Miriam Colon Movies

One young man's dream takes him on a remarkable journey in this sports-themed drama. Santiago Munez (Kuno Becker) was born in Mexico, and came to California with his family when he was just a boy. One of the few things Santiago brought with him was a love for soccer, and while he holds down two jobs -- working landscaping during the days with his father, Hernan (Tony Plana), and as a busboy at night -- he still dreams of playing the game professionally, and spends his precious spare time with an amateur team in Los Angeles. One day, Santiago is approached by Glen Foy (Stephen Dillane), a part-time scout for powerhouse British team Newcastle United; Glen has seen Santiago play and thinks he has talent, and can get him a tryout with Newcastle if he can make his way to England. While Hernan refuses to help Santiago pay for the trip, his grandmother (Miriam Colon) empties her savings to help him follow his dream. Santiago's first reserve game with the team happens during a typically British rainstorm, with Santiago suffering a mild asthma attack to boot; he doesn't play at his best and is turned away from the team, but he refuses to go home, determined to make good. After striking up a friendship with star kicker Gavin Harris (Alessandro Nivola) and demonstrating his mettle to coach Mal Braithwaite (Gary Lewis), Santiago earns a second chance to show Newcastle United what he can do and make his father proud of him. Goal! was a major international hit, and a sequel was already in production before the film opened in the United States in the spring of 2006. ~ Mark Deming, Rovi

A Latina eager to embrace America finds her tongue is a bit more eager to betray her culture than she is in this comedy-drama with elements of both romance and satire. Elena (Lisa Vidal) is an attractive Puerto Rican immigrant who is eager to make a career for herself in business. With that in mind, Elena strives to make herself seem more "American," to the annoyance of her mother, Meche (Miriam Colon). Elena has also landed herself an Anglo fiance (Jack Mulcahy), who makes a good living selling coffins, though Elena is still attracted to her former boyfriend Tito (Jose Yenque), an artist and fellow Puerto Rican. One day, Elena's attempts to assimilate into mainstream culture begin to manifest themselves physically and psychologically when she discovers she's lost the ability to speak Spanish, her primary language for most of her life. Can Elena tear herself away from the white-bread culture she's embraced and reconnect with her roots -- and with Tito? While shot in Boston by American independent filmmakers, much of La Fonda Azul's dialogue is delivered in Spanish by a multilingual cast. ~ Mark Deming, Rovi

Director Billy Bob Thornton explores coming of age in this Western based on Cormac McCarthy's prize-winning novel of the same name. John Grady Cole (Matt Damon) and Lacey Rawlins (Henry Thomas) are young Texan men who seek a more fulfilling life as cowboys in the slowly fading Old West, circa 1949. One night, the duo head for Mexico in hope of finding some adventure and employment, and along the way run into Blevins (Lucas Black), an even younger drifter who has supposedly stolen a horse from private property. Begrudgingly, Cole and Rawlins take him under their wing before they eventually find themselves in Mexico, working for a wealthy landowner (Ruben Blades). His stalwart and beautiful daughter Alejandra (Penelope Cruz) develops a romantic interest in Cole, which threatens the friendship between him and Rawlins, not to mention their living quarters, where Alejandra's watchful aunt (Miriam Colon) warns Cole that she has professed allegiance to her. Cole and Rawlins' thrill-seeking adventures with Blevins and the stolen horse catch up to them, however, and they are held prisoners in a brutal penitentiary, where their cowboy instincts are put to the ultimate test. Cole, meanwhile, wants nothing more than to get back to Alejandra and resume their love affair. The film also features Bruce Dern in a small role as a judge who eventually gives much-desired guidance to Cole. ~ Jason Clark, Rovi

