Charles Coleman Movies

Universal and producer/director Henry Koster had plans to make Diana Barrymore, the daughter of John Barrymore, into another Deanna Durbin with Between Us Girls, an ambitious sub-screwball comedy that undoubtedly owed some aspects of its existence to The Major And The Minor (in addition to anticipating elements of the Van Johnson/June Allyson vehicle Too Young To Kiss). Barrymore plays Caroline Bishop, an ambitious and gifted young actress and the daughter of actress Christine Bishop (Kay Francis). On a visit home, she discovers that her mother is involved in a serious romance -- which could lead to her re-marrying -- with businessman Steven Forbes (John Boles), but that he is under the impression that Christine is at least a decade younger than her actual age. When Forbes announces his intention to meet Christine's "young" daughter -- whom he presumes is on a visit home from boarding school -- in order to help her mother, Carrie pretends to be a 12-year-old; but she also meets his friend Jimmy Blake (Robert Cummings), who takes a paternal interest in the seemingly badly adjusted child, whom he believes is being neglected emotionally. This impression is only reinforced when Carrie must invent an alcoholic "aunt" to explain a picture in the Bishop home. The problem is that she genuinely starts to fall in love with Jimmy -- but by the time she recognizes this dilemma, it's too late to sort out the masquerade without admitting to dishonesty all around. And how will Carrie juggle her two "roles" within the family, and her own life as a theater actress with a production of Rain (in which she is to play Sadie Thompson) coming up? ~ Bruce Eder, All Movie Guide

This third film version of the hectic Margaret Mayo-Salisbury Field stage farce Twin Beds officially stars George Brent and Joan Bennett, but it's Mischa Auer's picture all the way. Newlyweds Mike and Julia Abbott (Brent and Bennett) can never be "alone at last" thanks to the unwelcome drop-ins by their friends, including flamboyant Russian musician Nicolai Cherupin (Auer) and his wife Sonya (Glenda Farrell), and by Julia's ex-beau Larky (Ernest Truex) and his wife Lydia (Una Merkel). Seeking to escape their well-meaning but intrusive chums, Mike and Julia move into a luxury apartment, only to discover that their next-door neighbors are?.you guessed it. The fun begins when the drunken Nicolai wanders into Julia's boudoir by mistake. Attempting to hide Nicolai's presence from Mike, Julia gets deeper and deeper in trouble when Sonya shows up demanding to know her husband's whereabouts. Just when it seems that things can't get any worse, who should arrive on the scene but Larky, in hot pursuit of a nonexistent burglar. Twin Beds is one of several screwball comedies (Nothing Sacred, Rage of Paris, My Man Godfrey) currently available on the Public Domain video circuit. ~ Hal Erickson, All Movie Guide

In a harem in a Middle Eastern palace, the guardian leads the women he protects in telling the tale of Halroun-Al-Raschid (Jon Hall), the Caliph of Bagdad, who found himself an enemy close to home in the form of his half-brother Kamar (Leif Erickson), who was ineligible for the throne because of his mother's having been a slave. Halroun and his followers initially put down Kamar's attempt at usurpation, until Halroun's ambitious vizier Nadan (Edgar Barrier) changes sides. In the confusion of the ensuing battle, Halroun is wounded -- spotted by the young acrobat Ali (Sabu), he is sheltered by a group of traveling players led by Ahmad (Billy Gilbert), whose ranks also include a player and storyteller (and, if he is to be believed, former sailor) named Sinbad (Shemp Howard) and a man named Aladdin (John Qualen) who is searching for a magic lamp -- and a dancer named Scheherazade (Maria Montez), who had beguiled Kamar and welcomes his ascent to the throne, because she has been told that she is destined to marry a king. She loves the wounded man in her care, whose identity she doesn't know, but is intent on marrying Kamar, now that he is Caliph. But her plans are thwarted by Nadan, who wants no competition from her in his sway over Kamar, and has arranged to have her killed; but when an avaricious officer (Turhan Bey)instead sells her and the entire performing troup to a dishonest slave trader (Thomas Gomez). From that moment, complications ensue for all concerned, as the new Caliph goes after his beloved, the deposed king Halroun tries to protect her and regain his throne, and Nadan hopes to come out sitting on the throne himself. Treachery and narrow escapes, and even a few thwarted plans ensue on all sides as the hero Haroun has to watch out for Scheherazade and himself from several sides at once, all while keeping his identity from her. ~ Bruce Eder, All Movie Guide

