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Pinto Colvig Movies

1965  
 
An American rancher--who doubles as an undercover agent--is needed in the rescue of a kidnapped senator in this animated adventure. Helping him is his horse Rebel and a good friend named Sorry. The film is distributed by United Screen Arts, the company formed by starring voice Dale Robertson. ~ John Bush, Rovi

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Starring:
Dale RobertsonHoward Keel, (more)
 
1959  
G  
Add Sleeping Beauty to Queue Add Sleeping Beauty to top of Queue  
Disney produced this lavish animated fairy tale, the most expensive cartoon ever made up to its release with a budget of $6 million. When the young princess Aurora is cursed at birth by the evil fairy Maleficent, the baby is kidnapped by a trio of good fairies who raise the girl themselves, hoping to avoid the spell's fulfillment. Nevertheless, at the age of 16, the beautiful Aurora falls into a deep sleep that can only be awakened by a kiss from her betrothed, Prince Phillip. Knowing that Phillip intends to save Aurora, Maleficent takes him prisoner. When the good fairies launch a rescue attempt, Maleficent transforms herself into a spectacular fire-breathing dragon, forcing Phillip to defeat her in mortal combat. Sleeping Beauty (1959) was Oscar nominated for its musical score, which featured adaptations of Tchaikovsky compositions. ~ Karl Williams, Rovi

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Starring:
Mary CostaBill Shirley, (more)
 
1957  
 
Originally titled "The Adventure Story", this is one of several Disneyland episodes which splices together vintage theatrical cartoon shorts into a single, cohesive storyline. In the framing sequences, Papa Goofy ("uh-hyuk") tells his young son the story of their illustrious family. In flashback, we see Goofy's various forebears as they go through their paces as gladiators, knights, seafarers, hunters, artists and scientists--and none too competently. As Goofy would put it, "YAAAH hoohoohoohoooooo." ~ Hal Erickson, Rovi

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Starring:
Pinto Colvig
 
1955  
 
One of the cleverest of Walt Disney's TV "clip shows", "The Goofy Success Story" originally aired as an episode of the weekly Disneyland anthology. Narrated by Jack Bailey of Queen for a Day fame, the program begins as a cheerful, chuckling vagrant named Dippy Dawg meets a Hollywood talent scout. Tested out as a bit player in a 1931 Mickey Mouse cartoon, Dippy is signed to an exclusive contract with Disney studios--but first, his name is changed to Goofy. Thanks to a high-pressure studio buildup, Goofy gains popularity as a supporting player, then is awarded his own starring series. Alas, a professional reversal sends Goofy right back to the bottom, whereupon he briefly considers ending it all. But in 1950, the Goof enjoys a spectacular comeback as star of the Oscar-winning cartoon Motor Mania. "The Goofy Success Story" was later released theatrically overseas. ~ Hal Erickson, Rovi

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1948  
 
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Disney was known for combining his musical cartoon shorts into interesting feature-length anthologies and Melody Time is one of the best. But for the fact that all of the featured segments have musical themes, they vary widely in musical and artistic style. Included are the exciting "Bumble Boogie," with a jazzy version of Rimski-Korsakov's famed "Flight of the Bumblebee," played by Freddy Martin and His Orchestra; the legend of Johnny Appleseed, "Little Toot," the story of a courageous tug-boat narrated by the Andrews Sisters; "Trees," based on Joyce Kilmer's poem and featuring songs by Fred Waring and His Pennsylvanians; "Blame It on the Cowboys," featuring Ethel Smith kicking up her heels with Donald Duck and his Three Caballeros pal Joe Carioca, and cowboy stars Roy Rogers and the Sons of the Pioneers in a live-action/animated retelling of the legend of "Pecos Bill." ~ Sandra Brennan, Rovi

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Starring:
Roy RogersDennis Day, (more)
 
1947  
 
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, Rovi

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Starring:
Mary HatcherEric Alden, (more)
 
