James Mendenhall Movies

After winning the heavyweight boxing championship and single-handedly winning the war in Vietnam for America, Sylvester Stallone moves on to a real challenge -- arm wrestling -- in this action drama with a family undercurrent. Lincoln Hawk (Stallone) is a long-haul truck driver who years ago abandoned his wife Christina (Susan Blakely) and their son Michael (David Mendenhall). Hawk comes to see the error of his ways and wants to reconcile with his loved ones, only to discover that Christina is in the hospital suffering through the last stages of a terminal illness. Her wealthy and powerful father, Jason Cutler (Robert Loggia), has come to hate Hawk for the way he left his daughter to fend for herself, and he wants full custody of the boy upon her death. But Hawk is desperate to mend his relationship with Michael. He kidnaps the boy, and as Jason's hired goons give chase, Hawk points his truck toward the one place where he can win the money and recognition that will earn his son's respect -- a wrist-wrestling championship in Las Vegas. Actor Sylvester Stallone also co-wrote the screenplay. ~ Mark Deming, All Movie Guide

Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide