Ronald Colman Movies
Born to middle-class British parents (his father was an import merchant), actor Ronald Colman was raised to be as much a gentleman as any "high born" Englishman, and strove to maintain that standard both on and off screen all his life. Acting was merely a hobby to Colman while he attended the Hadley School at Littlehampton, Sussex, but after a few years' drudgery as a bookkeeper with the British Steamship Company, the theatre seemed a more alluring (if not more lucrative) life's goal. After a brief service in WWI (during which he was wounded and then discharged), Colman eventually went into acting full-time, making his debut in a tiny role in the play The Maharanee of Arakan (1916). A subsequent better role in a production of Damaged Goods led to Colman's being hired to star in a two-reel film drama, The Live Wire. The film was never released, which is why Colman's "official" debut is often listed as his first feature film The Toilers (1919). The money wasn't good in the British film industry of the period--in fact it was a step away from starvation wages - so Colman arrived in New York City with about $37 to his name, making his American movie debut in Handcuffs or Kisses? (1920). His next film was also his Big Break: The White Sister (1923), directed in Italy by Henry King, in which Colman was co-starred opposite prestigious actress Lillian Gish. The association with King and Gish was Colman's entry into Hollywood, and by 1925 he'd begun his nine-year association with producer Sam Goldwyn. Most of Colman's silent films were lush romantic costume dramas, in which he usually co-starred with the lovely Vilma Banky. This sort of glorious nonsense was rendered anachronistic by the advent of talking pictures, but Goldwyn wisely cast Colman in a sophisticated up-to-date adventure, Bulldog Drummond (1929), for the actor's talkie debut. Colman scored an instant hit with his beautifully modulated voice and his roguishly elegant manner, and was one of the biggest and most popular screen personalities of the 1930s. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. As good as his pre-1935 films were, Colman was even more effective as a free-lancer in such films as Tale of Two Cities (1935), Lost Horizon (1937), The Prisoner of Zenda (1937), The Light That Failed (1939) and Talk of the Town (1942). The actor also began a fruitful radio career during this period, first as host of an intellectual celebrity round-robin discussion weekly The Circle in 1939; ten years later, he and his actress wife Benita Hume starred in a witty and well-written sitcom about a college professor and his spouse, The Halls of Ivy, which became a TV series in 1954. Perhaps the most famous of Colman's radio appearance were those he made on The Jack Benny Program as Jack's long-suffering next door neighbor. Colman won an Academy Award for his atypical performance in A Double Life (1947) as an emotionally disturbed actor who becomes so wrapped up in his roles that he commits murder. Curtailing his film activities in the 1950s, Colman planned to write his autobiography, but was prevented from doing so by ill health -- and in part by his reluctance to speak badly of anyone. Colman died shortly after completing his final film role as the Spirit of Man in The Story of Mankind (1957), a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact. ~ Hal Erickson, All Movie Guide
Ronald Colman won an Academy Award for his portrayal of an off-the-beam actor in A Double Life. A beloved stage star, Anthony John (Colman), has problems with his private life due to his unpredictable outbursts of temper. This trait has already cost him his wife, Brita (Signe Hasso), and threatens to sabotage his career. Nonetheless, Anthony makes his peace with Brita, and the two actors star in a new Broadway staging of Othello. The play is a hit, running over 300 performances, but the pressures of portraying a man moved to murder by jealousy takes its toll on Anthony. In a fit of delirium, he strangles his casual mistress, Pat (Shelley Winters), but retains no memory of the awful crime. Press agent Bill Friend (Edmond O'Brien), unaware that Anthony is the killer, uses Pat's murder as publicity for Othello. Anthony becomes enraged at this cheap ploy, and attacks Friend. At this point, Anthony realizes that he has been living "a double life" and is in fact Pat's murderer. A Double Life was written for the screen by Ruth Gordon and Garson Kanin, who occasionally digress from the melodramatic plotline to include a few backstage inside jokes. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Whit Bissell, (more)
It is a tale known well, filmed many times over the years, but never better than this early black and white version from the MGM Studios, David O. Selznick producing. "It was the best of times, it was the worst of times"-- Charles Dickens juxtaposes England and France, George and Louis, tradition and revolution. One of the most beloved of Dickens' stories, finding not only countries and conditions compared, but also two individuals thrown up in stark contrast to one another: -- the dissolute barrister Sydney Carton (Ronald Colman) and the young, somewhat callow aristocrat Charles Darnay (Donald Woods), both in love with Lucie (Elizabeth Allan), daughter of a victim of the French Regime. Their lives intertwine until the violent revolution that overtook an entire nation engulfs them all as well.
Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.
Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.
Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.
There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide
Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.
Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.
Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.
There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide
- Starring:
- Ronald Colman, Elizabeth Allan, (more)
- 1920
Alma Taylor plays Anna, a cabaret dancer whose husband betrays her. With blood in her eye, Anna decides to get even with hubby in the most drastic manner possible. To do this, she assumes the identity of a nonexistent twin sister named Annabel. The ruse works, but as is often the case in screen stories based on the works of E. Phillips Oppenheim, there's many a plot twist before fade-out time. Ronald Colman had one of his earliest screen roles in the British Anna the Adventuress; he was sixth-billed as "Brendan." ~ Hal Erickson, All Movie Guide
Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- David Niven, Cantinflas, (more)
One of the more prestigious films of its time, John Ford's film adaptation of Sinclair Lewis' Pulitzer Prize-winning novel has a sleek Art Deco look strangely out of tune with its tale of moral struggle. Ronald Colman stars as Martin Arrowsmith, an idealistic young doctor, who, after graduating from medical school, must forego a research position with Dr. Max Gottlieb (A.E. Anson) due to his marriage to nurse Leora Tozer (Helen Hayes). He returns to her rural hometown and establishes a small practice, and in his spare time eventually develops a serum for a deadly cow disease. Based on this work he is able to return to work under Dr. Gottlieb. When Dr. Gustav Sondelius (Richard Bennett), a friend of the researchers, informs them about a plague devouring the West Indies, Arrowsmith decides to travel to the area to test whether the serum he's working on might be effective in combatting it. The white citizens of the area refuse to allow themselves to be the subjects of an experiment, but black Harvard-educated Dr. Oliver Marchand (Clarence Brooks) persuades the island's native population to go along with Arrowsmith's plan. ~ Michael Costello, All Movie Guide
- Starring:
- Ronald Colman, Helen Hayes, (more)
- 1926
Ronald Colman plays the title role in the first of several screen adaptations of Christopher Wren's tale of adventure in the foreign legion. Beau is the youngest of three brothers who fall into an ethical dilemma when their aunt resorts to stealing valuable jewelry from the family's collection to pay off her home. Beau takes the blame for the crime and, before he can be put in jail, flees the country, with his brothers John (Ralph Forbes) and Digby (Neil Hamilton) in tow. The Geste Brothers eventually join the French Foreign Legion, where they suffer under the tyrannical leadership of the cruel Sgt. Lejaune (Noah Beery Sr.). Unknown to Beau, Lejaune is in cahoots with men who want to capture the Geste Brothers and bring them to justice, but when Arab forces attack the Legion compound, the valiant Gestes fight with such bravery that even Lejaune is impressed with their selfless courage. It's said that Ronald Colman considered his performance in Beau Geste the finest work of his career; lip readers might get a chuckle out of some of Noah Beery Sr.'s non-subtitled dialogue, which today would have pushed the film into an R rating if it were audible. ~ Mark Deming, All Movie Guide
- Starring:
- Ronald Colman, Neil Hamilton, (more)
- 1929
Tired of his sedentary postwar existence, Col. Hugh "Bulldog" Drummond (Ronald Colman) offers his services as adventurer for hire. This gets him mixed up with lovely Joan Bennett, whose wealthy father is being held against his will in a gloomy sanitarium. Armed with little more than bravado, Drummond, his pal Algy (Claud Allister) and faithful butler Danny (Wilson Benge) walk right into the villain's lair--said villain being the evil Dr. Lakington. Drummond is overpowered by Lakington's henchpersons, played by Lilyan Tashman and Montague Love. Our Hero is willing to accept the inevitability of his own death, but when the unspeakable Lakington fondles the unconscious Ms. Bennett, that's too much! Drummond escapes, and in a jaw-dropping sequence kills Lakington in cold blood. He then becomes his old charming self and allows secondary villains Love and Tashman to escape, since he's not really mad at them. Drummond saves the millionaire and wins the girl, though later "Bulldog Drummond" films bear out the fact that he doesn't marry her immediately as he should (virtually every subsequent "Drummond" flick would open with an interrupted wedding). Filmed in the earliest days of the talkie era, Bulldog Drummond is a remarkably sophisticated film for its time, directed with assurance by former Mack Sennett associate F. Richard Jones (who unfortunately died shortly after the film's release). Its only concessions to the "all talking/all singing" mania of 1929 are the unnecessary Irish songs performed by tenor Donald Novis. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Claud Allister, (more)
