Beyond Re-Animator (again helmed by Yuzna) in late 2003. ~ Jason Buchanan, All Movie Guide
1987  
R  
In this fast-paced actioner, a brave young woman must deliver a specially designed, top-secret super-destructo armored motorcycle that runs on oxygen to the US military after the man assigned to deliver it, her lover, is murdered by enemy agents. Soon after finding his body, the woman finds a video he made that tells her how to work the machine and where she must take it. Unfortunately for her, the enemy is out there waiting and determined to steal the bike for themselves. Part of the fun in this film is looking for popular B movie stars from years' past. Such stars include Huntz Hall, Troy Donahue, and Michael Reagan. ~ Sandra Brennan, All Movie Guide

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Starring:
Heather ThomasJeffrey Combs, (more)
1987  
R  
Phantom Empire pokes fun and pays a sly tribute to the sci-fi serials that made Saturday afternoon at the movies such a treat. Featuring plenty of in-jokes, the story centers on the hunt for a lost stash of diamonds that leads the hero into a fabulous subterranean world ruled by a mysterious beauty and scads of scary mutants. ~ Sandra Brennan, All Movie Guide

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Starring:
Ross HagenJeffrey Combs, (more)
1987  
R  
A quaint, stagebound little horror film from Charles Band's Empire Pictures, Cellar Dweller stars Jeffrey Combs (fresh off his glorious turn as Herbert West in the Empire-produced Re-Animator) as a '50s horror-comic artist who falls prey to one of his own creations -- a ferocious demon he based on a drawing from an arcane book of spells and curses. The story picks up again in the 1980's, where the late artist's palatial home has been converted into a combination boarding house and art academy led by Yvonne De Carlo. One of the students pursues her obsession with reviving the "Cellar Dweller" comic series herself, delving into Combs' old studio for inspiration, and eventually discovers the same occult manuscript secreted in the basement. History repeats itself (naturally) and the creature emerges to stalk and maul anew. This admittedly cool concept and the rather effective monster are dampened a bit by a flippant, tongue-in-cheek attitude (a more ominous, Lovecraftian tone would have been more effective), but makeup-man-turned-director John Buechler shows a definite flair for imbuing his beast with a suitably sinister personality. Observant fans of Charles Band's body of work (yes, they do exist) should spot the numerous visual references to other Band films. ~ Cavett Binion, All Movie Guide

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Starring:
Deborah MullowneyBrian Robbins, (more)
1986  
R  
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The production team responsible for the twisted cult classic Re-Animator -- including director Stuart Gordon and producer Brian Yuzna -- returned the following year with this equally depraved (perhaps more so) follow-up, based once again (and very loosely) on the pulp-horror fiction of H.P. Lovecraft. Also returning to the fray is Jeffrey Combs, here playing the mild-mannered Crawford Tillinghast, apprentice to the dangerously obsessed Dr. Pretorious (Ted Sorel) and co-inventor of an enigmatic and ominous-looking device known as "The Resonator" -- a machine designed to stimulate the vestigial sensory apparatus contained within the human pineal gland. Such stimulation allows participants to "see" the slimy creatures which occupy a dimension parallel to our own, but with some chilling side effects -- the first of which being that the interdimensional vision works both ways. When a powerful sentient force devours Pretorious and assumes his consciousness, Tillinghast panics and destroys the Resonator -- soon to find himself in a padded cell, accused of his mentor's murder. Called to the case are Dr. McMichaels (Barbara Crampton, another Re-Animator alum) and amiable cop Bubba Brownlee (Dawn of the Dead's Ken Foree), who escort Tillinghast back to the shattered laboratory in an attempt to corroborate his deranged account by re-creating the experiment. Their attempts are all too successful, and the Pretorious-thing emerges to take control of the reactivated Resonator and draw the others into its hideous realm. Also called forth are the participants' darkest sexual desires -- another interesting by-product of pineal stimulation -- and, in Tillinghast's case, an uncontrollable urge to devour human brains. Just when it seems it can't get any weirder...it does. Gordon explores this demented scenario with relish, allowing nearly every scene to go completely over the top into surreal mayhem while retaining the dark brooding sense of menace characteristic of Lovecraft's work. (It's not likely, however, that the author's dignified upbringing would have explored the psychosexual dimensions of the premise -- at least not in the kind of detail seen here.) All manners of perversities abound, accompanied by the wizardry of four dueling special-effects studios and the rich, creepy score by Richard H. Band, bringing the film to a literally explosive climax and a chillingly poetic final shot. ~ Cavett Binion, All Movie Guide