1946  
 
Add Make Mine Music to Queue Add Make Mine Music to top of Queue  
In his first postwar animated feature, Walt Disney attempted to repeat the Fantasia formula, substituting "pop" music for the Classics. Make Mine Music consists of ten unrelated cartoon vignettes, each one featuring a popular recording artist. "A Rustic Ballad" is the story of the Martin-Coy hillbilly feud, narrated musically by the King's Men. "A Tone Poem" is an impressionistic interpretation of the song "Blue Bayou", sung by the Ken Darby chorus and rendered artistically by Disney's ace animators. "A Jazz Interlude", done in "sketchbook" style, is performed by Benny Goodman and His Orchestra, and features the jitterbug specialty "All the Cats Join In". Jerry Colonna is next on the program in "A Musical Recitation", offering his own inimitable version of "Casey at the Bat". "Ballad Ballet" features Ballet Russe stars Tatiana Riabouchinska and David Lichine, dancing to Dinah Shore's vocalization of "Two Silhouettes". "A Fairy Tale with Music" turns out to be Prokofiev's "Peter and the Wolf", narrated by Sterling Holloway. Next, Benny Goodman and company return with a surreal visualization of "After You've Gone", followed by "A Love Story", which features the Andrews Sisters' rendition of the ballad "Johnny Fedora and Alice Blue Bonnet." The hilarious "Opera Pathetique" finale finds Nelson Eddy narrating the story of Willy, "The Whale Who Wanted to Sing at the Met". Better in its individual components than its sum total, Make Mine Music was drubbed by critics, who felt that Disney had abandoned his "artistic" aspirations in favor of crass commercialism, but performed reasonably well at the box office, inspiring several more "omnibus" animated features. In later years, the ten individual segments would be released as separate short subjects, both theatrically and as episodes of Disney's various TV series (where the original narration was often supplanted by the unfunny interpolations of Professor Ludwig Von Drake). ~ Hal Erickson, Rovi

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Starring:
Benny GoodmanSterling Holloway, (more)
 
1942  
G  
This 43-minute animated feature is Walt Disney's contribution to the wartime "Good Neighbor Policy" between the USA and Latin America. Opening with live-action footage of Disney and his staff (referred to by the narrator as a "group of artists and musicians") heading off to South America to glean material for a new cartoon project, the film then segues into the misadventures of American tourist Donald Duck at Lake Titicaca. Moving down to Chile, the audience is entertained by the story of Pedro the little airplane, who vows to deliver the mail through the treacherous mountain ranges between Santiago and Mendoza. In the Argentine Pampas, our old friend Goofy tries to acclimate himself to the life of a Gaucho. The best sequence is reserved for last: the Carnaval in Rio de Janeiro, with an animated paintbrush guiding Donald Duck and his South American counterpart Jose Carioca on a surrealistic, samba-rhythmed tour of Brazil. ~ Hal Erickson, Rovi

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1941  
 
The very first Disney feature to include live-action footage, this behind-the-scenes documentary about the studio's animation process includes the cartoon short of the title, which in later years was often exhibited separately from this film. Robert Benchley stars as himself, a visitor to the Disney lot, where he intends to pitch an animated version of the children's fairy tale The Reluctant Dragon by Kenneth Grahame to Walt Disney himself. Benchley wanders away from his studio-appointed guide and tours the facilities himself, where he sees various new cartoons in the process of being storyboarded, including a Baby Weems short. Benchley also meets Clarence Nash, the voice of Donald Duck, and a young animator (played by Alan Ladd) before being corralled to Disney's screening room, where he is shown the company's new short, none other than The Reluctant Dragon. ~ Karl Williams, Rovi

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Starring:
Robert BenchleyFrances Gifford, (more)
 
