Patricia Collins Movies

An unhappy couple discover breaking up really is hard to do in this satiric comedy. Richard Harmon (Dick Van Dyke) and his wife, Barbara (Debbie Reynolds), are a typical married couple in American Suburbia -- which is to say they're not very happy with each other. After 15 years together, Richard and Barbara decide they've reached the end of their collective rope, and after several rounds of marriage counseling proves fruitless, they file for divorce. Between negotiating child custody, alimony, and finding new places to live, Richard and Barbara discover divorce isn't appreciably easier than being married; meanwhile, Richard makes a new friend in Nelson Downes (Jason Robards), a fellow divorcé who would love nothing more than for Richard to marry his former wife, Nancy (Jean Simmons), and take away the burden of alimony. Also featuring Van Johnson, Lee Grant, Shelley Berman, and Eileen Brennan in her first film role, Divorce American Style earned an Oscar nomination for Norman Lear and Robert Kaufman's original screenplay. ~ Mark Deming, All Movie Guide

Football is the focus of this drama, adapted from Frederick Exley's famous novel. It tells the tale of an aspiring writer obsessed with football. His father was a football star, and the writer, wanting to follow in his dad's illustrious footsteps, constantly berates himself for not having any talent for the sport at all. The young man becomes so distraught, that he winds up in a mental hospital. In time, he comes to accept the fact that he is destined to be only a fan of the game. ~ Sandra Brennan, All Movie Guide

Adam (George Segal) is an English instructor at a U.S. college who hopes to win a professorship and tenure. Tricia (Glenda Jackson) is an English divorcee. They both wind up on a French ski slope at exactly the wrong time, and in the resulting collision, break one another's legs. While they are slinging ever-wittier insults at each other, they are also falling in love. They soon wed, with Tricia joining Adam back in the States. There, it becomes clear that Tricia was not cut out to be a dutiful, meek professor's wife. ~ Clarke Fountain, All Movie Guide

In this grim horror movie, the only one ever made by director John Huston, patients from a psychiatrist's phobia group are being murdered in ways that reflect their deepest fears. ~ Sandra Brennan, All Movie Guide

An obscure and offbeat novel by Andrew Neiderman comes to life as this strange, disturbing, but fairly compelling psychological thriller. The title refers to a life-sized medical dummy (the name is short for Pinocchio) through which strait-laced physician and would-be ventriloquist Doctor Linden (Terry O'Quinn) communicates with his children, Leon (David Hewlett) and Ursula (Cyndy Preston). Although Pin seems to have served a useful purpose by providing the emotionally distant Linden with a means of opening up to his family, the mannequin's importance gradually becomes a decidedly unhealthy influence for Leon, whose latent psychosis emerges fully after his father's death and compels him to "adopt" Pin as a member of the household. As Ursula, now a beautiful woman, begins to enjoy a relatively happy love life, Leon is consumed with jealousy and, goaded by the 'Pin' aspect of his personality, turns to murder as release. In its depiction of a psychotic who loses his will to an increasingly lifelike dummy, Pin is remarkably similar in theme to Richard Attenborough's Magic (which itself owed a debt to films like The Great Gabbo). Though it breaks no new ground in this respect, this quirky horror film does present an irresistibly eerie charm (thanks in large part to Hewlett's fine performance) and generates a decent amount of suspense, building to a chilling, if not entirely surprising, climax. ~ Cavett Binion, All Movie Guide

An unsolved case involving murder and suicide is reopened after another series of horrible crimes. ~ All Movie Guide

In this drama, a young woman (Megan Follows) is obsessed with her father's recent death, and his relationship with her mother's new fiancee. These musings result in several powerful dream sequences, as she progresses toward a nervous breakdown. ~ Clarke Fountain, All Movie Guide

Written and directed by Canadian filmmaker Atom Egoyan, The Adjuster is an examination of the sexual quirks of a married couple. Starring such Egoyan regulars as Elias Koteas, Arsinée Khanjian, Maury Chaykin, and Don McKellar, the film focuses on Noah Render (Koteas), an insurance adjuster who enjoys sleeping with his clients, and his wife, Hera (Khanjian), a film censor who finds excitement in making copies of the most explicit parts of the movies she's assigned to review. When they invite Bubba (Chaykin) into their house to make a movie, the Renders find their lives becoming even more complex. McKellar plays a young film censor who works with Hera. ~ Matthew Tobey, All Movie Guide

This intellectually demanding drama is based on a theatrical monologue by actor/writer Daniel MacIvor. Victor and 10 others sit in a church. He, who has just come out of group therapy, is sharing his odd life experiences with the people and as he rambles on, little reenactments of the strange tales are depicted. He tells one story of a boy friend who is driven insane by his girl friend's dog. It seems the pooch can laugh like a person and the longer the man is around it, the more convinced he is that the dog's laughter is directed at him. In another, even stranger, tale of a reporter and a librarian who spend their entire lives almost meeting. When they finally do run into each other, each suddenly realizes that they are soulmates and are deeply in love. So joyful are they that they physically explode. ~ Sandra Brennan, All Movie Guide