Beth Morris Movies

This compelling low-budget horror-fantasy from Welsh filmmaker Julian Richards made a splash at several fantasy film festivals, where it often garnered a more favorable reception than Hollywood big-budget product. The plot follows the investigations of English journalist Frazer Truick (Craig Fairbrass) into the disappearance of a colleague's brother in South Wales. His snooping unearths the elaborate political machinations of a long-standing, ultra-conservative faction known as "Regeneration," whose followers, under the leadership of businessman David Keller (Jon Finch), intend to return Wales to its ancient Celtic ways... including the practice of human sacrifices. Insidious plot twists abound, all of which point to Truick's unknowing role in the sect's master plan. Richards' excellent script may draw its thematic inspiration from The Wicker Man, and those familiar with that film may not be entirely surprised by the climax; the story nevertheless contains many unconventional surprises, and it maintains an effective balance between political allegory and pure suspense. Further enhanced by excellent photography and an intense performance from Fairbrass, Darklands represents a remarkable debut from an assured genre talent. ~ Cavett Binion, All Movie Guide

Plenty boasts a cast of actors ranging from John Gielgud as an ethical and caustic senior diplomat to Meryl Streep as Susan Traherne, a woman looking for solace and a decent life in the aftermath of World War II. After World War II has ended, along with her work in the French Resistance movement and an idealized love affair with a soldier, Susan finds jobs in the business and diplomatic worlds. Her life slowly disintegrates as she tries and fails to have a child then marries diplomat Raymond Brock (Charles Dance) and suffers further emotional decline as her rather conventional marriage eventually becomes cool and finally, alienating. Against Susan's difficulties are tumultuous events in the background -- the Suez Canal crisis and Middle East developments among them. David Hare adapted the screenplay from his successful stage play which first opened in 1978. ~ Eleanor Mannikka, All Movie Guide

Essentially a reworking of their earlier omnibus Asylum, this is another anthology of pulp horror tales from Amicus, this one helmed by the ever-reliable Freddie Francis. It features a quartet of eerie vignettes involving four patients in the care of psychiatrist Dr. Tremayne (Donald Pleasence), who is attempting to justify his strange theories to a colleague (Jack Hawkins, who died shortly after his scenes were filmed) by explaining the horrific events that drove the patients to their current state. The first tale centers on a young boy (Russell Lewis), whose parents' constant squabbling prompts him to conjure an imaginary tiger to devour them. The second involves a Victorian-era bicycle which allows its finder (Peter McEnery) to travel back in time and live as his own ancestor. The goofy third chapter pits a jealous wife (Joan Collins) against a strange rival for her husband's attention: a tree possessed by a human soul. The final segment stars Kim Novak (a last-minute replacement for Rita Hayworth) as a literary agent who must sacrifice her own daughter (Mary Tamm) to appease the restless spirit of her client's mother. Although certainly not the studio's best effort, this is still an amusing diversion, featuring the standard twist ending and a flamboyant approach suggestive of EC horror comics. ~ Cavett Binion, All Movie Guide

A crazed sculptor (Mike Raven) realizes that his craft is made much easier by simply pouring molten bronze over his beautiful female models. ~ John Bush, All Movie Guide