George Coulouris Movies

An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide

Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, All Movie Guide

An expansion of, and improvement upon, Lillian Hellman's stage play of the same name, Watch on the Rhine stars Paul Lukas, recreating his Broadway role of tireless anti-fascist crusader Kurt Muller. As the clouds of war gather in Europe in the late 1930s, Muller arrives in Washington DC, accompanied by his American wife Sara (top-billed Bette Davis) and their children Joshua (Donald Buka), Bodo (Eric Roberts) and Babette (Janis Wilson). The Mullers stay at the home of Sarah's wealthy mother Fanny Fannelly (Lucille Watson), who lives in her own world of society get-togethers and can't be bothered with politics. Also staying with Fanny is Rumanian aristocrat Teck de Branovis (George Coulouris) and his American wife Marthe (Geraldine Fitzgerald). To protect his family, Muller keeps his "underground" activities a secret from Fanny and her guests, but de Branovis is suspicious of the mild-mannered visitor. It turns out that de Branovis is actually a Nazi sympathizer, willing to betray Muller for a price. Using blackmail as one of his weapons, de Branovis threatens to destroy all that Muller has been fighting for. To prevent this, Muller kills de Branovis in cold blood. Now technically a murderer, Muller bids his family a reluctant goodbye, heading back to Europe to continue his vital work. If ever there was a justifiable homicide in a motion picture, it was the killing of the odious de Branovis in Watch on the Rhine. Still, the Hollywood production code dictated that a murderer must always pay for his crimes, thus a coda is added, alluding to Muller's death-providing a golden opportunity for a nifty smiling-through-the-tears curtain speech by Bette Davis. Scripted by Lillian Hellman's lover Dashiel Hammett, Watch on the Rhine earned several Academy Award nominations, as well as a "best actor" Oscar for Paul Lukas. ~ Hal Erickson, All Movie Guide

Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, All Movie Guide

In this remake of Outward Bound, which updated the story to include topical refences to the war still raging in Europe, Henry (Paul Henreid) and Ann (Eleanor Parker) are a couple from Austria hoping to escape Nazi bombings. They are en route to a ship leaving Europe when an explosion throws them from their car and leaves many passersby dead. Despondent and unable to meet the ship, the couple return to their apartment and decide to commit suicide by turning on the gas. They awake to find themselves on a ship shrouded in fog and carrying many passengers, among them Tom Prior (John Garfield), a wisecracking reporter who was also a witness to the earlier bombing. Henry and Ann discover that the ship is actually Limbo, a waiting station between Heaven and Hell, where Mr. Thompson (Sydney Greenstreet) will determine their final destination for eternity. ~ Mark Deming, All Movie Guide

The Master Race argues persuasively that, although it appeared that the Nazis would lose WW2, it was foolish to assume that Hitler's legacy would not insinuate itself into the postwar era. Nazi bigwig Von Beck (George Coulouris) arrives in a small Belgian village on the eve of its liberation by the Allied troops. It is Von Beck's plan to foment disharmony and bigotry amongst the villagers, thereby laying the groundwork for a German victory in the next war. But Von Beck soon discovers that the populace isn't quite as gullible as the herrenvolk had been when Hitler rose to power. Still, the film ends with a warning: the only way to avoid future world conflict is to thoroughly crush the instigators of the present war. Ironically, after hostilities ceased, Herbert J. Biberman, cowriter-director of The Master Race, was castigated by the anti-Red brigades for being, among other things, a "premature anti-fascist." ~ Hal Erickson, All Movie Guide

Deanna Durbin offered her fans a change of pace in this mystery story seasoned with elements of comedy and music. Nikki Collins (Durbin) is a small-town girl visiting New York City to meet with Mr. Haskell (Edward Everett Horton), her family's attorney. As her train pulls into the station, she looks out her window into a nearby office building. She's shocked by what she sees -- a man is being strangled to death, and while she can't see the face of the killer, she gets a good look at the victim. Terrified, Nikki immediately goes to the police, but they think that her story is simply the product of an overactive imagination and send her on her way. Nikki, however, is certain that she witnessed a murder, and she approaches mystery writer Wayne Morgan (David Bruce) to help her piece together the facts of what happened. Thanks to a newsreel, Nikki is able to recognize the victim as Mr. Waring, a wealthy man who made his fortune in shipping; she attempts to contact Waring's family, but they're convinced that Nikki is a nightclub singer with whom the tycoon was having an affair. Hoping to contact the chanteuse in question, Nikki visits the club where she works, only to discover that she's also been murdered. Nikki soon finds herself being trailed by both Jonathan (Ralph Bellamy) and Arnold (Dan Duryea), two members of Waring's family whom she believes may have been involved in the crime, and could be trying to silence her once and for all. Like most of Durbin's vehicles, Lady on a Train's plot stops every now and then to give her the opportunity to sing a song; Western fans may want to keep an eye peeled for future cowboy star Lash LaRue, who has a small role as a waiter. ~ Mark Deming, All Movie Guide