Previously filmed with Mabel Normand in 1920, the old Rose Melville stage property Sis Hopkins was trotted out in 1941 for Republic's newest star, raucous cornpone comedienne Judy Canova. Sporting pigtails and dressed like a potato sack, Sis Hopkins (Canova) shows up at the doorstep of her snooty rich relations in the Big City after her family farm burns down. Though she immediately ingratiates herself to her uncle, bathroom-appliance mogul Horace Hopkins (Charles Butterworth), Sis runs afoul of her bitchy, beautiful cousin Carol (played by a pre-stardom Susan Hayward). Determined to humiliate our heroine and send her packing, Carol arranges for Sis to partipate in a sorority-initiation striptease. Fortunately, Sis wins out in the finale, while Carol must endure such indignities as a well-aimed pan of water and a misplaced bathroom plunger. As a bonus, Sis wins the heart of college bandleader Jeff Farnsworth (Bob Crosby). Adding to the general merriment of Sis Hopkins is Jerry Colonna as a zany college professor. Judy Canova sings several of her patented country-western ditties, then surprises her fans with a "straight"operatic rendition from La Traviata. ~ Hal Erickson, All Movie Guide

Another cookie-cutter Universal minimusical, Moonlight in Hawaii gathered together the usual suspects-Johnny Downs, Leon Errol, Jane Frazee, Mischa Auer, Sunny O'Dea et. al.--in their usual roles. Downs plays a young man named Pete, who shepherds a group of sightseers to Honolulu. Pete's greatest ambition is to star on radio with his pals the Merry Macs, and to this end he curries favor with potential sponsors Spencer (Leon Errol) and Lawton (Richard Carle), partners in a pineapple-juice factory. The complications begin piling up when Spencer and Lawton have a falling out over the affections of wealthy dowager Mrs. Floto (Marjorie Gateson), forcing Pete and his pals to play matchmaker. Superstar-to-be Maria Montez shows up in a bit role as a hula-hula dancer. ~ Hal Erickson, All Movie Guide

Three different Universal pictures made between 1922 and 1941 bore the catchall title Don't Get Personal. The 1941 film stars Hugh Herbert as a ditzy pickle manufacturer whose favorite radio program stars Jane Frazee and Robert Paige. The couple plays a bickering husband and wife on the air, and Herbert mistakes their scripted bouts for the real thing. He heads to the radio station to patch up their differences, but succeeds in embroiling the actors in a real battle. Don't Get Personal seems to have been made at the same time as Universal Hellzapoppin' (41), with at least four actors (Hugh Herbert, Robert Paige, Jane Frazee and Mischa Auer) appearing in both films. ~ Hal Erickson, All Movie Guide

This brief (56-minute) MGM B-picture was adapted from Ivor Novello's play The Truth Game. Naturally, a few plot twists and supporting characters had to be eliminated, but at its base, the film follows the original plotline with reasonable fidelity. Hoping to land wealthy wives, a father-and-son team of sharpsters, Max and Florian Clemington (Robert Cummings and Nigel Bruce), pretend to be members of the landed gentry. Max romances the much-older Lady Joan Culver (Judith Anderson) before finding true love in the form of pretty heiress Martha Gray (Ruth Hussey). Imagine his embarrassment when Max discovers that Martha is as big a phony as he! Because of the 1941 Free and Easy, Buster Keaton's same-named 1930 vehicle had to be retitled Easy Go on television. ~ Hal Erickson, All Movie Guide

