George Coulouris Movies

Based on The Hand and the Flower, a novel by Jerrard Tickell, A Day to Remember stars Stanley Holloway as Charley Porter, captain of London darts team. When the team travels to the French town of Boulogne for the annual darts tournament, a good time is had by all--and more besides. Jim Carver (Donald Sinden), one of the team's members, is reunited with a little French girl he'd befriended during the war, who has now developed into a beautiful young woman (Odelle Versois). And Fred Collins (James Hayter) makes a poignant journey to the hotel where he'd honeymooned with his late wife (Brenda DeBanzie). The film works best as a low-key comedy-drama; it is least successful when it ventures into O. Henry territory and strains for "surprise" story twists. ~ Hal Erickson, All Movie Guide

Less than a month after the release of 20th Century-Fox's The Racers, Lippert Productions picked up the American distribution rights for the British A Race for Life. Richard Conte stars as Peter Wells, a onetime champion race-car driver whose career was interrupted by the war. Linking up with an Italian racing team, Wells hope to stage a comeback, while his wife Pat (Mari Aldon) wishes that he'd give up his dangerous profession. Pat finally walks out on her husband, but has a change of heart when he enters the prestigious Grand Prix. Much of A Race for Life is comprised of thrilling genuine race-car footage, culled from various English and European newsreels and documentaries. ~ Hal Erickson, All Movie Guide

Hot on the heels of Columbia's The Fuller Brush Man, MGM released another Red Skelton gagfest, A Southern Yankee. Set during the Civil War, the film casts Skelton as bumbling bellboy Aubrey Filmore. Yearning to help the Northern cause by becoming an undercover spy, Aubrey succeeds beyond his wildest dreams when circumstances force him to pose as notorious Southern secret agent Major Drumman (George Coulouris), aka "The Grey Spider". Infiltrating rebel territory, our hero does his best (which is none too good) to intercept the Grey Spider's messages and smuggle them to the North. Along the way, he falls in love with pert Southern belle Sallyann Weatherby (Arlene Dahl). Many of the side-splitting gag routines were devised by Buster Keaton, notably the now-famous scene in which Aubrey gingerly walks across the battlefield between Northern and Southern lines carrying a two-sided flag -- the Northern Stars and Stripes on one side, the Southern Stars and Bars on the other -- a strategy that works until the wind suddenly changes! Though Edward Sedgwick is credited with the direction, Red Skelton later revealed that A Southern Yankee was actually directed by S. Sylvan Simon. ~ Hal Erickson, All Movie Guide

Alberto De Martino's imitative occult horror film, photographed by Aristide Massaccesi (aka Joe D'Amato), is probably the best of numerous Italian copies of The Exorcist which flooded theaters in the mid-1970s. Carla Gravina stars as Hipolita, a paralyzed young woman with serious mental problems stemming from the death of her mother. Her crisis of faith and the intervention of a well-meaning psychologist lead Hipolita to remember her past life as a witch during the Inquisition. Eventually, Hipolita becomes possessed and starts seducing local men, only to break their necks. Eventually, she sleeps with her brother, makes a local sorceror lick vomit from her hand, and levitates out the window. It takes an exorcism performed by an aging monk (George Coulouris) and the family housekeeper (Alida Valli) to restore order. De Martino and the talented cast manage a few chilling moments despite the predictable storyline, and Gravina is quite good in the lead. ~ Robert Firsching, All Movie Guide

An expert in ancient hieroglyphics unexpectedly finds himself involved in a web of international intrigue in this chic, enjoyably tongue-in-cheek espionage adventure. Gregory Peck stars as David Pollock, an American professor whose predictable academic routine is overturned when he is hired to help translate a mysterious message written in an obscure ancient text. The real trouble begins, however, when everyone from a wealthy oil magnate to a foreign government to brutal criminals starts to chase Pollock, desperate to discover the nature of the deciphered message. Along for the ride is Yasmin Azir (Sophia Loren), the gorgeous lover of Pollock's employers, whose loyalties are questionable, to say the least. The tangled narrative proves less important than the film's stylish surface, from the colorful London locations to the Henry Mancini score. Certain touches date the film, like a brief foray into psychedelia, but the modish visuals are generally an appropriate match to the insouciant tone. Not taking itself seriously enough to be truly thrilling, Arabesque nevertheless stands as a witty, well-made example of a particular breed of airy, intentionally superficial comic adventure. ~ Judd Blaise, All Movie Guide

