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Charles Lewis Movies

2008  
 
The 2000 presidential election -- marked by an extremely narrow margin of victory, troubles with ballots going missing, and mechanical problems with poorly designed paper ballots in the state of Florida -- led many pundits to debate how effective the mechanics of voting had become in America. However, many who have set out to "solve" these problems have in fact only made them worse; many commonly used electronic voting systems are significantly less accurate than their mechanical counterparts, a number of them offer no hard-copy backup of the votes cast, and one of the largest manufacturers of electronic voting machines, Diebold, is headed by Walden O'Dell, a man who told attendees at a Republican fund raiser in 2003 that he was "committed to helping Ohio deliver its electoral votes to the president (George W. Bush) next year," leading many to question his objectivity and if certain problems with his machines occurred entirely by accident. A growing number of political activists are looking to the 2008 presidential race as a test of whether fair elections are still possible in the United States, and the battle to see that all votes are accurately counted and election laws are properly observed is explored in the documentary Stealing America: Vote by Vote. Filmmaker Dorothy Fadiman weighs the evidence that political influence may have been used to leverage presidential election results in certain states, that a significant number of voters may have been illegally prevented from casting a ballot, and that the latest generation of electronic voting machines could be easily susceptible to tampering. ~ Mark Deming, Rovi

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Starring:
Peter Coyote
 
2004  
PG13  
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In 1961, as Dwight D. Eisenhower gave his final address to the nation before leaving the office of President of the United States, he warned that America "must guard against the acquisition of unwarranted influence...by the military-industrial complex." Nearly 45 years later, as the United States finds itself waging a war in Iraq for reasons that seem increasingly unclear with the passage of time, Eisenhower's statement becomes all the more pertinent, and the question becomes more apt: has the machinery the United States established to wage war helped prevent conflict, or has it done more to inspire it? Documentary filmmaker Eugene Jarecki offers an in-depth look at how the United States has readied itself for battle, and why and how the nation goes to war in the film Why We Fight. Named for Frank Capra's famed series of Defense Department films (which explained the motives behind America's entry into World War II), Why We Fight features interviews with foot soldiers, Army recruits, Pentagon personnel, decorated veterans, members of Congress, national security advisors, top military strategists, and many more as they talks about the core philosophies of American military strategy and how they have changed since the end of the Second World War. Why We Fight received the Grand Jury Prize at the 2005 Sundance Film Festival. ~ Mark Deming, Rovi

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Starring:
Wilton SekzerChalmers Johnson, (more)
 
2004  
 
This deeply critical and often humorous documentary opens with President George W. Bush's acceptance of the 2000 Republican nomination and Bush's assertion that each U.S. president must be fully responsible for his actions. It then moves forward in time to examine the extent to which Bush failed to live up to this oath, via eviscerating commentary from numerous left-wing spokespeople including Arianna Huffington, Michael Moore, Bill Maher, Al Franken, and others. Peter Coyote narrates. ~ Nathan Southern, Rovi

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2004  
NR  
Directed by Robert Kane Pappas, Orwell Rolls in His Grave questions whether the bleak, feverishly regulated world of author George Orwell's 1984 is no longer a dire fictional account of government power gone wrong but a creeping reality of recent American media trends. The film focuses on the media's least covered topic -- itself -- in an effort to trace the process by which newsworthy stories are either dismissed entirely or distorted into something more politically suitable for the heads of various media conglomerates. It also studies how influential politicos became responsible for an industry that was largely created in order to keep political abuse in check. Among the interviewees include legal scholar and former L.A. prosecutor Vincent Bugliosi, film director and author Michael Moore, and Danny Schechter, a former producer for ABC and CNN. Pappas also covers the expansion of the news media and examines whether the onset of competitive 24-hour news stations has actually led to a nationally less informed public. ~ Tracie Cooper, Rovi

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