Charles McDaniel Movies

In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, All Movie Guide

This episode offers a fascinating glimpse into the mindset of American war correspondents, some of whom regarded themselves as "above" such inconveniences as following military protocol and remaining within established Allied perimeters. When reckless American photographer Eleanora Hunt (Elizabeth Allen) becomes stranded in "No Man's Land," Hanley (Rick Jason) is ordered to bring her back. His task is made even more difficult by the fact that Eleanor seems to regard WW2 merely as an opportunity for her own professional advancement, thus putting the lives of her would-be rescuers in serious jeopardy. ~ Hal Erickson, All Movie Guide

Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide

In this broad but hilarious spoof of the Clarence Thomas confirmation hearings, Murphy is dragged before a Senate Committee after she files a story on the personal spending habits of government officials. Mercilessly grilled by a panel of fatuous politicians, Murphy does her best to defend her First Amendment rights, even in the face of a "Contempt of Congress" charge (with possible jail time!) It will not require the services of a political historian to figure out who such characters as "Senator Dennehy" and "Senator Hyden" are really supposed to be! ~ Hal Erickson, All Movie Guide

Sleazy movie producer Tony Fry (Richard Carlson) plans to raise money for his next picture by threatening to reveal the sordid past of Joanne Pennington (Constance Towers), the wife of millionaire J.J. Pennington (Paul Stewart). What Tony doesn't know is that his fiancee Kathy (Mimsy Farmer) is actually the daughter of a man whose career he ruined years earlier, and who hopes to use Tony's extortion scheme to destroy him. But things don't quite work out that way, and by the episode's halfway point Perry Mason (Raymond Burr) is defending Kathy on a charge of bludgeoning Tony to death with a film-award trophy (no, it isn't an Oscar; evidently the Motion Picture Academy was not about to allow its sacred statuette to be used as a murder weapon!) ~ Hal Erickson, All Movie Guide

Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide

The mythical, urban-legendary "men in black" make a lower-rent appearance here than in the movie of the same name. Jack Scalia stars as Rafferty, a secret service agent whose impressive marksmanship and survival skills are not enough to save a California senator from an assassination at the hands of some mysterious, otherworldly men clad in black. The killers are aliens disguised as human beings, working as an advanced force for their race, which intends to conquer Earth. A handful of humans knows about the aliens' invasion plot and that the killers have been sent to eliminate those who know -- and silence those who suspect -- the truth. Enter Comdor (Dennis Christopher), an eccentric, New Age sort of alien from a different intergalactic species, sent to Earth in an effort to help the humans defeat the space menace. Comdor teams up with Rafferty, who discovers that his new partner has a purpose in pursuing the villains that goes deeper than a simple quest for justice -- they are responsible for the death of his family. The duo's quest takes them into blazing gun battles, a freeway chase, and a goofy UFO convention, leading up to a brutal final confrontation. ~ Karl Williams, All Movie Guide