Joshua Cole Movies

Produced for British television, Daniel Deronda was adapted from George Eliot's final novel, written in 1874 (and first filmed in 1921). As was her habit, Eliot laid bare the hypocrisy and venality of Victorian-era "class culture," at the same time admitting that a certain amount of conformity was necessary if one hoped to survive in a world where nonconformity was not only looked down upon but actively suppressed. Essentially, both the novel and the TV presentation are comprised of two separate stories, linked together by the titular Daniel Deronda (Hugh Dancy), a young man of Jewish heritage. In the main narrative, Daniel is attracted to the spoiled, headstrong Gwendolen Harleth (Romola Garai), who is reluctantly poised to enter into a marriage of convenience with the wealthy, snobbish, and intensely anti-Semitic Henleigh Grancourt (Hugh Bonneville). This romantic intrigue is played against the curious relationship between Daniel and the Zionist visionary Mordecai (Daniel Evans), who tirelessly proselytizes in favor of a permanent homeland for the Jewish people. Things come to a head when Daniel finds himself falling in love with Mordecai's sister Mirah (Jodhi May). Originally telecast in three parts on the BBC beginning December 7, 2002, Daniel Deronda was re-edited as a two-parter for the PBS anthology Masterpiece Theatre, where it first aired on March 30, 2003. ~ Hal Erickson, All Movie Guide

A woman edging into middle age finally finds the love of a lifetime; too bad she can't convince her best friends it's for real in this lively romantic comedy. Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton) are three close friends in their early forties who have been sharing a long run of bad luck in the field of romance. While all three are successful in their careers -- Kate has been named headmistress of an upscale private school, Molly is a doctor, and Janine's a police detective -- they've been striking out in the dating scene, and they get together on a regular basis to compare notes and drown their sorrows in cocktails and chocolate. One day, while attending the funeral of a colleague, Kate makes the acquaintance of Jed (Kenny Doughty), a good-looking man who remembers Kate as one of his teachers when he attended the school years ago. Despite the decade-and-a-half gap in their ages, there's a strong mutual attraction between Kate and Jed, and before the day is over the two are enjoying an affair. Molly and Janine are at once amused and appalled at Kate for dating a younger man, and while she tells them it's a short-lived fling that means little to either party, neither Kate nor Jed wants to walk away from their relationship; before long Kate and Jed decide they've fallen in love and plan to get married. The harder Molly and Janine try to convince Kate that she's making a mistake, the more Kate is determined to tie the knot with Jed, and eventually Molly and Janine decide to take drastic measures -- Molly hatches a plan to seduce Jed, while Janine captures their tryst on videotape. ~ Mark Deming, All Movie Guide

New Zealand poet Janet Frame is the subject of Jane Campion's biographical drama, which presents a poetically evocative look at the authoress' turbulent life. The film begins with a look at Frame's childhood, showing her as a bright but odd-looking, emotionally fragile young girl with a knack for writing. Frame faces great difficulty in adapting to the conventional rural life around her, and her social awkwardness only worsens as she grows older. After she fails in her attempt to become a schoolteacher due to an intense panic attack, she is subject to a psychiatric evaluation and shamefully misdiagnosed as a schizophrenic. Frame is subsequently committed to a mental institution, where she suffers years of unnecessary shock treatments and other horrors. Her salvation comes through her writings, however, which attract the attention of a renowned author who arranges her release. While the nightmare of Frame's institutionalization is presented with great sensitivity and power, Campion and screenwriter Laura Jones, to their credit, refuse to simplify her story to this one pivotal event. Instead, they pay equal attention to Frame's subsequent life, as she slowly adjusts life in the outside world, experiencing literary success and her first romance. Expressive visuals add immeasurably to the total effect, while Kerry Fox's superb performance creates a truly affecting portrait of Frame. Impressively, the film was originally made as a mini-series for New Zealand television, and slightly reedited for a later theatrical release. ~ Judd Blaise, All Movie Guide