Geoffrey Larder Movies

British playwright David Hare both wrote and directed the complicated political melodrama Paris By Night. Charlotte Rampling plays a Tory member of the European parliament, who lets absolutely nothing get in way of her ambitions. At present, Rampling is convinced that she is being blackmailed by her ex-business partner Andrew Ray. Upon accidentally meeting Ray, Rampling impulsively murders the man. In a deliciously ironic turn of events, she is approached by Ray's daughter Sinead Cusack, who hopes that Rampling will help her locate her missing dad. Rampling eventually finds out Ray had been innocent all along-but a greater shock awaits her at home, at the hands of her long-neglected husband Michael Gambon. Paris By Night contains far too many cute coincidences to be credible, but this fact doesn't immediately sink in as the audience revels in the film's superlative performances and David Hare's adroit manipulation of people, places and events. ~ Hal Erickson, Rovi

Plenty boasts a cast of actors ranging from John Gielgud as an ethical and caustic senior diplomat to Meryl Streep as Susan Traherne, a woman looking for solace and a decent life in the aftermath of World War II. After World War II has ended, along with her work in the French Resistance movement and an idealized love affair with a soldier, Susan finds jobs in the business and diplomatic worlds. Her life slowly disintegrates as she tries and fails to have a child then marries diplomat Raymond Brock (Charles Dance) and suffers further emotional decline as her rather conventional marriage eventually becomes cool and finally, alienating. Against Susan's difficulties are tumultuous events in the background -- the Suez Canal crisis and Middle East developments among them. David Hare adapted the screenplay from his successful stage play which first opened in 1978. ~ Eleanor Mannikka, Rovi

The Box of Delights, based on the children's book by English poet laureate John Masefield, was produced by the BBC, from a screenplay by Alan Seymour under director Renny Rye in mid-1984. Set in 1934, the six-part miniseries tells the story of young Kay Harker (Devin Stanfield), who, while on his way home from school to join his family for Christmas, meets an old Punch and Judy man named Cole Hawlings (Patrick Troughton), and then a pair of clergymen (Geoffrey Larder, Jonathan Stephens) who seem to have picked his pocket -- and all of whom seem to know all about Kay, who he is, and where he is going. Before long, he is in the center of a struggle for the title object, an artifact dating from pagan times that allows the holder to manipulate time and space. The evil Abner Brown (Robert Stephens) wants the box and will stop at nothing, including kidnapping and murder to get it, while Cole Hawlings, who is actually a 500-year-old alchemist, has sought out Kay's help to keep Brown and the forces he serves from stealing the box. Kay's adventures include a visit to an embattled Arthurian camp beset by wolves, an encounter with flying unicorns and other magical beasts, and other fantastic visions. Kay gradually comes to understand the magical world he has entered, but can he learn enough of the powers he controls before Abner -- who has embarked on a final great wickedness, culminating on Christmas Eve -- can succeed? ~ Bruce Eder, Rovi

Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, Rovi