Marilyn Coleman Movies

Mare Winningham stars in this made-for-cable TV movie about a woman who, after a lifetime of bad luck, ends up on death row -- where she insists the sentence be carried out promptly. Film was co-produced by author and noted feminist Gloria Steinem. ~ Mark Deming, All Movie Guide

This debut offering from twin brothers Albert and Allen Hughes was one of the most critically-acclaimed urban crime films to appear in the wake of John Singleton's influential Boyz N the Hood. Set in the Watts neighborhood of Los Angeles, the film is narrated by 18-year-old Caine (Tyrin Turner), a drug dealer and car thief who lives with his religious grandparents. After graduating from high school, Caine shows no ambition beyond hanging out with his friends, so his grandparents kick him out. Among his other troubles are his best friend O-Dog (Larenz Tate), a vicious thug hunted by the police, and the friends and family of the girl Caine got pregnant and then turned his back on. Perhaps the lone positive influence in his sphere is Ronnie (Jada Pinkett), a single parent struggling to raise her young son without the boy falling prey to the 'hood mentality. When their friendship becomes a love affair, Ronnie tries desperately to convince Caine to move with her to Atlanta; soon afterward, he is shot and nearly dies. After recovering, he accepts Ronnie's offer, but tragedy strikes as they pack their van in preparation to leave. ~ Jason Ankeny, All Movie Guide

Keenen Ivory Wayans wrote, directed, and starred in this hilarious parody of blaxploitation films in the comedy I'm Gonna Git You Sucka. Jack Spade (Wayans) returns home from a hitch in the army to find his brother Junebug has died from an overdose of gold chains, leaving his widow Cheryl (Dawnn Lewis) and mother Ma Bell (Ja'net DuBois) alone to fend for themselves. Ma throws two inept thugs (Damon Wayans and Kadeem Hardison) sent by the evil white guy Mr. Big (John Vernon) down a flight of stairs. Junebug owes $5,000 to Mr. Big for his gold-chain addiction and tries to force Cheryl into prostitution to pay off the debt. Jack recruits his old friend to go after Mr. Big to seek revenge. John Slade (Bernie Casey), Hammer (Isaac Hayes), Slammer (Jim Brown) Kung Fu Joe (Steve James) and the former Pimp Of The Year Flyguy (Antonio Fargas) join up with Jack to avenge his brother' death. Chris Rock makes a brief appearance as the annoying customer who risks his life by irking rib joint owner Hammer. Funny and fast paced, the writing, acting, sight gags and cameos by Robert Townsend, Peggy Lipton, Clarence Williams III, Eve Plumb (Jan from The Brady Bunch), Kim Wayans, and Gary Owens makes this a must-see for any comedy fan. ~ Dan Pavlides, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

When pimp Ramrod (Wings Hauser) is wanted by the police for murder, an undercover detective, Tom Walsh (Gary Swanson), enlists the aid of prostitute Princess (Season Hubley), a loving mother struggling to support her kid, to help capture the fiend. ~ Iotis Erlewine, All Movie Guide

This TV movie stars Jean Stapleton as the real-life "Aunt" Mary Dobkin, a physically handicapped woman living in the Baltimore of the 1940s. Concerned that juvenile delinquency is destroying her neighborhood, Aunt Mary organizes the "Dobkin Dynamiters", a baseball team comprised of disadvantaged and minority children. As she fights to have her biracial team officially sanctioned by the highly segregated Baltimore power structure, Aunt Mary is further challenged by the amputation of her left leg and right foot. Nonetheless, she perseveres over the next two decades, providing nearly 35,000 disenfranchised boys the opportunity to escape the streets and play ball. Sportscaster Ernie Harwell, who'd once called the shots for the Baltimore Orioles, makes a cameo appearance in this 1979 Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide

Violet (Marilyn Coleman), the terrifying wife of the Evanses' usurious landlord, Nathan Bookman (Johnny Brown), becomes convinced that her husband is cheating on her. Thanks to circumstantial evidence -- namely, what transpires before her very own eyes -- Violet grimly determines the identity of the "other woman." Given the title of this episode, need anyone wonder about the identity of the supposed (but entirely innocent) homewrecker? ~ Hal Erickson, All Movie Guide

This Americanized remake of Lina Wertmuller's The Seduction of Mimi offered audiences the novelty of seeing Richard Pryor performing three different roles in the same film. Which Way Is Up? tells the tale of Leroy Jones (Pryor), a poor orange picker who gets fired from his job when he accidentally joins a worker's union during a demonstration. He is forced to travel to Los Angeles and abandon his family, which includes his wife, Annie Mae (Margaret Avery), and his perpetually randy father, Rufus (also Pryor). While there, he falls in love with labor organizer Vanetta (Lonette McKee), but is soon rehired by his former employers when they realize he is easily manipulated. Back home, Leroy discovers his new managerial role alienates him from his former friends as he tries to divide his time between Annie Mae and Vanetta. When he discovers Annie Mae has been impregnated by the Reverend Lennox Thomas (Pryor's 3rd role) during his absence, Leroy sets his sights on seducing Lennox's wife. The resulting film had ambition to spare, but was generally panned as an inferior remake by the critics and failed to find a mass audience. However, Which Way Is Up? gained a second lease on life via cable and home video and has become a cult favorite with Pryor's fans. ~ Donald Guarisco, All Movie Guide

Willie Dynamite (Roscoe Orman) is a Manhattan pimp whose life and career are documented in this blaxploitation flick. Willie makes it to the top of his precarious profession, only to hit rock bottom again in record time. In her last movie role, Diana Sands plays an ex-hooker who becomes a social worker. She tries to get Willie to clean up his act before it's too late. Willie Dynamite was produced by Richard Zanuck and David Brown, who shortly afterward collaborated on a more upbeat project, The Sting. ~ Hal Erickson, All Movie Guide