In this musical, four entertaining farmboys from Iowa head for the Big Apple to find fame and fortune but find themselves in trouble when a radio sponsor finds himself accused of kidnapping a girl. Songs include: "Septimus Winner," "Peaceful Ends the Day," "Cherokee Charlie," "Let's Go to Calicabu," "Swing-a-Bye My Baby," "Changeable Heart," "If It's a Dream Don't Wake Me," "Since the Farmer in the Dell," "Caliacau," and "Listen to the Mockingbird." ~ Sandra Brennan, All Movie Guide

In this third of RKO's "Mexican Spitfire" series, star Lupe Velez doesn't get any further west than Reno, Nevada. Lupe feels that her straightlaced husband (Donald Woods) is neglecting her, and thus seeks a divorce. Reliable old Uncle Matt (Leon Errol) shows up to straighten things out, which means that for the umpteenth time in this series he'll disguise himself as the veddy British Lord Epping. Before everything straightens itself out, Uncle Matt finds himself in dutch with his own wife. We all know that Lupe and her hubby will get together: otherwise there wouldn't be a fourth "Mexican Spitfire" picture. ~ Hal Erickson, All Movie Guide

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide

Veteran German director William Thiele managed to add a continental flavor to the MGM assembly-line romance Bridal Suite. Annabella stars as Luise Anzengruber, a poor but cheerful young lady who manages an Alpine hotel. When handsome playboy Neill McGill (Robert Young) checks into Luise's establishment, it's love at first (or at least second) sight. Alas, Luise's future happiness is complicated by Neill's disapproving family and his bitchy fiancee Abby Bragton (Virgina Field). Bridal Suite was originally titled Maiden Voyage, but the name was changed to capitalize on Annabella's recent real-life marriage to Tyrone Power. ~ Hal Erickson, All Movie Guide

Best remembered as the film in which 17-year-old Deanna Durbin receives her first screen kiss, First Love is a modernized variation of the Cinderella legend (there's even "six white mice" in the form of a sextet of motorcycle policemen!). The film casts Durbin as Constance Harding, the poor relation of wealthy tycoon James Clinton (Eugene Pallette). When she comes to live with the Clinton family, she runs headfirst into her eccentric, social-climbing aunt Grace (Leatrice Joy) and her nasty, nightclub-hopping cousin Barbara (Helen Parrish); James himself rather likes the girl, but most his attention is directed towards dealing with his monumentally lazy son Walter (Lewis Howard in a comic turn). Left behind on the night of a fancy society ball, Constance is championed by the household servants, who provide her with a gorgeous gown and transportation to the event. She meets her Prince Charming in the form of likeable socialite Ted Drake (Robert Stack in his film debut)- but, just after the stroke of midnight, leaves her slipper behind. Later that night, the hateful Barbara convinces Constance that Ted was only toying with her emotions. Sorrowfully, Constance decides to return to school and bury herself in her studies, only to be dissuaded by her head teacher (Kathleen Howard), who made the same mistake herself many years before. Naturally there's a happy ending, with time to spare for Durbin to sing five numbers, including the Puccini-inspired aria "One Fine Day". ~ Hal Erickson, All Movie Guide

This musical drama follows a young ghetto kid who dreams of being a classical musician like his idol Jascha Heifetz. He first hears the renowned violinist after finding a ticket to Carnegie Hall on the sidewalk one day. The young man is so inspired by what he hears that he enrolls in Professor Lawson's inner-city music school. Unfortunately, the school teeters on the brink of bankruptcy. Fortunately the determined young boy convinces his street buddies to help him plead with Heifetz to help them save the school by doing a benefit concert. The master violinist agrees and saves the day. ~ Sandra Brennan, All Movie Guide