- 1934
This second and final "Bulldog Drummond" film to star Ronald Colman, finds the famed sleuth in the midst of a sinister plan orchestrated by Warner Oland. Damsel in distress Loretta Young reports that her wealthy and influential uncle is missing, but all those concerned insist that the uncle never existed, and that Young is out of her mind. Drummond suspects that she's telling the truth, and that the uncle's disappearance is tied into political intrigue of some sort or other. Before the rousing climax, Drummond, the heroine, and Drummond's pal Algy (Charles Butterworth) are repeatedly kidnapped, imprisoned, and threatened with certain death. Counterpointing the film's plot twists (a bit too convoluted to relate in full here) is a comic subplot involving the continually interrupted honeymoon of Algy and his frustrated bride (Una Merkel). Unfortunately, Bulldog Drummond Strikes Back is currently unavailable on television or on videocassette. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Loretta Young, (more)
This comedy stars Ronald Colman as Beauregard Bottomley, a self-styled genius in need of a job. He applies for a position with a large soap company, but Burnbridge Walters (Vincent Price), the firm's willfully eccentric president, falls into a "trance" while interviewing Beauregard and decides not to give him the job. When Beauregard overhears his sister Gwenn (Barbara Britton) listening to a game show sponsored by Walters' soap company, he discovers the perfect means to get revenge -- each time a contestant answers a question correctly, they double their prize money. Beauregard gets a spot on the show and starts winning -- and doesn't stop. Before long, the company owes him $40 million and Beauregard hasn't even broken a sweat. Beauregard is poised to bankrupt Walters and destroy his company, so the soap tycoon persuades Flame O'Neal (Celeste Holm) to pose as a nurse who will (a) find out if there's anything Beauregard doesn't know, and (b) distract him romantically. While a critical success and something of a cult item, Champagne for Caesar was a box office disappointment on its initial release; Ronald Colman appeared in only two more films before his death eight years later. ~ Mark Deming, All Movie Guide
- Starring:
- Ronald Colman, Celeste Holm, (more)
- 1935
Ronald Colman plays Robert Clive, a true-life 18th century Britisher who works up the ranks to become leader of Britain's military forces in India. Though produced on a superficially lavish scale, the film inexpensively sidesteps several of Clive's more famous battles with Indian insurrectionists, relegating them to offscreen events described by subtitles. The notorious Sepoy Mutiny "Black Hole of Calcutta" incident, hardly a costly event to recreate, is faithfully presented. In real life, Clive was ruined by a trial in the House of Commons, after which he suffered a nervous breakdown and committed suicide. The film tactfully closes on the trial and Clive's reunion with his faithful wife (Loretta Young). Typically jingoistic in its "White Man's Burden" approach to East Indian affairs, Clive of India is best viewed in context of the time it was filmed (1935), when the sun still hadn't set on the British Empire. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Loretta Young, (more)
- 1929
Ronald Colman's second talking picture, Condemned is a snail's-pace melodrama set on a Devil's Island. The evils of the notorious French penal colony are treated head-on, though the awkwardness of early-talkie techniques lessen the impact of several scenes. The plot has Colman, a condemned bank robber, working his way into the confidence of the warden (Dudley Digges) and into the heart of the warden's frustrated wife (Ann Harding). When she leaves for France, Colman escapes in order to join her. Condemned was adapted from Blair Niles' novel Condemned to Devil's Island by future Gone with the Wind screenwriter Sidney Howard. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Ann Harding, (more)
