Bob Morones Movies

A forbidden romance threatens deadly consequences for a young Israeli Jew and a beautiful Palestinian Muslim who risk their lives and defy their families by eloping in a land where their union will be doomed from the moment they wed. Jerusalem is in crisis; while Jews, Arabs, and Christians live side by side in this sacred city, few of them ever intermingle, much less attempt to pursue any kind of meaningful dialogue with one another. Tradition runs deep here, and to go against that could mean death. But for a young Jew named David and a pretty Palestinian named Fatima, the world simply isn't as black and white as some folks would like to think. They know that they must work to keep their romance a secret from their families, and when the truth gets out their love is at risk of being lost forever. But David and Fatima are willing to risk it all in the name of love, and soon make the decision to elope rather than let their lives be dictated by the laws of the land. Neither has any doubt that their decision could bring about deadly results, but both realize that a love this strong is simply much too powerful to ever be denied. ~ Jason Buchanan, All Movie Guide

This landmark of Chicano cinema is an adaptation of Tomas Rivera's 1971 novel of the same title. Told from the perspective of Marcos, the 12-year-old son of migrant Mexican-American farm workers, the film follows their travels over the course of a year, each of its 12 sections linked to a month of the calendar. The family starts off in Texas at the beginning of harvest season. Their hardscrabble journey takes them across the length and breadth of the Midwest. Along the way, Marcos and his family encounter a rich, difficult, and, at times, pathetic cast of characters including other migrant workers, a shoe salesman, and, in the most startling part of the film, white Americans. Through these encounters, Marcos comes to understand his place in the order of things, namely, near the bottom, discovers the power of familial bonds to comfort and overcome hardship, and uncovers in himself a desire to learn and educate. ~ Brian Whitener, All Movie Guide

It doesn't take long for the alleged story line to disappear from this kickboxer feeding-frenzy of a film so the real action can begin. Supposedly the movie is about an Olympic-caliber kickboxer who leaves Paris, headed to "some" southern California school to get an engineering degree and help train a kickboxing team. But it's really an effort to show how many Mexican- American hoodlums one artful foot flinger can dispatch. ~ All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

The rise and growth of American popular music through the 20th century is reflected in the lives of four generations of one family in this animated drama directed by Ralph Bakshi. Zalmie (voice of Jeffrey Lippa), a Russian Jew, emigrates to America, and tries to struggle along as a comic and musician in vaudeville, until an injury suffered in World War I ends his singing career. Zalmie's son Benny (voice of Richard Singer) inherits his father's love for music, and when he grows to adulthood, he joins a jazz combo as a pianist; his career is cut short, however, when he's killed while fighting in World War II. Benny's son Tony (voice of Ron Thompson) is also bitten by the music bug and is determined to make his mark as a songwriter; he becomes involved in the Beat poetry and music community in San Francisco, and later falls in with a pioneering psychedelic band. Along the way, Tony fathers an illegitimate son named Pete (voice of Eric Taslitz), and ends up becoming Pete's guardian in New York City without realizing he's the boy's father. After Tony's death, Pete supports himself by dealing drugs, while struggling to make his dream of becoming a rock star a reality. Ralph Bakshi achieved American Pop's unique look through a process called "rotoscoping" -- shooting the scenes with live actors, and then tracing their movements onto animation cells.
~ Mark Deming, All Movie Guide