Mauricio Martinez Movies

Homer's sprawling tale of love and war in ancient Greece comes to the screen in all its grandeur in this epic-scale adventure. In 1193 B.C., Paris, Prince of Troy (Orlando Bloom), has fallen in love; however, the beautiful woman who has beguiled him is Helen, Queen of Sparta (Diane Kruger), who is wed to King Menelaus (Brendan Gleeson). While Helen is hardly immune to Paris' charms, this doesn't blunt Menelaus' fury when Paris steals her away from him. Menelaus' brother Agamemnon (Brian Cox), the power-hungry king of the Mycenaeans, is eager to expand his empire through Troy to the lands of the Aegean Sea, and he uses Paris' romantic slight against Menelaus as an excuse to wage an all-out war against the great walled city. Priam, King of Troy (Peter O'Toole), summons his armies, led by Prince Hector (Eric Bana), to meet the onslaught of Agamemnon's forces, but while the great city has yet to yield in a battle, Agamemnon has a formidable ally -- Achilles (Brad Pitt), a mighty and seemingly unstoppable warrior whose presence could tip the scales in Agamemnon's favor. Sean Bean, Julie Christie, Saffron Burrows, and Rose Byrne highlight the film's supporting cast. ~ Mark Deming, Rovi

This film opens with a big fat close-up of a sweaty prisoner with a fly (on a string) crawling on his face. The prisoner quickly pops the fly in his mouth and spits it out. Then he leeringly laughs about it to the prisoner next door. Nope. This is not a bad undiscovered Sergio Leone spaghetti western. Rather it is the opening shot Deran Sarafin's Gunmen -- a brainless action film without an original thought in its head. Christopher Lambert is the fly-eater, a man named Dani Servigo, the brother of a dead smuggler and a prisoner in a South American jail, who holds the secret to the whereabouts of $400,000 in stolen drug money. The walls of the prison explode, and Cole Parker (Mario Van Pebbles) makes his entrance. Cole is a mercenary working with the DEA who is in this South American hellhole to mop up the drug traders and to avenge his father's death at the hands of the drug traders. He wants Dani to lead him to the gold. In this love-hate buddy film, the two thrown-together friends/enemies race through the Amazon jungle with ruthless assassins in pursuit, as they all gravitate towards the secret stash of money. ~ Paul Brenner, Rovi

While Salvador wasn't Oliver Stone's first film (a pair of offbeat horror stories preceded it), it defined his style of fiercely dramatic, politically oriented filmmaking, staked out his territory as one of the major directors of the 1980s and 1990s, and remains one of his strongest works to date. Veteran photojournalist Richard Boyle (James Woods) has been taking his camera to the world's trouble spots for over 20 years; while he does good work, Boyle's fondness for booze and drugs, and his colossal arrogance, have given him a reputation that's left him practically unemployable. Broke and with no immediate prospects, Boyle and his buddy Doctor Rock (Jim Belushi), an out-of-work disc jockey, head to El Salvador, where Boyle is convinced that he can scare up some lucrative freelance work amidst the nation's political turmoil. However, when Boyle and Rock witness the execution of a student by government troops just as they enter the country, it becomes clear that this war is more serious than they were expecting. Increasingly convinced that El Salvador is a disaster starting to happen, Boyle eventually decides that it's time to get out; but he has fallen in love with a woman named Maria (Elpidia Carrillo), and he doesn't want to leave her behind. James Woods gives one of his best performances as Boyle; and the passion of Stone's message, aided by the power of its truth (the film is based on actual events), propels the film forward. ~ Mark Deming, Rovi