In this remake of Outward Bound, which updated the story to include topical refences to the war still raging in Europe, Henry (Paul Henreid) and Ann (Eleanor Parker) are a couple from Austria hoping to escape Nazi bombings. They are en route to a ship leaving Europe when an explosion throws them from their car and leaves many passersby dead. Despondent and unable to meet the ship, the couple return to their apartment and decide to commit suicide by turning on the gas. They awake to find themselves on a ship shrouded in fog and carrying many passengers, among them Tom Prior (John Garfield), a wisecracking reporter who was also a witness to the earlier bombing. Henry and Ann discover that the ship is actually Limbo, a waiting station between Heaven and Hell, where Mr. Thompson (Sydney Greenstreet) will determine their final destination for eternity. ~ Mark Deming, All Movie Guide

The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, All Movie Guide

California began life as a remake of Paramount's silent western epic The Covered Wagon, but by the time it emerged on-screen in 1946, the project had metamorphosed into a standard Technicolor frontier "spectacular", concentrating more on star power than anything else. Set during the 1848 mass migration to California, the film stars Ray Milland as Army deserter Jonathan Trumbo and Barbara Stanwyck as "shady lady" Lily Bishop. Since it is clear from the outside that the purportedly disreputable Trumbo and Lily will emerge as the film's true hero and heroine, it is easy to ignore the melodramatic plot convolutions and concentrate on the outsized, well-directed wagon train sequences. George Coulouris has a few ripe moments as a sagebrush Hitler who intends to set up his own despotic empire in California, while Barry Fitzgerald does his usual Irish-blarney routine as an itinerant farmer. As a bonus, Barbara Stanwyck sings a couple of newly-minted "cowboy" songs. ~ Hal Erickson, All Movie Guide

Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, All Movie Guide

A Graham Greene novel was the source of the Warner Bros. espionage thriller Confidential Agent. Charles Boyer stars as Denard, a former concert musician operating as anti-Fascist secret agent in the Spanish Civil War. While negotiating with the neutral British for some much needed fuel supplies, Denard falls in love with gorgeous Rose Cullen (Lauren Bacall) Sympathetic to his cause, Rose helps Denard contend with such backstabbing villains as Contreras (Peter Lorre) and Mrs. Melandy (Katina Paxinou, who'd ironically won an Academy Award for her sympathetic potrayal in another Spanish Civil War drama, For Whom the Bell Tolls). Critics in 1945 liked Confidential Agent but trounced leading lady Lauren Bacall, suggesting that she was merely a pretty amateur who'd coasted to stardom via her associations with actor Humphrey Bogart and director Howard Hawks. At this point in her career, Bacall was inclined to agree with her detractors-though in time, she certainly proved them wrong. ~ Hal Erickson, All Movie Guide

Lilli Palmer stars as a nun in a World War 2-era Italian convent. At the risk of her own life and those of her cloistered colleagues, Palmer hides a group of Jewish orphans from the Nazis. She then attempts to shepherd the kids to the safety of foster homes. Danger looms in the form of Nazi colonel Albert Lieven, who isn't quite as sympathetic as the nuns. Costar Sylvia Syms has some of the film's best scenes. There's little in Conspiracy of Hearts that we haven't seen before, but the actors manage to inject humor, warmth and pathos into the all-too-familiar proceedings. ~ Hal Erickson, All Movie Guide

The third of the droll British "Doctor" series, Doctor at Large once more stars Dirk Bogarde as young Dr. Simon Sparrow. Back in his old stamping grounds at St. Swithin's Teaching Hospital, Sparrow misses his chance at becoming chief surgeon when he crosses swords with the formidable Sir Lancelot Spratt (James Robertson Justice). Forced to go job hunting, our hero undergoes a variety of hilarious medical and romantic misadventures before ending up right where he started. Some of the film's best scenes involve shapely nurse Nan, played by Shirley Eaton of Goldfinger fame. Like its predecessors, Doctor at Large was based on characters created by real-life medico George Gordon. ~ Hal Erickson, All Movie Guide

The first of the popular British "Doctor" comedy series, Doctor in the House stars Dirk Bogarde as callow young medical student Simon Sparrow. Beginning his five-year internship at St. Swithin's Teaching Hospital, Sparrow continually runs afoul of head doctor Sir Lancelot Sprat (James Robertson-Justice). His social life is spiced up when Sparrow is taken under the wings of three student repeaters, who've flunked their prelims and are seeking a second chance. Most of the humor is very basic and not a little vulgar, ranging from the character name "Sir Lancelot Sprat" (say it really fast) to the now famous "What's the bleeding time?" routine. The film spawned several theatrical follow-ups, as well as a 1970s TV series; all were based on the semi-satirical novels by Dr. Richard Gordon. ~ Hal Erickson, All Movie Guide