Victor Colicchio Movies

Neil Jordan's The Brave One stars Jodie Foster as a happy woman whose life changes irrevocably after a brutal assault leaves her partner (Naveen Andrews) dead. The woman, feeling that the police investigation will be unable to catch the perpetrators, begins to live in constant fear. This outlook results in the woman eventually dispatching vigilante justice. Terrence Howard co-stars as the officer in charge of the investigation. ~ Perry Seibert, Rovi

In the summer of 1977, a serial killer who called himself Son of Sam (real name David Berkowitz) held New York City in terror as he went on a killing spree, periodically writing letters to New York's media in which he took full responsibility for the murders and made clear that he intended to kill again. Spike Lee's Summer of Sam deals in part with this crime spree, but it mostly looks back at the fearful impact of his crimes on New York's collective consciousness. Vinny and Dionna (John Leguizamo and Mira Sorvino) are an unhappy young married couple living in the Bronx; Vinny often cheats on Dionna but is wracked with guilt about it, while Dionna fears she lacks the looks or allure to hold onto a man. Ritchie (Adrien Brody) is a neighborhood kid turned punk rocker (complete with a fake British accent); he has a band and a girlfriend (Jennifer Esposito) but also makes money as an exotic dancer at a gay club. And Luigi (Ben Gazzara), a longtime leader of organized crime in the Bronx, is approached by the police, with whom he generally has a less cordial relationship, to help them find the killer, as the citizens of some neighborhoods barricade their streets in fear that he will strike there next. Meanwhile, a tortured psychopath named David Berkowitz (Michael Badalucco) seethes with rage in his gloomy apartment and receives messages from a demonic dog who commands him to kill and kill again. Spike Lee's first film without a primarily African-American cast (though bearing the unmistakable New York stamp that's one of his hallmarks), Summer of Sam was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

The subject of this urban comedy could be "Two-timing men, and the women that despise them" as it presents the scathing opinions of women observing an adulterous misogynist in action. The adulterer in question is Scott who swears fealty to his beloved fiance, but then goes out and chases anything with ovaries when she is not around. He is cheered on by his equally misogynistic uncle. Scott's many sexploits are interrupted by female observers, who offer their commentary upon his actions. Their comments upon Scott can apply to adulterers everywhere. ~ Sandra Brennan, Rovi

The emphasis is more on law than order as the viewer follows detectives Briscoe (Jerry Orbach) and Logan (Chris Noth) through an extremely eventful 24 hours. Their unusually heavy case load includes five murders -- all unrelated -- and a violent, domestic quarrel, in which the husband gets the worst of it. Evidently, this episode made quite an impression on the series' producers; not only was it referred to in the tenth-season Law & Order episode "Entitled," but its memory was also invoked in a first-season episode of the spin-off series Law & Order: Special Victims Unit. ~ Hal Erickson, Rovi

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, Rovi

Following Serpico (1973) and Prince of the City (1981), veteran urban crime film director Sidney Lumet completed a thematic trilogy about New York City police corruption with this noir drama. When New York City cop Mike Brennan (Nick Nolte) shoots an unarmed Hispanic drug dealer in cold blood, he quickly plants a gun on his victim and manufactures some eyewitness testimony. D.A. Kevin Quinn (Patrick O'Neal) calls in his assistant district attorney, Al Reilly (Timothy Hutton), to conduct a perfunctory investigation of the incident, but Brennan's obvious guilt during a question and answer session makes Reilly dig deeper. The crusading lawyer is soon uncovering a web of corruption that reaches from Brennan into Quinn's office. At the same time, Reilly learns that his ex-girlfriend Nancy Bosch (Jenny Lumet, the director's daughter), is now dating his chief witness, Puerto Rican drug dealer Bobby Texador (Armand Assante). Q&A (1990) was based on the novel by Edwin Torres, a New York State Supreme Court judge whose two other novels were later adapted into the film Carlito's Way (1993). Lumet would again return to the subject of New York's corrupt criminal justice system with Night Falls on Manhattan (1997). ~ Karl Williams, Rovi