Roberta Collins Movies

A young woman kills a would-be rapist in self-defense and ends up serving a two year sentence for manslaughter. Once there she is killed by a macho, drug-dealing lesbian gang leader. The death is listed as a suicide, but the victim's sister, Laurie Collins, suspects otherwise and begs the authorities to do a full investigation. They refuse so Laurie, a movie stuntwoman, commits a crime, gets herself sent to the same prison and heads off for revenge. ~ Sandra Brennan, All Movie Guide

Edward Asner stars as Saturday Review editor Norman Cousins in this made-for-TV biopic, which first aired May 15, 1984. Stricken with a degenerative spinal illness in 1964, Cousins refuses to accept the prognosis that he must spend the rest of his life as a virtual vegetable. He battles his illness by using the most potent weapons at his disposal--a healthy sense of humor, the love and support of his wife, and confidence that he will endure. This sort of spiritual battle is not that easy to film, and some of the scenes--Cousins laughing at the opening titles of a Marx Brothers film, for example--sorely test the acting skills of Ed Asner. But both Cousins and Asner emerge triumphant from Anatomy of an Illness, which was based on Norman Cousins' own book on the subject. ~ Hal Erickson, All Movie Guide

In this early '80s send-up of venerable horror clichés, Richard Benjamin and Paula Prentiss star as John and Mary, an ordinary couple who inherit a mysterious house from a deceased uncle. Along with kids Debbie (Kari Michaelsen) and Billy (Kevin Brando), they move into the musty mansion, unaware that vampire Waldemar (Jeffrey Tambor) and his wife are desperately seeking an ancient book housed within its walls. Soon, Billy finds the book and learns that opening it releases an assortment of scary creatures. John and Mary, however, refuse to believe Billy's tall tales, not even after Mary ends up with puncture marks in her neck and an aversion to normal food. Soon, a mer-man is stalking Debbie in the bathtub, relatives are disappearing and monsters have taken over the house. Help arrives in the form of the wise Van Helsing (Severn Darden) -- or does it? Saturday the 14th provided the directorial debut for veteran horror screenwriter Howard R. Cohen, who would return to the same territory with 1988's Saturday the 14th Strikes Back. Benjamin, who is married to Prentiss in real life, also appeared in the horror satire Love at First Bite. ~ Brian J. Dillard, All Movie Guide

The formal title for this TV mini-series was Harold Robbins' 79 Park Avenue, just in case you might mistake it for William Makepeace Thackeray's 79 Park Avenue. Originally presented in three parts, this adaptation of the Robbins best-seller stars Lesley Ann Warren as Marja Fludjicki, a Depression-era tenement girl who is accused of murdering her drunken stepfather. Part One details how Marja's "crime" was justifiable; she'd been raped by the bounder. Parts Two and Three would trace Marja's progress from teenaged prostitute to elegant, high-priced Park Avenue Madam--and mob mistress. Forced by circumstance into a life of prostitution, Marja marries Las Vegas high-roller Ross Savitch (Marc Singer). Ross is bumped off by the Syndicate, leaving Marja in the lurch. Marja rebounds from tragedy to become a federal witness against the Mob. 79 Park Avenue was first telecast on October 16, 17, and 18, 1977. Though all the names are changed, it isn't hard to discern the Bugsy Siegel story in this video equivalent to eating a whole box of chocolates in one sitting. ~ Hal Erickson, All Movie Guide

Director Tobe Hooper's follow-up to The Texas Chainsaw Massacre presents yet another Southern-fried psycho (this time in Louisiana) in the form of a scripture-mumbling, one-legged cracker named Judd (Neville Brand). The proprietor of a seedy bayou inn, Judd keeps a pet gator in the nearby swamp, to which he frequently tosses the remains of his unfortunate victims -- including anyone who offends his delicate sensibilities. One such casualty is Harvey Wood (Mel Ferrer), arriving at Judd's hotel in search of his missing daughter... who, unbeknownst to her old man, has already met her own doom courtesy of the scythe-wielding madman. Other patrons include one of the most annoying families on record -- with Chainsaw veteran Marilyn Burns as the strangely-bewigged mom, William Finley as the browbeaten husband and future Halloween tyke Kyle Richards as the endlessly-shrieking daughter (whose adorable puppy becomes a light gator-snack). Nightmare on Elm Street fans can spot a young, pre-Freddy Robert Englund in a small role as a lecherous cracker. Originally titled Death Trap and known by many aliases, including Starlight Slaughter, Horror Hotel Massacre and Legend of the Bayou. ~ Cavett Binion, All Movie Guide