- 1932
King Vidor directed this screen adaptation of the novel An Imperfect Lover by Robert Gore-Brown, which had also made the transition to the stage. Jim Warlock (Ronald Colman) is a successful British lawyer who has always displayed a solid and conservative nature in his business associations, his professional ethics, and his personal life. He has enjoyed a happy if unexciting marriage with his wife Clemency (Kay Francis) for seven years, but when she leaves town for several days, Jim meets Doris (Phyllis Barry), a young sales clerk. To his surprise, Jim finds himself infatuated with Doris, and what begins as an innocent flirtation quickly escalates into a passionate affair. Eventually, when Jim tries to break off the relationship, Doris becomes distraught and kills herself. The death leads to a criminal investigation which makes Jim the leading figure in a national scandal, but he accepts all responsibility and refuses to say anything that would cast Doris in a negative light. The publicity forces him to leave the country and puts the future of his marriage in serious question. ~ Mark Deming, All Movie Guide
- Starring:
- Ronald Colman, Kay Francis, (more)
- 1923
Bruno, a tramp (Richard Bennett), takes in a waif, David, who is later adopted by a man whose daughter, Roma, wants a playmate. The children grow up (to be played by Bert Lytell and Barbara LaMarr), and when World War I breaks out, David and Bruno enlist. David is reported dead and Roma, who is a talented sculptor, goes to Rome with the aid of Baron Bonelli (Lionel Barrymore). David is not actually dead, however, and he returns home. He joins the Fascist movement and becomes Mussolini's right hand man in fighting the Reds. David finds Roma and, believing she is the mistress of Bonelli, denounces her. She swears it's not true, however, and they make up. What neither of them have realized is that Bonelli is the power behind the Reds and they are plotting to kidnap David. David kills Bonelli and leads his Fascisti fellowmen to vanquish the Reds. Roma tries to take the blame for Bonelli's death, but David refuses to let her. He is pardoned for the good he has done Italy, and the childhood sweethearts are now joined together as adults. ~ Janiss Garza, All Movie Guide
- Starring:
- Barbara La Marr, Lionel Barrymore, (more)
- 1921
aka Handcuffs and Kisses The producers of this picture apparently got their inspiration from a magazine story about the mistreatment of girl inmates at New York's Bedford Reformatory. Elaine Hammerstein got stuck with the starring role, Lois Walton. Poor Lois is sent to the reformatory by her wicked stepmother (Julia Swayne Gordon), who wants her inheritance. She spends about three reels in the joint, being subjected to inhuman floggings and ice baths. When she finally gets out, she goes to work as a servant for a doctor. He makes a pass at her and threatens to send her back to the reformatory if she refuses him. She runs away and winds up in a gambling den. The woman proprietor tries to marry her off to a man she hates. Again Lois is threatened with the reformatory but finally she's saved by Peter Madison (Robert Ellis), a young lawyer who had met her while he was investigating the institute. He sweeps her off her feet and spirits her away from her sordid surroundings. This tawdry melodrama did not exactly enhance Miss Hammerstein's career. ~ Janiss Garza, All Movie Guide
- Starring:
- Elaine Hammerstein, Julia Swayne Gordon, (more)
- 1924
This silly farce was typical Constance Talmadge material. She has great support here, with the suave Ronald Colman as her co-star (the two of them, along with director Sidney Franklin, would team up a year later for another film, Her Sister From Paris). Samuel C. Adams, an American millionaire (Albert Gran) brings his daughter, Dorothy (Talmadge), to England to see a specialist about her heart trouble. So that she won't be hounded by press and fortune hunters, Dorothy makes herself up to look extremely ugly. Lord Paul Menford (Colman) spies her without the hideous makeup job and falls in love with her immediately. He poses as his uncle, a heart specialist, so that he has a chance to meet Dorothy. While he's getting to know her, his agent is selling her father the Menford estate. Menford finally admits the ruse and later that night, he gets drunk and goes home -- only he has forgotten that he no longer lives at the Menford estate. He crawls into his old room to find Dorothy there. When a friend arrives the next morning, Menford introduces Dorothy as his wife to avoid a scandal. They decide to get married for real, but a misunderstanding splits them up. The rift, however, doesn't last long -- Mr. Adams tricks the couple into reconciling. ~ Janiss Garza, All Movie Guide
