Eddie Coke Movies

This Abbott & Costello vehicle was originally planned as a Bob Hope comedy titled Easy Does It. The Hope role is fairly evenly divided between Bud Abbott, as hotel house detective Casey Edwards, and Lou Costello, as bumbling bellhop Lou Costello. When a much-hated criminal attorney (Nicholas Joy) is murdered at a resort hotel, there's no shortage of suspects: in fact, practically every guest had an excellent motive for killing the victim. The suspects conspire to pin the killing on poor Freddie, but when he comes in possession of a valuable piece of evidence, he is slated for extermination himself. The more Freddie and his pal Casey try to stay out of trouble, the more trouble comes their way--especially when two more murders occur. The climax takes place in an underground cavern, where Freddie is nearly drowned by the hooded mystery killer. The film's title is one of the most misleading in movie history. Cast as a red-herring swami, Boris Karloff is not the killer (whose true identity is obvious from the outset, especially to veteran moviegoers). Though his footage is extremely limited, Karloff shares the film's funniest scene, in which he tries to hypnotize Costello into committing suicide ("You'll kill yourself if it's the last thing you do!). ~ Hal Erickson, All Movie Guide

Even after three appearances as oriental sleuth Charlie Chan, Roland Winters showed no interest in taking the role seriously. Shanghai Chest finds Charlie in the employ of the U.S. government, assigned to solve a series of puzzling murders. The victims all appear to have died by snakebite, which would have been impossible under the circumstances. Further confusing the issue is the fact that all fingerprints at the scenes of the crime have been left by a man who's supposed to be dead. Even with the dubious assistance of son Tommy (Victor Sen Yung) and chauffeur Birmingham Brown (Mantan Moreland), the clever Mr. Chan cracks the case. ~ Hal Erickson, All Movie Guide

Acclaimed playwright George S. Kaufman made his directorial debut with this broad political satire. Senator Melvin G. Ashton (William Powell) is a long-time congressman for whom the phrase "dumb as a log" would be fitting if one were not afraid of insulting the trees. After more than twenty years of representing his clueless constituents, Ashton decides to take a shot at the presidential race, and hires Lew Gibson (Peter Lind Hayes) is his press agent. Party topkick Dinty (Charles D. Brown) considers Ashton an utterly hopeless candidate, especially after he begins making fantastic campaign promises no one could possibly keep, but Ashton turns out to be a bit more shrewd than expected. The senator has kept a detailed journal documenting the many underhanded deals his colleagues have had their hands in over the years; all he has to do is slip the diary to a reporter and most of congress will be run out of town on a rail. This possibility seem all the more urgent when Ashton starts dating Poppy McNaughton (Ella Raines), a journalist. The Senator Was Indiscreet boasts a fine supporting cast, including Ray Collins, Allen Jenkins, Hans Conreid, and a cameo appearance from Myrna Loy. ~ Mark Deming, All Movie Guide

Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.

Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide

This 67-minute farce stars Dennis O'Keefe as a music publisher sued for plagiarism by a pair of scraggly songwriters. Louise Allbritton is the lady lawyer bringing litigation against O'Keefe, who has promoted the song in question into a hit for his tempestuous singer girlfriend (Mary Beth Hughes). Just as in the much-later George Harrison/ "My Sweet Lord" case, it seems that O'Keefe had rejected the song when it was first offered him, remembered the tune subconsciously, and commissioned it to be written by one of his staffers. As O'Keefe simultaneously battles and woos Allbritton, he and the other cast members repeatedly become embroiled in public brawls, and end up day after day in court, facing the same long-suffering judge (Oscar O'Shea). In fact, the plot never does completely resolve itself, and in the last scene the poor judge is once again wearily passing sentence on the leading characters. ~ Hal Erickson, All Movie Guide

