Grégoire Colin Movies

Most of the characters in this romantic drama are waiting for something. Jeanne (Clementine Celarie) is waiting for her husband Francois (Daniel Olbrychski) to return; he abandoned her and their son Christophe (Gregoire Colin) a couple of years ago. The boy is waiting for his father, too. Meanwhile, Jeanne's current lover Marcel (Jean-Paul Lillienfeld) is waiting for her to come to her senses about the cad who went a way, and recognize the worthiness of his love for her. Finally, the absent husband is also waiting for the right time to make his belated reappearance. All this takes place near the gas station Jeanne runs in a dessicated and remote region in southern France. ~ Clarke Fountain, All Movie Guide

A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist. Pas Tres Catholique was nominated for the prestigious Golden Bear award at the 1994 Berlin International Film Festival. ~ Mark Deming, All Movie Guide

A young aristocratic military cadet gets a dose of reality that shakes his high ideals to the core when he is called to fight in the Spanish Civil War in this French anti-war drama. Rafael, is the boy. He comes from a prominent Spanish family of military heroes and has spent his teens studying in a prestigious French military academy run by Dominicans. By October, 1936, Rafael had become a lieutenant; his life forever changes when he is suddenly called back to France to fight against the Communists and defend Franco. He is assigned to report to Col. Masagual, an outwardly tough officer who is flamboyantly effete in his private life. Masagual orders Rafael to first serve on the firing squad to prepare him for the atrocities of the front. In this capacity, the innocent Rafael is forced to slaughter all manner of prisoners, including women and children. It takes a heavy toll upon him and while he and the others shoot the guilty, the colonel and his aristocratic guests, who have come to watch the festivities, gaily sip tea and chat. Soon Rafael has become a literal killing machine, with little emotion. His first experience with sex degenerates into brutal rape. Then Rafael is ordered to kill a renegade priest. Suddenly he remembers his ideals and double-crosses the cruel colonel. This leads to a moral sparring match between the priest and the colonel. The gist of their argument is to demonstrate the stupidity of war. ~ Sandra Brennan, All Movie Guide

This French anthology is a tribute to A Propos de Nice (1930), a classic documentary that took a poetic and sometimes satirical look at life in the French Riviera town. This version blends fact and fiction to chronicle life in modern-day Nice and is comprised of seven vignettes, each directed by an internationally renowned filmmaker. Only one of the episodes, "Reperages," from Iranian directors Abbas Kiarostami and Parviz Kimiavi, stays close to the style of the original film by Jean Vigo as it chronicles the experiences of a filmmaker who came to Nice to do research on Vigo for his upcoming documentary. A different episode eavesdrops upon a man and two women discussing sociopolitical concerns as they lie indolently on the beach. In another, a photojournalist cruises the city's lively Promenade des Anglais. In a silent vignette, "Nice, Very Nice," a young killer is seen gliding through a crowd of carnival goers on the way to perform a hit. The other three cover subjects ranging from the history of Nice, to a political rally, to a portrait of the city as a popular spot for different kinds of rendezvous. ~ Sandra Brennan, All Movie Guide

Though he is near death, blind Rene, an elderly Italian-French intellectual, continues to make his annual conference abroad accompanied by his self-centered loyal, beautiful assistant Sibilla who may or may not be his lover. Rene's domineering mother strongly disapproves of Sibilla and his continual galavanting, but Rene disregards her and goes anyway. While in Spain, Sibilla falls for a handsome young toreador who also captures the interest of Rene, though it is hard to say whether his feelings for the bullfighter are fatherly or more romantic. It is also unclear as to whether Sibilla and the bullfighter are lovers either. Thus an enigmatic romantic triangle forms until Rene and Sibilla suddenly decide to wed. The character of Rene seems to be closely patterned after Argentine writer Jorge Luis Borges. ~ Sandra Brennan, All Movie Guide

Innovative director Jacques Rivette created the memorable, multi-leveled classic Celine and Julie Go Boating (1974), seemingly the inspiration for Susan Seidelman's Desperately Seeking Susan (1985). Rivette generates a far-different mood in this French-Swiss-Italian murder mystery. Medical researcher Sylvie (Sandrine Bonnaire) is keeping late lab hours when she catches her brother Paul (Gregoire Colin) with her gun. Having discovered a five-year-old photo with new evidence of their father's death, Paul wants to kill Walser (Jerzy Radziwilowicz), who now heads their dad's high-tech company. To protect Paul, Sylvie decides to kill Walser herself, and she boards the train for Walser's country estate. But is Walser guilty? ~ Bhob Stewart, All Movie Guide