- Starring:
- Constance Talmadge, Ronald Colman, (more)
- 1925
Constance Talmadge was at the peak of her career when she made this comedy; she was also near the end of her career. The star would only make a handful of films after this one before retiring in lieu of switching over to talkies. Helen Weyringer (Talmadge), a nice but slightly dowdy housewife, has a sister, La Perry (also Talmadge), who is a notorious dancer. When Helen has an argument with her husband Joseph (Ronald Colman), she walks out on him. She runs into her sister and they plot to vamp Joseph and teach him a lesson. Posing as La Perry, Helen flirts outrageously with Joseph until he can no longer resist her charms. Joseph's friend Robert (George K. Arthur) falls for her too. After much trickery, Helen as La Perry convinces Joseph to run away with her. Only then does he discover that he has been carrying on with his wife. ~ Janiss Garza, All Movie Guide
- 1925
John Douglas, a down-on-his-luck engineer (Ronald Coleman), takes his sweetheart, Sara Deeping (Kathleen Myers), to a play starring Carla King (Blanche Sweet), and he falls in love with the actress. Douglas proposes to Carla but, wary of marriage, she hesitates. Instead she proposes that she accompany him to his South American mine, posing as his sister, and after a year they can assess their relationship. The vengeful Sara comes down, too, and does her best to cause trouble between the couple. She creates a big enough rift between them that they wind up separating. Back in New York, Carla accepts the marriage proposal of a millionaire who offers to back Douglas in his endeavors. In the end she decides she must be with Douglas and they make plans to return to the mine, this time as husband and wife. ~ Janiss Garza, All Movie Guide
- Starring:
- Blanche Sweet, Ronald Colman, (more)
- 1938
If I Were King is a delightful costume adventure tale set in 14th century France, during the reign of Louis XI, and inspired by the legend of the rebel poet François Villon, whose exploits were filmed earlier as The Beloved Rogue (1927) with John Barrymore, and later transformed into the musical The Vagabond King on Broadway and onscreen. The movie opens with Paris surrounded by the forces of the Duke of Burgundy, whose armies have laid siege to the city in hopes of starving out King Louis XI (Basil Rathbone, in a riveting performance), a wily, cruel monarch who distrusts all around him -- mostly, however, Burgundy has succeeded in forcing Louis to hunker down and in starving the common people of Paris, whose well-being their king can't be bothered about.
The one man in Paris with the courage to raise a hand to ease the suffering is François Villon (Ronald Colman), a gifted poet and glib orator who understands the common people far better than Louis. We first meet him leading a raid on the king's storehouse for sorely needed food and wine. Pursued by the king's guards, he accidentally crosses paths with Louis himself -- trying to uncover a nest of traitors -- at a tavern, and is captured. Louis would normally have Villon put to death without a second thought, but the rebel poet has done him the service of killing a treasonous officer, and has also piqued the king's interest with his notion of inspiring loyalty rather than fear in his subjects. The king also wishes to show Villon that it isn't always easy, even with all of the power of the crown on one's side, to rule a kingdom, or even the capitol city of a kingdom. Louis appoints Villon to the post of Constable of France, in command of all military and police authorities, and nominally in charge of the army, and leaves it to him to do his job -- with the provision that, at the end of a week in so powerful a position, Villon will, indeed, hang. Villon does a very good job of dispensing justice in a way that makes his followers love the king, and even turns one traitor into a loyalist. He is less successful at getting the titled nobility on his side, or the generals to rally their armies for the task at hand, breaking the siege, and is further distracted from his task by his romantic entanglements, with Ellen Drew as the girl of the streets who loves Villon and Frances Dee as the lady-in-waiting to the queen who has stolen his heart.
