Pamela Lewis Movies

It's not finishing school or a traditional upbringing that causes ten-year-old Opal to learn about the world outside of her own backyard, but rather a particularly awkward-looking mutt named Winn-Dixie. Based on a novel by Kate DiCamillo, Winn-Dixie and Opal not only become privy to the eventful, if eccentric, lives of their neighbors (including a librarian who fought off a bear with nothing but a novel, a blind woman who claims to "see" with her heart, and a sensitive ex-con turned pet store clerk), but Opal herself manages to reconcile some of the depression left over after her mother had abandoned the family seven years earlier. ~ Tracie Cooper, Rovi

Unhappy with her job and her loser boyfriend, Melanie Griffith takes a secretarial post at a major Wall Street firm. Her boss is Sigourney Weaver, an outwardly affable yuppie whose grinning visage hides a wicked and larcenous propensity for exploiting the ideas of her employees. While Weaver is incapacitated, Griffith is compelled by circumstances to pose as her boss. Her inborn business acumen and common sense enable Griffith to rise to the top of New York's financial circles, and along the way she wins the love of executive (Harrison Ford). Things threaten to take a sorry turn when Weaver returns, but it is she who suffers from the consequences of her own past duplicity. Working Girl was Melanie Griffith's breakthrough film, proving than she was more than just the off-and-on "significant other" of Don Johnson. The film was later adapted into a brief TV series, starring a pre-Speed Sandra Bullock. ~ Hal Erickson, Rovi

Trying to recreate the screwball comedy success of his collaborations with Peter Bogdanovitch, actor Ryan O'Neal headlined this sporadically funny mixture of light farce and social satire. O'Neal stars as Bobby, an intellectual English professor who leaves his job when his father Jack (Jack Warden) appeals to him for help. A garment manufacturer, Jack is in serious debt to humongous loan shark Eddie (Richard Kiel), and he desperately needs his business to provide the capital to pay Eddie back. Completely by accident, Bobby invents the solution to his dad's problem: see-through denim blue jeans with strategically placed holes in the rear that expose one's backside. The fickle public goes mad over the "sexy" new style, and the money starts flowing in, but Bobby exacerbates his father's problems greatly when he falls for and begins dating the amorous Lira (Mariangela Melato), whose husband is none other than Eddie. So Fine was the feature directorial debut of popular Blazing Saddles (1974) writer Andrew Bergman, who would wait eight years before getting behind the camera again with the much more successful The Freshman (1990). ~ Karl Williams, Rovi