1941  
 
Two years after the release of Gulliver's Travels, the Fleischer brothers produced Hoppity Goes to Town, their second feature-length cartoon. The film is based in Bugtown, an insect community, and the insects that populate the picture are a sort of melting pot of the bug world. There is Hoppity the grasshopper, who is the dreamer of the bunch; Mr. Bumble the bee, who operates the honey shop, and his daughter Honey Bee, who loves Hoppity; C. Bagley Beetle, the ruthless businessman who plots against his own community for his personal greed; Smack the mosquito and Swat the fly, Mr. Beetle's comic-relief henchmen; and little Buzz, a young bee and a member of the Bee Scouts. The insects live in their isolated world, forever in dread of the increasing encroachment of the humans, but their world is shattered when their protective fence is knocked down and the humans begin making more and more excursions into their area and destroying their homes. Mr. Beetle sees this as his opportunity. He lives in what he believes to be a safe zone and wants Honey for his wife, so he continually pressures Mr. Bumble to let him marry Honey in exchange for moving Bumble into the safer area. But Hoppity has his own plans. Convinced that there are greener pastures elsewhere, he embarks on a journey with Bumble to the big house on the hill, the home of a struggling young songwriter named Dick Dickens and his wife, Mary. Hoppity and Bumble decide that the Dickens' garden is an insect utopia, and try to convince their community to abandon their homes and start fresh. Ultimately, Hoppity and Mr. Beetle must battle not only for control of Bugtown, but also for Honey's heart, and there are some songs by Hoagy Carmichael and Frank Loesser along the way. Hoppity Goes to Town was originally released under the title Mr. Bug Goes to Town. ~ Bob Mastrangelo, Rovi

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Starring:
Gwen WilliamsJack Mercer, (more)
 
1939  
G  
Add The Wizard of Oz to Queue Add The Wizard of Oz to top of Queue  
The third and definitive film adaptation of L. Frank Baum's 1900 children's fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle's dusty Kansas farm. Dorothy yearns to travel "over the rainbow" to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz. Having offended the Wicked Witch of the West (Margaret Hamilton), Dorothy is protected from the old crone's wrath by the ruby slippers that she wears. At the suggestion of Glinda, the Good Witch of the North (Billie Burke), Dorothy heads down the Yellow Brick Road to the Emerald City, where dwells the all-powerful Wizard of Oz, who might be able to help the girl return to Kansas. En route, she befriends a Scarecrow (Ray Bolger), a Tin Man (Jack Haley), and a Cowardly Lion (Bert Lahr). The Scarecrow would like to have some brains, the Tin Man craves a heart, and the Lion wants to attain courage; hoping that the Wizard will help them too, they join Dorothy on her odyssey to the Emerald City.

Garland was MGM's second choice for Dorothy after Shirley Temple dropped out of the project; and Bolger was to have played the Tin Man but talked co-star Buddy Ebsen into switching roles. When Ebsen proved allergic to the chemicals used in his silver makeup, he was replaced by Haley. Gale Sondergaard was originally to have played the Wicked Witch of the West in a glamorous fashion, until the decision was made to opt for belligerent ugliness, and the Wizard was written for W.C. Fields, who reportedly turned it down because MGM couldn't meet his price. Although Victor Fleming, who also directed Gone With the Wind, was given sole directorial credit, several directors were involved in the shooting, included King Vidor, who shot the opening and closing black-and-white sequences. Harold Arlen and E.Y. Harburg's now-classic Oscar-winning song "Over the Rainbow" was nearly chopped from the picture after the first preview because it "slowed down the action." The Wizard of Oz was too expensive to post a large profit upon initial release; however, after a disappointing reissue in 1955, it was sold to network television, where its annual showings made it a classic. ~ Hal Erickson, Rovi

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Starring:
Judy GarlandFrank Morgan, (more)
 
