Jerry Colonna Movies
In his youth, Jerry Colonna worked as a longshoreman by day to finance his music studies by night. He became a star trombonist in several major bands, fronting his own jazz aggregation for a time. Not willing to become just one more sideliner, Colonna decided to develop a wacky comic persona, growing a huge handlebar mustache for that purpose. He skyrocketed to popularity as a combination stooge/heckler for radio comedian Bob Hope, coining such catch phrases as "Who's Yehudi?" and "Ah, yes...exciting, isn't it?" On his own, Colonna recorded several best-selling records, offering ear-piercing renditions of such songs as "On the Road to Mandalay" (he could hold a high note longer--and to better effect--than any "serious" opera diva). After his film debut in 52nd Street (1937), Colonna played several hilarious supporting roles, and also starred in a few lively "B"-movies like Priorities on Parade (1944) and Kentucky Jamboree (1950); he was also seen in an ersatz version in dozens of Warner Bros. cartoons of the 1940s. During the 1950s and 1960s, Colonna continued making USO tours with Bob Hope (as he'd done during the war), headlined a nightclub act, and showed up with great frequency as a TV guest star on such series as The Monkees and McHale's Navy. After Colonna fell victim to a stroke in the late 1960s, his old boss Hope saw to it that Jerry and his family were well-provided for. In addition to his performing credits, Jerry Colonna also penned a novel, The Loves of Tullio (1970). ~ Hal Erickson, Rovi
- 1969
Filmed in 1969, Don't Push, I'll Charge When I'm Ready remained on the shelf until December 18, 1977. On that evening, it was discreetly offered as an NBC Sunday Night Movie presentation. If the film resembles an old Bob Hope comedy, it may be because it was put together by Hope's son-in-law, Nathaniel Lande. Italian actor Enzo Cerusio plays a POW who finds himself in an American uniform during World War 2. Cerusio's pacifistic sympathies are rather at odds with the gung-ho attitudes of his fellow GIs, notably sergeant Dwayne Hickman. The romantic element is handled by Sue Lyon, who obviously had a lot of trouble landing good parts after her spectacular screen debut in Lolita (1962). Saving the film from total boredom are such seasoned laughgetters as Jerry Colonna, Soupy Sales, Edward Andrews, Parley Baer and Avery Schreiber. ~ Hal Erickson, Rovi
- 1966
One of a handful of Monkees episodes directed by Bob Rafaelson, "Don't Look a Gift Horse in the Mouth" (aka "Gift Horse") is a heady combination of sentiment and silliness. To assure the happiness of a dewy-eyed little boy named Jonathan (Kerry MacLane), the Monkees become the reluctant owners of a racehorse. After attempting to hide the nag in their apartment, our heroes save the day for everyone when Davy rides the horse in a big race. Perennial Bob Hope foil Jerry Colonna guest stars as Dr. Mann, a very nearsighted veterinarian. Songs: "Papa Gene's Blues" and "All the King's Horses". First broadcast on October 31, 1966, "Don't Look a Gift Horse in the Mouth" was written by Dave Evans. ~ Hal Erickson, Rovi
This was the last trip in the "road" comedies that Bob Hope, Bing Crosby, and a bevy of female stars that featured Dorothy Lamour once made famous. In this road to Hong Kong and parts far beyond, Chester and Harry (Hope and Crosby) are a couple of failed vaudeville stars looking for a way to riches in the confidence game. Chester's memory goes kaputz, and the two end up involved with Diane (Joan Collins), a spy looking for a secret formula, and a bunch of hoodlums who plan on sending up a rocket to the moon with special equipment allowing them to rule the planet earth. The pair of heroes gets caught in the rocket instead of the originally intended monkeys, and the monkey business continues in outer space -- where it seems to be all along. In this mixed collage of events, several stars pop up in cameo roles: Peter Sellers, Dean Martin, David Niven, Frank Sinatra among them. ~ Eleanor Mannikka, Rovi
- Starring:
- Bing Crosby, Bob Hope, (more)
- 1958
