Joseph Miksak Movies
American actor Joseph Miksak played character roles on stage, radio, television, and occasionally in feature films. He also appeared in a few television commercials. In addition to acting, Miksak taught at San Francisco State University and is a speech pathologist. His son is opera singer Matthew Miksak. ~ Sandra Brennan, All Movie Guide
History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeff Bridges, Joan Allen, (more)
- 1985
- PG
Based on a novel by Alvah Bessie, this accomplished film by his son Dan Bessie handles the love affair between a pilot's widow (Ellen Geer) and a maintenance man (J.E. Freeman) who at first seem mismatched. In the end, they share an affection that does not waiver in the face of tragedy. Although the names and events have been changed, the story is basically about the director's mother and his stepfather. In this fictional rendering of their love for each other, the two marry, but the husband is soon charged with murder and faces a heavy-handed court trial. Novelist Alvah Bessie was himself blacklisted during the McCarthy era. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- J.E. Freeman, Ellen Geer, (more)
- 1981
Ron Howard plays a young farmer and family man whose dairy herd is being decimated by illness. As if this weren't enough, Howard's young son falls seriously ill. The state's agricultural officials could do something about Howard's plight, but red tape and bureaucracy rules the day. Based on a book by Frederick and Sandra Halbert, this caustic indictment of governmental indifference was nominated for four Emmies. Made for television, Bitter Harvest debuted May 18, 1981. ~ Hal Erickson, All Movie Guide
- Starring:
- Ron Howard, Art Carney, (more)
- 1977
SFPD homicide inspector Robbins (Richard Hatch) falls in love with attractive public defender Susan Harper (Linda Kelsey). Unfortunately, the course of romance proves to be a bumpy one when Susan champions the cause of a murder suspect whom has been charged on the basis of prima facie evidence. Ultimately, Susan manages to spring the suspect, resulting in plenty of trouble for herself and Robbins. Prominent in the supporting case is character actor William Benedict, perennial Western Union delivery boy in many an A- and B-picture of the 1930s and 1940s. ~ Hal Erickson, All Movie Guide
- 1974
This episode is truly episodic, offering poignant and sometimes tragic vignettes occuring during a single San Francisco weekend. The catalyst for the the story is a .25 caliber pistol, hunting by both the police and the underworld alike. In the course of events, the pistol claims two victims: a syndicate thug and an innocent little boy. It is up to Stone (Karl Malden) and Keller (Michael Douglas) to prevent further bloodshed--hardly an easy task, considered that the pistol has already passed through too many hands. ~ Hal Erickson, All Movie Guide
It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Dreyfuss, Ron Howard, (more)
"What do we do now?" Director Michael Ritchie and executive producer/star Robert Redford satirically explore the machinations and manipulations of media-age political campaigns in this cynical political drama. Rumpled left-wing California lawyer Bill McKay (Redford), the son of a former governor (Melvyn Douglas), is enlisted by campaign maestro Marvin Lucas (Peter Boyle) to challenge Republican incumbent Crocker Jarmon (Don Porter) for his Senate seat. McKay agrees, but only if he can say exactly what he thinks. That approach is all well and good when McKay does not seem to have a chance, but things change when his honesty unexpectedly captivates the electorate. As McKay inches up in the polls, Lucas and company start to do what it takes to win, leaving McKay to ponder the consequences of his political seduction. Working without studio interference from a script by Jeremy Larner, a speechwriter for 1968 Presidential candidate Eugene McCarthy, Ritchie enhanced the behind-the-scenes realism of Larner's insights with a realistic, cinéma vérité approach. He orchestrated a campaign parade for "candidate" Redford that drew such a considerable unstaged audience that local politicians wanted to draft Redford for a real election. Redford's resemblance to the telegenic Kennedys, and his character's resonance with the future career of California governor Jerry Brown, only emphasized how close to the bone The Candidate was (and is). Released the fateful year of Richard Nixon's reelection, the film garnered accolades, if not substantial box office; Larner won the Oscar for Best Original Screenplay and thanked the "politicians of our time" for inspiration. Creating a documentary fiction about the semi-truths manufactured to market a candidate, The Candidate shrewdly exposed the effects of the media on the increasingly cynical political process, posing unanswerable questions that have become all the more pressing with every soundbite-ruled election. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert Redford, Peter Boyle, (more)
- 1968
A young unmarried couple leave the politically turbulent Berkeley behind for a life in the country. Finding a place in sheep country, the couple awaits the birth of their first child as they revel in bucolic splendor. The tensions of city life are left behind as things progress towards the anticipated due date. The couple wishes to have a natural childbirth and are comforted that the expectant father is a pre-med student with some knowledge of the upcoming situation. Things go along smoothly until the expectant mother's father returns after years of being a sailor. Louise Ober, Mark Jenkins, and John McLiam star in this independent feature by John Korty. ~ Dan Pavlides, All Movie Guide
- Starring:
- Louise Ober, Mark Jenkins, (more)