1939  
 
Add Gulliver's Travels to Queue Add Gulliver's Travels to top of Queue  
Impressed by the success of Disney's Snow White and the Seven Dwarfs, Paramount Pictures ordered the studio's resident animation producer Max Fleischer to come up with a feature-length cartoon of his own. Utilizing an expanded staff and new production facilities in Miami, Florida, Fleischer and his brother Dave Fleischer spent six months mulling over story properties before deciding upon Jonathan Swift's Gulliver's Travels; 20 months later, the film was completed and ready for release. Only the first part of Swift's novel, taking place in the miniature lands of Lilliput and Blefuscu, was used in the film, while the original plot, a satire of warfare stemming from an argument over which end of an egg to crack, was jettisoned entirely in favor of a sappy love story with slapstick overtones. Shipwrecked by a storm at sea, normal-sized Lemuel Gulliver washes up on the shore of Lilliput, where the citizens are no larger than Gulliver's thumb. Discovered by excitable town crier Gabby, Gulliver is roped to the ground by the Lilliputians, only to escape with ease upon waking up. While longing to head homeward to England, Gulliver becomes involved in a feud between Lilliput's King Little and Blefuscu's King Bombo. On the eve of the wedding between Little's son Prince David and Bombo's daughter Princess Glory, the two monarchs have a falling out over which national anthem will be played at the ceremony. After a seemingly endless series of misunderstandings and intrigues-many of them perpetrated by Bombo's comic-opera spies Sneak, Snoop and Snitch-Gulliver solves everyone's problems by suggesting that both anthems be played together, resulting in what was supposed to have been the film's hit song "Faithful Forever". Lacking the emotional "pull" of Snow White and the Seven Dwarfs--not to mention the excellence of Disney's animation--Gulliver's Travels must rely upon the slapstick antics of Gabby, the three spies, and carrier pigeon Twinkletoes to keep the audience awake (all of these characters would be spun off into cartoon series of their own). The songs, like the film itself, are nothing special, though Paramount managed to get a lot of mileage out of "All's Well" and "It's a Hap-Hap-Happy Day". Singers Sam Parker, Lanny Ross and Jessica Dragonette are heard as Gulliver, David and Glory, while such Fleischer "regulars" as Jack Mercer and Pinto Colvig play the comic roles. Its many flaws aside, Gulliver's Travels was reasonably successful at the box office, though one wonders if it wouldn't have been an even bigger hit had the Fleischers followed through with their original plan to cast Popeye the Sailor in the role of Gulliver. ~ Hal Erickson, Rovi

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1937  
G  
Add Snow White and the Seven Dwarfs to Queue Add Snow White and the Seven Dwarfs to top of Queue  
It was called "Disney's Folly." Who on earth would want to sit still for 90 minutes to watch an animated cartoon? And why pick a well-worn Grimm's Fairy Tale that every schoolkid knows? But Walt Disney seemed to thrive on projects which a lesser man might have written off as "stupid" or "impossible". Investing three years, $1,500,000, and the combined talents of 570 artists into Snow White and the Seven Dwarfs, Disney produced a film that was not only acknowledged a classic from the outset, but also earned 8,500,000 depression-era dollars in gross rentals. Bypassing early temptations to transform the heroine Snow White into a plump Betty Boop type or a woebegone ZaSu Pitts lookalike, the Disney staffers wisely made radical differentiations between the "straight" and "funny" characters in the story. Thus, Snow White and Prince Charming moved and were drawn realistically, while the Seven Dwarfs were rendered in the rounded, caricatured manner of Disney's short-subject characters. In this way, the serious elements of the story could be propelled forward in a believable enough manner to grab the adult viewers, while the dwarfs provided enough comic and musical hijinks to keep the kids happy. It is a tribute to the genius of the Disney formula that the dramatic and comic elements were strong enough to please both demographic groups. Like any showman, Disney knew the value of genuine horror in maintaining audience interest: accordingly, the Wicked Queen, whose jealousy of Snow White's beauty motivates the story, is a thoroughly fearsome creature even before she transforms herself into an ancient crone. Best of all, Snow White clicks in the three areas in which Disney had always proven superiority over his rivals: Solid story values (any sequence that threatened to slow down the plotline was ruthlessly jettisoned, no matter how much time and money had been spent), vivid etched characterizations (it would have been easier to have all the Dwarfs walk, talk and act alike: thank heaven that Disney never opted for "easy"), and instantly memorable songs (Frank Churchill, Leigh Harline, Paul J. Smith and the entire studio music department was Oscar-nominated for such standards-to-be as "Whistle While You Work" and "Some Day My Prince Will Come"). ~ Hal Erickson, Rovi

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1933  
 
Originally produced in 1933 and the winner of an Academy Award for Best Cartoon Short Subject, Three Little Pigs tells the classic fairy tale of two hasty pigs, one smart one, and the Big Bad Wolf they're all trying to escape from. Featuring the song "Who's Afraid of the Big Bad Wolf?," the program also boasts the vocal talents of Dorothy Compton, Mary Moder, Pinto Colvig, and Billy Bletcher as the wolf. ~ Matthew Tobey, Rovi

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