With Andy Hardy Comes Home, Mickey Rooney hoped to revive the character -- and the movie series -- that had brought him fame and fortune back in the 1930s and 1940s. Returning to his home town of Carvel after several years absence, lawyer Andy Hardy (Rooney) brings his wife Jane (Patricia Breslin) and two children Andy Jr. (played by Rooney's real-life son Teddy) and Jimmy (Johnny Weissmuller Jr.) along on his sentimental journey. Andy's dad Judge Hardy is long gone (though the late Lewis Stone appears in flashbacks), but his mom (Fay Holden), sister Marian (Cecilia Parker), and Aunt Milly (Sara Haden) welcome him with open arms. After a while, Andy reveals the real reason for his return: now in the employ of an aircraft company, he hopes to convince his bosses to build a plant in Carvel. The fly in the ointment is crooked businessman Chandler (Frank Ferguson), who, when Andy refuses to purchese Chandler's land at a ridiculously exorbitant price, mounts a campaign to discredit the Hardy family. A pleasant enough diversion, Andy Hardy Comes Home failed to spark interest in a new Hardy Family series. ~ Hal Erickson, Rovi
- Starring:
- Mickey Rooney, Patricia Breslin, (more)
- 1957
This episode of Disneyland consists primarily of four lengthy excerpts from two of Disney's animated features of the 1940s. The Kings' Men Quartet musically narrate the story of those famous feudin' families, the Martins and the Coys, in a sequence originally seen in Make Mine Music (1946). Also from the same source, Jerry Colonna delivers a spirited narration to the cartoon version of "Casey at the Bat", by Ernest Lawrence Thayer. And Dennis Day doubles as the voice of the narrator and the title character of "Johnny Appleseed", a segment lifted from Melody Time (1948). Rounding out the episode is a newly animated musical adaption of "Casey Jones, the Brave Engineer", again featuring the considerable talents of Jerry Colonna. ~ Hal Erickson, Rovi
- Starring:
- Jerry Colonna, Dennis Day, (more)
- 1956
A whole slew of guest stars makes Meet Me in Las Vegas a special treat for movie buffs. The central plot concerns wealthy rancher Chuck Rodwell (Dan Dailey), who takes a Vegas vacation with his mother (Agnes Moorehead). At the same time, ballerina Maria Corvier (Cyd Charisse) also arrives in Las Vegas, accompanied by chaperone Sari Hatvany (Lili Darvas). During one marathon gambling session, Chuck comes to the conclusion that Sari is a good-luck charm, and insists that she remain by his side throughout his visit. Naturally, their relationship deepens into love, but not before a few complications, misunderstandings, and song-and-dance duets. Among the celebrities making cameo appearances (à la Around the World in 80 Days) are Jerry Colonna, Paul Henreid, Lena Horne, Frankie Laine, Peter Lorre, and Sammy Davis Jr. (voice only). Featured as dancers in Cyd Charisse's troupe are stars-to-be Liliane Montevecchi and George Chakiris. ~ Hal Erickson, Rovi
- Starring:
- Dan Dailey, Cyd Charisse, (more)
This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi
- Starring:
- Kathryn Beaumont, Ed Wynn, (more)
- 1951
From the opening credits onward, bombastic comedian Jerry Colonna dominates the proceedings in Kentucky Jubilee. Colonna plays second-rate entertainer Jerry Harris, who links up with aspiring singer Sally Shannon (Jean Porter) and hotshot reporter Jeff Benson (James Ellison). The trio heads to the small town of Hickory, Kentucky to participate in an annual fundraising musical show. Things get hectic when a gang of crooks steal the receipts and kidnap Colonna (worse luck for the crooks!) The scene-stealing supporting cast includes Fritz Feld, Raymond Hatton, Vince Barnett, Chester Clute, Si Jenks, George Cheseboro and George Sanders (no, not that George Sanders). ~ Hal Erickson, Rovi
- Starring:
- Jerry Colonna, Jean Porter, (more)
Road to Rio was the first of three "Road" pictures jointly produced by stars Bing Crosby and Bob Hope. On the run from the law again, musicians Bob and Bing stow away on an ocean liner. They try to come to the rescue of heiress Dorothy Lamour, who is doomed to an arranged marriage to caddish George Meeker. All gratitude and effusions for their assistance, Dorothy surprises Bob and Bing on their next meeting by slapping them in their faces and declaring "I hate you! I loathe you! I despise you!" The explanation? Dorothy is being hypnotized by her scheming aunt Gale Sondergaard, who has set up the marriage for mysterious mercenary reasons of her own. When Dorothy is "herself" again, Bob and Bing smuggle her off the ship and into their Rio de Janeiro hotel room. The boys plan to save Dorothy from her unwanted marriage by passing her off as a nightclub singer, and themselves as band leaders. Trouble is, they have no band. Enter the Wiere Brothers, three Rio street entertainers. Bob and Bing hire the threesome on the spot, unmindful that they have booked themselves into Nestor Paiva's nightclub on the promise that they're delivering an American band. Since the Wieres speak only Portuguese, Bing teaches each brother an American phrase by rote: "You're in the