A Graham Greene novel was the source of the Warner Bros. espionage thriller Confidential Agent. Charles Boyer stars as Denard, a former concert musician operating as anti-Fascist secret agent in the Spanish Civil War. While negotiating with the neutral British for some much needed fuel supplies, Denard falls in love with gorgeous Rose Cullen (Lauren Bacall) Sympathetic to his cause, Rose helps Denard contend with such backstabbing villains as Contreras (Peter Lorre) and Mrs. Melandy (Katina Paxinou, who'd ironically won an Academy Award for her sympathetic potrayal in another Spanish Civil War drama, For Whom the Bell Tolls). Critics in 1945 liked Confidential Agent but trounced leading lady Lauren Bacall, suggesting that she was merely a pretty amateur who'd coasted to stardom via her associations with actor Humphrey Bogart and director Howard Hawks. At this point in her career, Bacall was inclined to agree with her detractors-though in time, she certainly proved them wrong. ~ Hal Erickson, All Movie Guide

The novel The Big Bow Mystery by Israel Zangwill had been filmed in 1928 as The Perfect Crime and again in 1934 as The Crime Doctor. This 1946 version was the best and marked the directorial debut of Don Siegel. It also paired the popular duo of Peter Lorre and Sydney Greenstreet for the last time. Greenstreet plays George Grodman, a veteran Scotland Yard chief who is forced out after a murderer that he helped convict is found innocent after his execution. His successor is the pompous Buckley (George Coulouris), who vows to do much better. Lorre plays Victor Emmric, an artist illustrating a crime book that Grodman is writing. A tenant in a building near Grodman's apartment is found dead by a landlady who summons Grodman to the scene. The victim's door appears to have been locked from the inside. Chief Buckley fingers Clive Russell (Paul Cavanagh), a friend of Grodman. With only circumstantial evidence, the superintendent railroads Russell into a conviction that carries the death sentence. Grodman tries to prove his friend innocent, but the only woman who can provide Russell an alibi is dead. ~ Michael Betzold, All Movie Guide

In this film noir with romantic overtones, con man and cardsharp Nick Blake (John Garfield) returns home after serving in WWII to discover that a rival syndicate now controls New York's gambling rackets -- and that his girlfriend Toni (Faye Emerson) has run off with his money. Looking for a fresh start, Nick heads for California, where he becomes reacquainted with Pop Grueber (Walter Brennan), who gave him his start in the underworld. Pop and his boss Doc Ganson (George Coulouris) tip Nick off to a scam they've brainstormed to separate young widow Gladys Halvorsen (Geraldine Fitzgerald) from her recently inherited fortune. Nick's job is to sweet talk Gladys out of her money and then make tracks, but he finds himself falling in love with her and wants out of the deal. Meanwhile, Toni comes back into the picture and tries to convince Doc that Nick is trying to cheat him, leading to a kidnapping. Incidentally, John Garfield won the leading role in Nobody Lives Forever after Humphrey Bogart turned it down. ~ Mark Deming, All Movie Guide

Director Victor Fleming's final film features Ingrid Bergman as a vivid and luminous Joan of Arc, the 15th-century French peasant girl who led the French in battle against the invading English, becoming a national hero. When she was captured, tortured, and ultimately executed by the English, she was made a Catholic saint. Bergman's Joan is a strong and spiritual figure who proves her devotion to the Dauphin (Jose Ferrer), later to become the King of France. Joan is compelling as she wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon, leads her army in the Battle of Orleans, is betrayed by the Burgundians, and edicts that "our strength is in our faith." ~ Paul Brenner, All Movie Guide

This noir mystery thriller was produced by Mary Pickford and her husband Buddy Rogers, and directed by Douglas Sirk. Claudette Colbert stars as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kindly older woman, Mrs. Tomlinson (Queenie Smith) helps Alison call her husband Richard (Don Ameche), who informs her that she disappeared after threatening his life. While traveling back to New York, Alison meets Bruce Elcott (Robert Cummings), who is immediately smitten with her. Upon her return, Richard urges Alison to consult a psychiatrist, Charles Vernay (George Coulouris), but the man's bizarre, abusive manner nearly drives Alison mad. Alison's condition, Vernay, and even the helpful Mrs. Tomlinson are all part of an elaborate scheme on the part of Richard and his mistress, Daphne (Hazel Brooks) to get drive Alison to suicide and collect her fortune. A concerned Bruce visits Vernay, who is really a photographer, and begins piecing the scheme together. ~ Karl Williams, All Movie Guide