Believe it or not, this bizarre wartime "B"-picture was based on a true story. In the early stages of WWII, a prominent American businessman offered one million dollars to anyone who could nab Adolf Hitler and bring him to justice, dead or alive. This real-life character is herein played by Russell Hicks; accepting his offer, no questions asked, are ex-convicts Ward Bond, Warren Hymer and Paul Fix. Joining the Canadian Air Force, the three heroes-by-default strong-arm their way into Nazi Germany, then gain access to Hitler by posing as musicians. Robert Watson, frequent Hitler impersonator during the war years, co-stars as Der Fuhrer, who turns out to be a craven coward once he's shorn of his postage-stamp mustache (we're not making this up.) The quasi-comic tone of the film turns dead serious at the end, as a wild-eyed Ward Bond makes a long patriotic speech while facing a firing squad (previously shown mowing down little children in their bedclothes!). One of the oddest scenes in the picture finds the three former convicts busting out of the Dachau concentration camp -- and this before the world at large was unaware of the horrors going on behind the walls of this infamous death factory. Only one quibble: Why are there shadows of flames playing against Bond's face in the final scene, when there isn't any fire? ~ Hal Erickson, All Movie Guide

To say that Behind the Eight Ball is the best of the Ritz Brothers' quartet of Universal vehicles is faint praise indeed, but it's fact that the Ritzes pack an awful lot of laughs in the film's 60-minute running time. The story takes place at a summer theater in the Berkshire Mountains, where heroine Joan Barry (Carol Bruce) is staging a Broadway-bound musical comedy. Only one problem: two guest stars are shot and killed on two successive evenings, right in front of the audience. Hoping to solve the mystery, detective William Demarest demands that everyone -- actors and theatergoers alike -- return the following weekend to restage the show. But with no major performer willing to assume the fatal guest-star slot, Joan is forced to hire the Three Jolly Jesters (Al, Harry and Jimmy Ritz), Manhattan washroom attendants with showbiz aspirations. Though they're not keen on being set up as targets for the murderer, our three heroes gamely do as they're told -- and miracle of miracles, ultimately reveal that the killings are tied in with a nest of Axis spies! Highlights of this lightning-paced programmer include the Don Raye-Gene Paul hit song "Mister Five by Five" and the Ritz boys' specialty number "Charles Atlas Did It for Me". ~ Hal Erickson, All Movie Guide

You'll Never Get Rich was the first of two films made by Fred Astaire at Columbia, and also the first in which he was paired with his favorite female dancing partner--not Ginger Rogers or Cyd Charisse, but Rita Hayworth. Fred and Rita play a team of Broadway dancers whose partnership is abruptly rent asunder when Fred is drafted into the Army. Unable to adapt to military routine, Astaire frequently ends up in the guardhouse; during one of these visits, he and the Delta Rhythm Boys collaborate on the lively song-and-dance number "The A-starable Rag." Back to the plot: Rita shows up on the army base as the girl friend of captain John Hubbard. This leads to more fancy footwork, and, of course, a happy ending for our stars. Though the Cole Porter score yielded no hits, one of the songs, "Since I Kissed My Baby Goodbye", was nominated for an Academy Award. Robert Benchley provides comic relief, as he would in the subsequent Astaire vehicle The Sky's the Limit. You'll Never Get Rich was followed by the even better Astaire-Hayworth pairing You Were Never Lovelier. ~ Hal Erickson, All Movie Guide

A remake of a 1930 Universal film, Little Accident was the third starring vehicle for androgynous juvenile star Baby Sandy. Hugh Herbert stars as Herbert Pearson, self-styled infant specialist on a big-city newspaper. When father Tabby Morgan (Ernest Truex) abandons his bundle of joy (Baby Sandy) on Pearson's desk, the latter is forced to play "papa"-and to play it with expertise-at the risk of losing his job. The slapstick consequences give way to thrills and spills when Baby Sandy finds himself (herself?) headed for a whirring laundry machine. Like its same-named predecessor, Little Accident was based on a play by Floyd Dell and Thomas Mitchell (yes, that Thomas Mitchell). ~ Hal Erickson, All Movie Guide