groove, Jackson", "You're Telling Me," and "This is Murder." Naturally, it isn't long before the boys' ruse is discovered, and this coupled with the newly hypnotized Lamour's threats to have Bob and Bing arrested, leaves our heroes broke and stranded once more. Still, they pose a menace to Sondergaard, thus she contrives a method of disposing of them. Hypnotizing them both, Sondergaard orders Bob and Bing to kill each other. They snap out of the spell just in time, but still there's the problem of rescuing Dorothy. And now there's a new angle: mysterious stranger Frank Puglia informs the boys that the only way to stop the wedding is to retrieve (pause; a furtive glance left; a furtive glance right) "The Papers." Said papers are in the possession of Sondergaard, obliging Bob and Bing to show up at the pre-nuptial festival in disguise (with Bob in drag). Managing to hypnotize Sondergaard's henchmen Frank Faylen and Joseph Vitale, Bob and Bing uncover the precious Papers, and Dorothy is saved. But how can those papers stop a wedding? We won't give away the surprise, nor will we tell you whether Dorothy ends up with Bob or Bing, nor even what the heck Jerry Colonna is doing in the picture leading a cavalry charge. Not the best of the "Road" pictures, Road to Rio is nonetheless one of the most memorable--and quotable (how many of your high school pals used to confound the teacher by declaring "You're in the groove, Jackson"?) ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Bob Hope, (more)
In his first postwar animated feature, Walt Disney attempted to repeat the Fantasia formula, substituting "pop" music for the Classics. Make Mine Music consists of ten unrelated cartoon vignettes, each one featuring a popular recording artist. "A Rustic Ballad" is the story of the Martin-Coy hillbilly feud, narrated musically by the King's Men. "A Tone Poem" is an impressionistic interpretation of the song "Blue Bayou", sung by the Ken Darby chorus and rendered artistically by Disney's ace animators. "A Jazz Interlude", done in "sketchbook" style, is performed by Benny Goodman and His Orchestra, and features the jitterbug specialty "All the Cats Join In". Jerry Colonna is next on the program in "A Musical Recitation", offering his own inimitable version of "Casey at the Bat". "Ballad Ballet" features Ballet Russe stars Tatiana Riabouchinska and David Lichine, dancing to Dinah Shore's vocalization of "Two Silhouettes". "A Fairy Tale with Music" turns out to be Prokofiev's "Peter and the Wolf", narrated by Sterling Holloway. Next, Benny Goodman and company return with a surreal visualization of "After You've Gone", followed by "A Love Story", which features the Andrews Sisters' rendition of the ballad "Johnny Fedora and Alice Blue Bonnet." The hilarious "Opera Pathetique" finale finds Nelson Eddy narrating the story of Willy, "The Whale Who Wanted to Sing at the Met". Better in its individual components than its sum total, Make Mine Music was drubbed by critics, who felt that Disney had abandoned his "artistic" aspirations in favor of crass commercialism, but performed reasonably well at the box office, inspiring several more "omnibus" animated features. In later years, the ten individual segments would be released as separate short subjects, both theatrically and as episodes of Disney's various TV series (where the original narration was often supplanted by the unfunny interpolations of Professor Ludwig Von Drake). ~ Hal Erickson, Rovi
- Starring:
- Benny Goodman, Sterling Holloway, (more)
- 1945
Based on the popular Russian novel The Twelve Chairs, this stars Fred Allen as flea-circus impresario Fred Floogle. Learning that he's inherited $12 million from his uncle, Fred also discovers that the money has been stuffed in one of thirteen chairs that he's sold at auction. The rest of the film goes off on any number of hilarious tangents, each tied-in ever so tenuously to the plot. Included is an episode at the movies (Fred and his wife Binnie Barnes are continually escorted up several balcony steps and out several alleyway doors), a visit to Floogle's radio cohort Mrs. Nussbaum (Minerva Pious), a brief misadventure with Jack Benny (this time Benny has a hat-check girl in his hall closet, so that he can collect tips from visitors), an impromptu barbershop quartet session with Fred, Rudy Vallee, Don Ameche and Victor Moore, and a confrontation with the dreaded William Bendix mob (Bendix isn't really a gangster; he simply inherited the mob from his mother). Also weaving in and out of the proceedings are John Carradine as a crooked attorney, Robert Benchley as Fred's pompous in-law-to-be, Sidney Toler as a popcorn-munching detective, and Jerry Colonna as Fred's live-in psychiatrist. Two versions of this film exists, one without Fred Allen's ongoing voice over narration. ~ Hal Erickson, Rovi