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Starring:
Jeffrey CombsBarbara Crampton, (more)
1985  
R  
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Herbert West (Jeffrey Combs) is a brilliant medical student who has perfected a green-glowing serum for regenerating life into dead things -- or even parts of dead things. But a corrupt superior, Dr. Carl Hill (David Gale), assumes control of West's experiments and winds up, by ghastly necessity, using the stuff on his own severed head and body. West and in-over-his-head co-worker Dan Cain (Bruce Abbott) struggle to control the now out-of-control effects of the serum, but the bone-saws and zombies complicate their plans. ~ Buzz McClain, All Movie Guide

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Starring:
Jeffrey CombsBruce Abbott, (more)
1983  
R  
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Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings. Thinking of her while driving home, Hfuhruhurr takes his eyes off the road and runs down the beautiful but deadly Dolores Benedict (Kathleen Turner). Hfuhruhurr performs surgery which saves her life, but as she recovers, Hfuhruhurr doesn't realize Dolores is a gold-digging vixen who has driven her latest husband (George Furth) to death by apoplexy. She is now looking for a new victim and Hfuhruhurr fits the bill. They marry, but Dolores denies her husband sexual favors, which frustrates Hfuhruhurr to distraction. He takes Dolores on a belated honeymoon to Austria, where he meets fellow brain surgeon Dr. Necessiter (David Warner), who keeps a wide assortment of brains in his laboratory. Dolores takes the opportunity to have an extramarital affair, and when Hfuhruhurr finds out he dumps her. But in Necessiter's laboratory, Hfuhruhurr becomes attracted to Brain #21, Ann Uumellmahaye (voice of Sissy Spacek), with whom he communicates telepathically. At last, here is one case where a man loves a woman for her mind rather than her body (which doesn't exist)! But Ann's brain is deteriorating rapidly; Hfuhruhurr needs to find a body and transplant the brain quickly in order to save Ann. ~ Paul Brenner, All Movie Guide

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Starring:
Steve MartinKathleen Turner, (more)
1983  
R  
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This uneven attempt at horror parody, direced by Norman Thaddeus Vane, gets off to a fairly promising start with a fun performance from Ferdinand Mayne (the imposing lead vampire in Roman Polanski's Fearless Vampire Killers) as the impossibly flamboyant horror superstar Conrad Radzoff -- whose idea of a memorable promotional stunt for his latest film involves the murder of its director. Though this proves a hard act to follow, Radzoff manages to do so by kicking the bucket himself. Then enter the annoying young members of a horror-film society who decide to steal Radzoff's corpse to use as a macabre centerpiece at their next hootenanny. Big mistake. Mrs. Radzoff is none too pleased and consults a spirit medium to reanimate her husband's body and avenge the desecration of his crypt. Sadly, what began as a clever comic nod to horror films of yore (and their die-hard fans in particular) collapses completely into routine slasher formula as Radzoff floats his coffin around the house in pursuit of his enemies, dispatching them in outrageously gory ways. Distributors released a title on video, shortly after the run of this film, entitled 'Frightmare II.' It was in fact a 1974 Pete Walker film all but unrelated to this one and erroneously advertised as the sequel to Vane's film. ~ Cavett Binion, All Movie Guide

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Starring:
Ferdy [Ferdinand] Mayne
1981  
R  
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Stepping into the role made famous on Broadway by Tom Conti, Richard Dreyfuss stars as a profoundly handicapped sculptor in Whose Life is it Anyway? Left a quadraplegic after an auto accident, the embittered Dreyfuss feels utterly useless, as both an artist and a human being. He doesn't want his family's love, or his doctor's care, or his nurse's ministrations. Dreyfuss simply wants to die-but this is impossible, given the legal state of things in the 1970s. Whose Life is It Anyway? may be the only film in which a person's right to self-destruction is regarded as a happy ending. Not as depressing as it sounds, Whose Life Is It Anyway is perversely hilarious at times, with Dreyfuss at his acerbic best. The film was scripted by Reginald Rose and Brian Clark from Clark's stage play. ~ Hal Erickson, All Movie Guide

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Starring:
Richard DreyfussJohn Cassavetes, (more)
1981  
PG  
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In this involved send-up of two American icons -- the automobile and the tourist trap -- the tiny Florida town of Ticlaw strives desperately for success after it has been denied the most essential of all tourist amenities -- a freeway exit. The insane, and mostly successful, schemes of the mayor (William Devane) and other distinctly unbalanced citizens interrupt, often hilariously, the lives of various eccentric travellers forced into a place they never intended to be. Critics disagree violently on whether this is a neglected classic or sophomoric nonsense. The winning record of director (John Schlesinger) (Midnight Cowboy, Marathon Man, Cold Comfort Farm, etc.,) and first-class performances by William Devane, Beau Bridges, Beverly D'Angelo, Hume Cronyn, JessicaTandy and a plethora of great character actors -- not to mention the water-skiing elephant and the wild rhino -- argue that it's worth a look. ~ Michael P. Rogers, All Movie Guide

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Starring:
Beau BridgesHume Cronyn, (more)

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