Reminiscent of a fine novel in depth and complexity, writer-director John Sayles' acclaimed drama uses the investigation of a 25-year-old murder as the framework for a detailed exploration of life in a Texas border town. The nominal center of the film is Sheriff Sam Deeds (the superb, subtle Chris Cooper), the chief law officer of the town of Frontera. The low-key Sam is also the son of the late Buddy Deeds (played in flashbacks by Matthew McConaughey), who also served as town sheriff and still maintains a legendary status for ousting the vicious, corrupt Charlie Wade (a memorably vicious Kris Kristofferson). The discovery of Wade's decades-old skeleton, however, calls this legend into question, and forces Sam to begin an investigation. During this search for the truth, Sam must come to terms with his own troubled emotions about his father and his still-lingering romantic feelings for Pilar (Elizabeth Peña), a Hispanic woman that Buddy had prevented him from seeing as a young man. Lone Star's scope encompasses not only this story but the whole town, addressing Pilar's difficulties as a schoolteacher, the conflict between incoming immigrants and border patrol officers, and the troubles faced by the African-American commander of the local military base. Sayles expertly moves between past and present, weaving his stories together to illustrate, as in his earlier City of Hope (1991), how the seemingly disparate parts of a community are in fact intimately interconnected. Raising issues of race, politics, and identity, Lone Star nevertheless focuses most of its attention on its complex, believable characters, well-performed by an excellent ensemble cast. One of the most financially successful of Sayles' low-key movies, Lone Star received glowing notices and an Academy Award nomination for Best Original Screenplay. ~ Judd Blaise, Rovi

Dan Breen (Peter Boyle), Sipowicz's AA sponsor, is beaten up by his own son (Enrico Colantoni). Sipowicz (Dennis Franz) and Simone (Jimmy Smits) follow the slimmest of clues when the charred body of a pregnant prostitute is found. And Martinez (Nicholas Turturro) and Medavoy (Gordon Clapp) aren't altogether convinced when a two-bit con man (Paul Ben-Victor) insists that he was the brains behind a pawnshop robbery. ~ Hal Erickson, Rovi

James Coburn guest stars as Cyrus Ramsey, chief archaeologist of the National Museum of Mexico. Ramsey is among those under suspicion when a hotel owner suspected of dealing in stolen art is murdered. It seems that the dead man was found wearing the Mask of Montezuma, which had recently been pilfered from the museum. Need we add that Jessica (Angela Lansbury) is paying a visit to Mexico City at the time of the murder, and that she will take it upon herself to solve the mystery? ~ Hal Erickson, Rovi

In this campy thriller, a pregnant sculptor is tormented with terrible nightmares just before the birth of her son. She doesn't recognize the dreams as psychic premonitions until after the members of a vengeful voodoo cult steal her newborn son. The distraught mom soon learns that she is also psychic when she awakes and begins using her new power to find her son before he becomes a sacrifice to the cultists' god. ~ Sandra Brennan, Rovi

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, Rovi

Patty Duke Astin plays the wife of police officer Frederic Forrest, who wants to join a special investigative unit. Forrest is denied this position on the basis of information concerning his wife. The information, which reveals a dicey extramarital affair, was culled from a department surveillance file that was supposed to have been destroyed by court order. Astin battles through legal channels to expose the police force's illegal actions, even as she and her husband suffer the innuendoes and cold shoulders from his fellow officers. The made-for-TV Best Kept Secrets premiered on March 26, 1984. ~ Hal Erickson, Rovi

For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, Rovi

The made-for-TV Dr. Max is cut from the same cloth as The Last Angry Man. Lee J. Cobb stars as a taciturn elderly doctor who chooses to work in a dingy Baltimore neighborhood and minister to those far less fortunate than themselves. His refusal to succumb to the creature comforts of a more lucrative practice causes a great deal of friction between himself and his family. In traditional "movie of the week" fashion, however, the old medico proves to have a lot more sense than those around him. Dr. Max was first telecast April 4, 1974. ~ Hal Erickson, Rovi

In this supernatural thriller, Norah Benson (Shirley MacLaine) is a wealthy woman living in Manhattan who keeps a close and protective eye on her brother Joel (Perry King), who has a flat in a rough section of the East Village. Joel is a frequent guest at Norah's home and loves her two children, but when he begins acting strangely and playing too rough with the kids, she wonders if something is wrong. When Norah doesn't hear from Joel for several days, she stops by his apartment to see if he's all right, just as he's being led away by police after attacking the custodian in his building. At first Norah and Joel's doctors think that drugs may be to blame, but when Joel's girlfriend Carrie (Lisa Kohane) is found murdered and beheaded, Norah learns that Joel has become involved with Santeria, a religion that mixes voodoo with Catholicism, and his interest in Santeria has brought him in contact with Tonio Perez (Jose Fernandez), a suspected serial killer. The Possession of Joel Delaney features an original score by Joe Raposo, best known for his very different work as a songwriter on the children's TV series Sesame Street. ~ Mark Deming, Rovi