- Starring:
- Fred Allen, Jack Benny, (more)
- 1944
Definitely no relation to the 1980 Louis Malle film of the same name, 1944's Atlantic City is a tuneful Republic musical, not quite an "A" picture but certainly not a "B". Brad Taylor (who formerly acted at Columbia under the name of Stanley Brown) stars as Brad, an early-20th-century entrepreneur who decides to transform the sleepy oceanside community of Atlantic City, New Jersey into a mecca for vacationers and thrill-seekers. One of Taylor's visionary notions is the creation of a bathing-beauty contest, and that's where prim-and-proper heroine Marilyn Whitaker (Constance Moore) comes in. The plot is essentially an excuse to trot out several venerable entertainers doing their tried-and-true specialties. Guest stars include Belle Baker, Paul Whiteman, Louis Armstrong, Buck & Bubbles, and Joe Frisco, not to mention Al Shean (of Gallegher and Shean) and Gus Van (of Van and Schenck). Also adding to the general frivolity are Jerry "Ahhh, Yes!" Colonna and up-and-coming Dorothy Dandridge. Atlantic City demonstrated that Republic could make a 20th Century-Fox style musical even without Betty Grable. ~ Hal Erickson, Rovi
- Starring:
- Constance Moore, Brad Taylor, (more)
- 1942
Republic's ongoing professional association with the celebrated "Ice-Capades" skating show yielded a number of flashy but forgettable musicals, including 1942's Ice-Capades Revue. Though a plot is hardly necessary, the story concerns New England farm gal Ann (Ellen Drew), whose already-mounting debts are escalated when she inherits a near-bankrupt ice show. Her efforts to revivify this operation are regularly thwarted by a conniving promoter named Duke Baldwin (Harold Huber), who has already tied up all the best arenas for his own skating spectacular. But Baldwin's second-in-command Jeff (Richard Denning) falls in love with Ann and vows to see to it that her show will be staged, come heck or high water. Jerry Colonna goes through his customary zaniness as an eccentric would-be backer who turns out to be a phony, while Barbara Jo Allen again trots out her dizzy "Vera Vague" characterization. Foremost among the skating acts in Ice-Capades Revue is Vera Hruba Ralston, who'd later be elevated to leading-lady status at Republic by her ardent admirer (and future husband), studio president Herbert J. Yates. ~ Hal Erickson, Rovi
- Starring:
- Ellen Drew, Richard Denning, (more)
- 1942
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, Rovi
- Starring:
- Victor Moore, Betty Hutton, (more)
- 1942
In this musical comedy set during WW II, a circus aerialist desires to be closer to her lover, a soldier. When she finds herself chased by gangsters, the woman dresses up as a man and joins the military. Mayhem ensues as she tries to undergo training and keep her sex a secret. The secret is revealed at the end, when the camp puts on a show and the gangsters suddenly appear. Luckily the police arrive at the same time and justice prevails. Songs include: "In the Army," "Need I Speak," "Jitterbug's Lullaby," "Spangles on My Tights," "Wacky for Khaki" (Frank Loesser, Harold Spina), "Swing in Line" (Loesser, Joseph J. Lilley), "Love in Bloom" (Ralph Rainger, Leo Robin), and "I Can't Give You Anything But Love" (Dorothy Fields, Jimmy McHugh). ~ Sandra Brennan, Rovi
- Starring:
- Judy Canova, Allan Jones, (more)
- 1942
Very much a product of its times, Priorities on Parade was disliked by everyone but the public when it was first released in 1942. The story takes place in a wartime aircraft plant, where a group of entertainers secure jobs putting on shows for the workers during lunch and dinner breaks. The troupe's duties also include a bit of spot-welding and assembly-line work as well, leading to a variety of mildly comic complications. Naturally, all plot roads lead to a big, morale-boosting musical finale, highlighted by choreographer Jack Donahue's precision-dance routines, wherein the entertainers elect to turn down a Broadway show in favor of defense-plant work (this is a fantasy, isn't it?) The four protagonists are played by zany Jerry Colonna, handsome Johnnie Johnston, and gorgeous Ann Miller (in a blonde wig) and Betty Rhodes, while Vera Vague supplies her usual dizziness as a Rosie-the-Rivetter type. The Frank Loesser-Jules Styne-Herb Magidson score includes the hit tune "You're in Love With Somebody Else But I'm in Love With You". ~ Hal Erickson, Rovi