Sex, avant-garde art, and Communist ideology are at the heart of this compelling historical drama. The film opens just as the Soviet Empire crumbles in 1989. As Louise (Brigitte Catillon) mourns the death of her lover, she discovers the journal of Alfred Katz (Gregoire Colin), an earnest Jewish radical and erstwhile poet who disappeared in 1938. With the aid of a history professor, Louise unravels what happened to Katz. In the feverish climate of pre-WWII Paris, Katz reveals himself as both a fervent Trotskyite and an unabashed romantic. At a party thrown by the noted surrealist Andre Breton, he meets Mila (Anouk Grinberg), a beautiful part-time model, part-time whore. As soon as he falls for her, he learns of her other lover Felix (Xavier Beauvois), a fervent Stalinist. Bored with politics, Mila eventually marries Katz. Soon betrayal and politics catch up with the poet. ~ Jonathan Crow, All Movie Guide

Traveling down the river from the distant Bolivian outpost of San Jacinto in 1945, moody traveler Timar (Grégoire Colin) reflects on his star-crossed affair with the eponymous Adela (Eulalia Ramon) at her husband's decrepit hotel. Because Adela was married, deceitful, and adept at using her feminine charms, trouble duly followed her steamy encounter with Timar, problems ranging from difficulty in finding good hired help to a sudden abundance of dead bodies, and culminating in a climactic courtroom showdown. ~ Rebecca Flint Marx, All Movie Guide

Catherine Breillat's Sex is Comedy concerns a female film director, Jeanne (Anne Parillaud), who is attempting to film a sex scene in her new movie. Complicating the already emotionally difficult shoot is the fact that Jeanne and her lead actor (Grégoire Colin) are sexually involved. The scene being shot echoes with a scene in Breillat's previous film, Fat Girl, adding to the supposed "reality" of the situations presented in the film. Roxane Mesquida rounds out the cast as the actress playing the 15-year-old in the scene being filmed. Sex Is Comedy was screened during the Director's Fortnight at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

Yolande Zauberman's World-War II drama The War in Paris tells a sad story of a teenager trapped in a terrible time. Jules (Jérémie Rénier) is a 19-year-old living in Nazi-occupied Paris. After Jules' brother takes a Nazi's weapon, local cop Grégoire Colin puts Jules in a difficult place. Either Jules must give up his brother, or their parents will be deported. This is the first of many crises of conscience that Jules faces. ~ Perry Seibert, All Movie Guide

Bruno (Grégoire Colin of Beau Travail) is a troubled art student fascinated with pristine white walls and empty space. A squalid, unhappy childhood has left him angry, reclusive, and obsessive. When his brutish uncle (Etienne Chicot), fed up with Bruno's eccentricities, threatens to kick him out, Bruno calmly murders him. Elise (Julie Ordon) is several years younger than Bruno, just entering adulthood. Her mother was murdered when Elise was a little girl, and Anne (Brigitte Catillon), the psychiatrist who used hypnosis to try to draw out her memory of the event, is now married to Elise's father, Richard (Laurent Grévill). Anne still worries that the mysterious man who murdered Elise's mother will return to harm Elise. She's overprotective to the point of paranoia, and Elise grows increasingly weary of her stepmother's constant meddling. When Bruno gets an interior design job at the upscale shoe store where Elise works, they are immediately drawn to each other. While Elise is quietly determined to draw out the odd, shy young man, Bruno seems to see Elise as some kind of ideal objet d'art. Anne, ever suspicious, suspects that Bruno is up to no good, and tries to keep Elise from seeing him. As Bruno plots to make Elise his, the twisted truth about her mother's murder is revealed. Inquiétudes, based on the novel A Sight for Sore Eyes by Ruth Rendell, was written and directed by Gilles Bourdos. It was shown at the Film Society of Lincoln Center's Rendezvous With French Cinema in 2004. ~ Josh Ralske, All Movie Guide