Director Frank Lloyd uses the same sure hand that propelled his Oscar-nominated Mutiny on the Bounty (1935) to weave together the telling of this lusty and witty tale (from a clever screenplay by Preston Sturges, who added his own translations of Villon's poetry to the original script); but the real interest for most viewers will reside with the sparks that fly from the performances of Colman and Rathbone as the two equally matched antagonists, each toying with the other's perceived weaknesses (especially their vanity) while, in his way, secretly admiring elements of the other's character. In the end, Sturges' script cleverly interweaves their common interests, Villon realizing that he must save Paris in order to keep from losing his head. ~ Bruce Eder, All Movie Guide
The one man in Paris with the courage to raise a hand to ease the suffering is François Villon (Ronald Colman), a gifted poet and glib orator who understands the common people far better than Louis. We first meet him leading a raid on the king's storehouse for sorely needed food and wine. Pursued by the king's guards, he accidentally crosses paths with Louis himself -- trying to uncover a nest of traitors -- at a tavern, and is captured. Louis would normally have Villon put to death without a second thought, but the rebel poet has done him the service of killing a treasonous officer, and has also piqued the king's interest with his notion of inspiring loyalty rather than fear in his subjects. The king also wishes to show Villon that it isn't always easy, even with all of the power of the crown on one's side, to rule a kingdom, or even the capitol city of a kingdom. Louis appoints Villon to the post of Constable of France, in command of all military and police authorities, and nominally in charge of the army, and leaves it to him to do his job -- with the provision that, at the end of a week in so powerful a position, Villon will, indeed, hang. Villon does a very good job of dispensing justice in a way that makes his followers love the king, and even turns one traitor into a loyalist. He is less successful at getting the titled nobility on his side, or the generals to rally their armies for the task at hand, breaking the siege, and is further distracted from his task by his romantic entanglements, with Ellen Drew as the girl of the streets who loves Villon and Frances Dee as the lady-in-waiting to the queen who has stolen his heart.
Director Frank Lloyd uses the same sure hand that propelled his Oscar-nominated Mutiny on the Bounty (1935) to weave together the telling of this lusty and witty tale (from a clever screenplay by Preston Sturges, who added his own translations of Villon's poetry to the original script); but the real interest for most viewers will reside with the sparks that fly from the performances of Colman and Rathbone as the two equally matched antagonists, each toying with the other's perceived weaknesses (especially their vanity) while, in his way, secretly admiring elements of the other's character. In the end, Sturges' script cleverly interweaves their common interests, Villon realizing that he must save Paris in order to keep from losing his head. ~ Bruce Eder, All Movie Guide
- Starring:
- Ronald Colman, Basil Rathbone, (more)
- 1926
This first film version of Andre Picard's stage success Kiki stars Norma Talmadge in the title role. A saucy Parisian dancer, Kiki begins keeping time with theatrical manager Victor Renal (Ronald Colman). Her rival for Renal's affections is icy "legitimate" actress Paulette (Gertrude Astor), but Kiki is willing to go to any lengths to claim her man. In the original play, Renal and Paulette were married, making Kiki the interloper, but this was altered so that producer Joseph M. Schenck could cast his star (and then-wife) Norma Talmadge in a more sympathetic light. Kiki was remade in 1931, with Mary Pickford incongruously cast as the oo-la-la heroine. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Talmadge, Ronald Colman, (more)
- 1944
Oriental Dream is the TV title for the 1944 Technicolor version of Kismet. Ronald Colman plays Hadji, "king of beggars" in the days of the Arabian Nights. Posing as a prince, Colman woos Marlene Dietrich, the favorite wife of the evil Wazir (Edward Arnold). Meanwhile, Colman's daughter Joy Ann Page falls in love with handsome Caliph James Craig--while the Wazir connives to get Page into his own harem. Several plot convolutions later, Colman ends up with Dietrich, Page winds up with Craig, and the Wazir winds up six feet under. Kismet was based on the war-horse stage play by Edward Knoblock, previously filmed in 1920 and 1930 with the play's original star Otis Skinner. The title Oriental Dream was bestowed upon the 1944 Kismet when it was remade as a musical in 1955. The earlier version had its musical moments as well, notably a delicious dance number spotlighting Dietrich, painted gold head from head to toe; an additional dance sequence was cut, but later showed up in the Abbott and Costello comedy Lost in a Harem (1944). ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Marlene Dietrich, (more)
- 1925
Unable to rely upon Oscar Wilde's epigrammatic dialogue to carry the day (this was, after all, the silent-film era), director Ernst Lubitsch substitutes verbal wit for the visual variety in his 1925 filmization of Lady Windermere's Fan. Ronald Colman has one of his first important screen roles as the slightly caddish Lord Darlington, who is in love with the very pretty--and very married--Lady Windermere (May McAvoy). The lady is rescued from disgrace at the hands of Darlington by the notorious Mrs. Erlynne (Irene Rich), who unbeknownst to everyone is Lady Windemere's long-lost mother. Filmed at the still young-and-hungry Warner Bros. studio, Lady Windermere's Fan was an enormous hit, and an instant candidate for the many "Ten Best" lists tabulated by the fan magazines of the era. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Irene Rich, (more)