- Starring:
- Ann Miller, Johnny Johnston, (more)
- 1941
By Republic Pictures standards, 1941's Ice-Capades certainly qualifies as an "all-star" film. The many subplots center around a performance of the real-life Ice-Capades skating troupe, featuring such luminaries as Belita, Red McCarthy, Megan Taylor, and future Republic film queen Vera Hruba Ralston. James Ellison plays the nominal leading character, a hotshot newsreel cameraman named Bob Clemens. Assigned to film an international skating star in action, Clemens inadvertently wastes miles of celluloid on aspiring skater Marie (Dorothy Lewis) rather than the real star, the unphotogenic Karen Vajda (Rene Riano). But not to worry: With the help of slick showbiz promoter Larry Herman (Phil Silvers), Marie becomes an Ice-Capades headliner in her own right. In addition to Silvers, the comedy relief in Ice-Capades is in the capable hands of Vera Vague (Barbara Jo Allen), Jerry Colonna and Gus Schilling. ~ Hal Erickson, Rovi
- Starring:
- James Ellison, Jerry Colonna, (more)
- 1941
Bandleader Orrin Tucker and his featured vocalist "Wee" Bonnie Baker are the stars of the Paramount pocket musical You're the One. It all begins when showbiz agent Joe Frink (Edward Everett Horton) tries to get Baker a singing job with baton-wielder Luke Laramie (Albert Dekker). Part of the scheme involves a trip to a screwy health spa, managed by the even screwier Dr. Colonna (Jerry Colonna, of course) As everyone in the audience had figured out in Reel One, Bonnie ends up singing with the Tucker aggregation, while Frink and Laramie stew on the sidelines. Among the musical highlights in You're the Oneis Bonnie Baker's signature tune, "Oh, Johnnie, Oh." ~ Hal Erickson, Rovi
- Starring:
- Bonnie Baker, Albert Dekker, (more)
- 1941
Previously filmed with Mabel Normand in 1920, the old Rose Melville stage property Sis Hopkins was trotted out in 1941 for Republic's newest star, raucous cornpone comedienne Judy Canova. Sporting pigtails and dressed like a potato sack, Sis Hopkins (Canova) shows up at the doorstep of her snooty rich relations in the Big City after her family farm burns down. Though she immediately ingratiates herself to her uncle, bathroom-appliance mogul Horace Hopkins (Charles Butterworth), Sis runs afoul of her bitchy, beautiful cousin Carol (played by a pre-stardom Susan Hayward). Determined to humiliate our heroine and send her packing, Carol arranges for Sis to partipate in a sorority-initiation striptease. Fortunately, Sis wins out in the finale, while Carol must endure such indignities as a well-aimed pan of water and a misplaced bathroom plunger. As a bonus, Sis wins the heart of college bandleader Jeff Farnsworth (Bob Crosby). Adding to the general merriment of Sis Hopkins is Jerry Colonna as a zany college professor. Judy Canova sings several of her patented country-western ditties, then surprises her fans with a "straight"operatic rendition from La Traviata. ~ Hal Erickson, Rovi
- Starring:
- Judy Canova, Charles Butterworth, (more)
- 1940
Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor. Unable to secure the services of Bob Hope, Republic did the next best thing by hiring two of Hope's funniest stooges, Jerry Colonna and Vera Vague (aka Barbara Jo Allen). Jane Frazee's excellent showing in Melody and Moonlight landed her a contract with Universal; by the end of the 1940s, however, she was back at Republic as Roy Rogers' leading lady. ~ Hal Erickson, Rovi
- Starring:
- Johnny Downs, Jerry Colonna, (more)
- 1940
Comin' Round the Mountain was a tailor-made vehicle for bucolic radio humorist Bob "Bazooka" Burns. After striking out in New York, backwoods musician Jed Blower (Burns) and his hillbilly family band return to their native Tennessee. Here they land a job at a tinker-toy radio station in a community plagued by a long-standing family feud. Also causing local headaches is a continuing political tug of war over the maintence of the city's poorhouse. Hoping to solve everyone's problems, Jed runs for mayor, using the radio station as his podium. Old-time radio aficionados will enjoy seeing such Fibber McGee and Molly regulars as Harold Peary (the Great Gildersleeve), Bill Thompson (the "Old Timer") and Cliff Arquette (Grandpappy) in supporting roles, not to mention perennial Bob Hope stooge Jerry Collonna and Jack Benny's rotund announcer Don Wilson. ~ Hal Erickson, Rovi
- Starring:
- Una Merkel, Jerry Colonna, (more)
The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
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