Cult hero Paul Bartel directed this low-budget satire in which America's passion for cars, violence, and sporting events are finally brought together in one convenient package. In the not-so-distant future, the United States has become a totalitarian regime overseen by the charming but sinister Mr. President (Sandy McCallum), who, in order to satisfy the masses' need for entertainment (and to quench their thirst for violence), has created a new national sport -- the Death Race, a nationwide road rally in which the winner is not determined by who finishes first, but by who scores the most points along the way by running over hapless pedestrians. Aspiring champions Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Nero the Hero (Martin Kove), and Matilda the Hun (Roberta Collins) are all looking to take the top honors away from Frankenstein (David Carradine), a half-man/half-machine who has been built to be the best racer on Earth and can outrun and outkill anyone on the circuit. However, not everyone likes the Death Race, and revolutionary leader Thomasina Paine (Harriet Medin) wants to sabotage the event in the name of restoring democracy; her plan is to foil Frankenstein's expected victory by smuggling her daughter Annie (Simone Griffeth) into Frankenstein's race car as his navigator. Featuring David Carradine at the height of his Kung Fu fame (and Sylvester Stallone a year before Rocky), Death Race 2000 was a major drive-in hit in 1975; Bartel and Carradine teamed up for another road race movie, Cannonball, a year later, and a semi-sequel, Death Sport, appeared in 1978. ~ Mark Deming, All Movie Guide

Considered the quintessential "girls in prison" flick of the 1970s, novice director Jonathan Demme's Caged Heat is set in a hellish American woman's penitentiary run by vicious, wheelchair-bound Barbara Steele. Statuesque convict Erica Gavin is forced to undergo horrible (but legal) tortures when she is falsely accused of trying to escape. Gavin and fellow con Juanita Brown decide to make a real break, but return to prison to rescue a friend who is about to be lobotomized by the sadistic prison doctor. Then they stage a robbery, only to find a group of male robbers at the bank ahead of them. A final shootout in the prison yards brings the film to a bloody climax. Caged Heat was also released under the title Renegade Girls. ~ Hal Erickson, All Movie Guide

An evil woman makes a good living by kidnapping famous athletes, chopping them up and selling their remaining viable parts to the elderly riche until an insurance detective catches on and saves the day in this horror thriller. ~ Sandra Brennan, All Movie Guide

Terror on the Beach stars Dennis Weaver and Estelle Parsons as the parents of a family vacationing on the shores of California. A gang of vicious, marauding teenagers invade the campsite and proceed to make the family's life hell. Weaver resists giving into violence until the fierce climax, where he proves just as capable of evil as his tormentors. The highlight of this grim charade is a dune-buggy chase, far better staged and photographed than most of the violent set-pieces. Made for television, Terror on the Beach was filmed on location at California's Pismo Beach. ~ Hal Erickson, All Movie Guide

Jack Hill directed this alternately brutal and campy look at desperate women behind bars. An American named Collier (Judy Brown) has been convicted of murder in the Philippines and is sentenced to a grim women's prison in the jungle, where a mysterious German woman, Miss Deitrich (Christiane Schmidtmer), is the warden, and her head guard, sadistic Lucian (Katheryn Loder), keeps her charges in line through intimidation and violence. Collier shares a cell with tough-talking bisexual prostitute Grear (Pam Grier), hard-boiled political prisoner Bodine (Pat Woodell), thick-skinned but good-humored Alcott (Roberta Collins), drug-addicted Harrad (Brooke Mills), and tight-lipped Ferina (Gina Stuart). Bodine's boyfriend is the leader of an underground revolutionary faction, and when she learns he and his comrades are in danger, she begins to plot an escape for herself and her cellmates, with travelling peddlers Harry (Sid Haig) and Fred (Jerry Frank) becoming her unwitting collaborators. Meanwhile, Lucian is stepping up her torture of the prisoners at the behest of a mysterious masked stranger, and Collier is determined to find out who is behind the systematic brutality. The Big Doll House was the first "Women In Prison" exploitation epic produced for Roger Corman's New World Pictures; it was a big hit on the dive-in and grind house circuit, and spawned dozens of imitations (which are still being produced today). By the way, that's Pam Grier singing the theme song! ~ Mark Deming, All Movie Guide

The Arousers was also shipped out as Sweet Kill and A Kiss From Eddie. Former teen heartthrob Tab Hunter stars as a sex-obsessed serial killer. Hunter can't seem to convince the women he meets that he's worth loving and caring about, so he murders them. Based on an actual case history, the film is not as sleazily produced as one might expect. It's not for everyone's taste, but those who stick with are in for quite a jolt. Filmed in Venice, California (a suitably run-down location), The Arousers features a unexpected appearance by 1930s actress Isabel Jewell. ~ Hal Erickson, All Movie Guide