Vance Colvig Movies

Upon learning that a beloved old vaudeville-movie theater is slated for demolition, Bull (Richard Moll) lodges a protest by shackling himself to the theater's door. It turns out that both Harry (Harry Anderson) and Mac (Charlie Robinson) also have a vested interest in the theater's survival. For Harry, the old buidling harbors many pleasant entertainment memories of his youth. And as for Mac, he puts forth the startling revelation that he made his singing debut at the theater as a member of a teenage R&B group called the Starlites! Watch for veteran kiddie-show host and cartoon voiceover specialist Vance Colvig as a derelict. ~ Hal Erickson, All Movie Guide

UHF is the film debut of comedy-rock satirist Weird Al Yankovic, who also co-wrote the screenplay. George Newman (Yankovic) and his friend, Bob (David Bowe from The Cable Guy), are fired from their jobs at Burger World. So George decides to take over channel 62, a failing local TV station that his Uncle Harvey (Stanley Brock) won in a poker game. George turns it around into an overnight success after letting the janitor, Stanley Spadowski (Michael Richards from Seinfeld), host a kid's show. George then fills the broadcast day with bizarre programming, bringing the ratings up and saving the station. Soon, rival station CEO R.J. Fletcher (Kevin McCarthy) of channel 8 threatens to sabotage the successful station and George must come up with a way to save it. Only loosely constructed around this story line, UHF is mostly a series of TV, movie, and music parodies strung together and played for cheap laughs. UHF also stars Victoria Jackson, Emo Philips, and Fran Drescher. ~ Andrea LeVasseur, All Movie Guide

Paul Reubens's followup to the box-office hit Pee-Wee's Big Adventure is just as outrageous and cartoonish, though not as good. This time, child-man Pee-Wee runs a colorful farm, chock full of talking animals and outsized produce. On the morning after a tornado of Wizard of Oz dimensions, Pee-Wee awakens to discover that a travelling circus has been deposited in his back yard. Befriended by circus owner Kris Kristofferson, Pee-Wee takes an acrobatic job, hoping to impress lovely trapeze artist Valeria Golino--thereby incurring the jealous rage of his hometown sweetie Penelope Ann Miller. When the circus is faced with bankruptcy, Pee-Wee comes up with a brilliant idea: why not stage a three-ring spectacular celebrating the wonders of agriculture? A partial takeoff of such earlier sawdust-trail flicks as Martin and Lewis' Three Ring Circus and Disney's Toby Tyler, Big Top Pee-Wee is generally entertaining, but goes off in too many directions at once, leaving a lot of loose plot ends and underdeveloped characters. Also, Pee-Wee's overactive libido (at least in this film!) is not all that suitable for his younger fans. Even so, there are plenty of hilarious set-pieces. Big Top Pee-Wee was produced and cowritten by Paul Reubens. ~ Hal Erickson, All Movie Guide

Rich but repulsive teenager Jessie (Ally Sheedy) can't stand the notion that the whole world doesn't jump to the crack of her whip. Her overindulgent father, millionaire Charles Montgomery (Tom Skerritt), wishes he could teach his daughter a lesson, but can't bring himself to deny his little darling everything her heart desires. Unfortunately, she gets her comeuppance when, after finding out that Jessie has been arrested, her father mutters a wish that she'd never been born. Zap! Enter fairy godmother Beverly D'Angelo, who grants the girl her wish. With no name, no friends, and no money, Jessie has no choice but to look for work. She is hired as a maid by a filthy-rich Malibu couple (Valerie Perrine and Dick Shawn), whose selfish excesses make Jessie look like Pollyanna. Worse still, Jessie is compelled by circumstance to meet up with her father, who doesn't even recognize her. The key to the film's success is the wonderfully many-sided performance of Ally Sheedy. ~ Hal Erickson, All Movie Guide

Penelope Spheeris, director of the infamous documentary The Decline of Western Civilization may well have given the world its first punk-rock Western in the form of Dudes, a sort of Suburbia meets High Noon meets Deliverance. Three East Coast punks (Jon Cryer, Daniel Roebuck, and Flea of the Red Hot Chili Peppers) opt to leave behind the filth and gloom of New York City to become modern-day pioneers on the trail to California; that is, until a gang of redneck road warrior-types led by Lee Ving (of the punk band Fear) waylay the trio and kill Flea in a fashion brutal enough to justify the inevitable retribution. After their pleas to the local sheriff fall on deaf ears, Cryer and Roebuck decide instead to follow the law of the West and serve their own brand of justice as what appear to be a bondage-oriented cowboy and a squirrel on steroids. While the plot seems contrived and asinine, the violence often gratuitous, and the characters paper-thin, Spheeris nonetheless manages to create a likeable and highly watchable -- if often silly -- film. Cryer and Roebuck do the best they can with the material, Ving plays an adequately loathsome villain, and Flea lends a glimpse of his acting ability by offering a convincing portrayal of a dead body. Nowhere near being the time capsule that is The Decline of Western Civilization, Dudes still offers some insight into the punk subculture of the '80s. Spheeris later directed the hugely successful Wayne's World as well as The Decline of Western Civilization II: The Metal Years. ~ Jeremy Beday, All Movie Guide

The "boys next door" are Roy Alston (Maxwell Caulfield) and Bo Richards (Charlie Sheen), typical California teens freshly graduated from high school. Daunted by the prospect of the real world, the boys decide to go on one last fling in L.A. But it's not all clean, wholesome fun; in fact, Caulfield and Sheen launch their weekend bash by beating up a gas-station attendant, throwing a glass bottle at an old woman, and murdering gay-bar patron Chris (Paul C. Dancer). Somewhere along the line, Bo becomes repelled by their violence spree, but Roy seems to be sexually aroused by all the misery he's causing. And so it goes, without real rhyme or reason, until the bloody denouement. Director Penelope Spheeris later helmed Wayne's World, The Little Rascals, and The Beverly Hillbillies. ~ Hal Erickson, All Movie Guide