Sammy Cohen Movies

Mr. Hex was the first Bowery Boys epic in which the goofy Sach (Huntz Hall) is given superhuman powers. Hypnotized by a carnival magician (Ian Keith), Sach becomes a powerful boxer. Head Bowery boy Slip (Leo Gorcey) parlays this talent into a lucrative ring career for Sach, culminating in the championship bout. A gangster (Ben Welden) learns Sach's secret and hires his own hypnotist to put the "whammy" on the would-be champ. The fantastic elements of the story come crashing to earth when Sach's pal Gabe (Gabriel Dell) is shot by the gangster, but all ends sappily ever after. Mr. Hex was the fourth in Monogram's "Bowery Boys" series. ~ Hal Erickson, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide

Two Minutes to Play is a cheap but energetic Sam Katzman-produced vehicle for Olympic champion Herman Brix. The star plays Martin Granville, an over-aged but undeniably muscular college football hero. Martin finds himself in competition with Jack Gaines (Eddie Nugent) for the affections of cute coed Pat Meredith (Jeanne Martel). In this way, Martin and Jack are emulating their respective fathers, who'd been bitter rivals ever since their own college days. As expected, the story, and its attendant conflicts, are resolved in the climactic Big Game. Herman Brix did rather better for himself when he moved to Columbia and changed his screen name to Bruce Bennett. ~ Hal Erickson, All Movie Guide

Filmed back-to-back with Rip Roarin' Buckaroo, this low-budget Western starred the darkly handsome Tom Tyler as Jerry Lane, a drifter who comes to the aid of a beleaguered female would-be rancher. Arriving from Santa Fe to establish her claim to her late grandfather's property, Jeanne Moore (Beth Marion) finds the place apparently haunted by old Hiram Moore's ghost. It is all a ruse, of course, concocted by greedy neighbor Brandon (Forrest Taylor), who wants the old man's treasure -- a half-million dollars in gold hidden somewhere on the property. Jerry Lane outbids both Jeanne and Brandon at the auction, hires a cockney butler, Eddie (Sammy Cohen), and invites Jeanne to stay at the ranch. One of Brandon's accomplices, Perdita (Soledad Jiminez), infiltrates the household in the guise of a maid, but it is Eddie who finally locates the treasure, which a magnanimous Jerry insists rightfully belongs to Jeanne. ~ Hans J. Wollstein, All Movie Guide

In this crime comedy, an ocean liner engineer messes up and ends up relegated to shoveling coal. Later he accepts a lovely cigarette lighter from a beautiful woman. He has no idea that it is chock full of purloined jewels and that she gave them to him to keep rival crooks from stealing them from her. Now the poor engineer finds himself pursued at every turn. ~ Sandra Brennan, All Movie Guide

While U.S. sailor Jimmy Harrigan (James Dunn) is on leave in San Pedro, he unexpectedly falls in love with the beautiful Sally Brent (Sally Eilers. Though Sally (Eilers) promises to be faithful after Jimmy (Dunn) ships out to San Francisco, Jimmy becomes jealous. Furious at the news that Sally has entered a marathon dance contest sponsored by the lecherous Baron Portola (Victor Jory) , Jimmy and several of his Navy buddies go to the ballroom on the night of the dance marathon in an attempt to change Sally's mind and win her back. Directed by Raoul Walsh, this movie also features actors Sammy Cohen and Frank Moran. ~ Tracie Cooper, All Movie Guide

There can never be Too Much Harmony in a Bing Crosby picture, not even in a bucolic backstage musical like this. Crosby plays Eddie Bronson, a big-time singing star stranded in a one-horse town. Refusing to let any grass grow under his feet, Eddie combs through the local talent, discovering comedians Benny Day (Jack Oakie) and Johnny Dixon (Skeets Gallegher) and aspiring actress Ruth Brown (Judith Allen). He brings his new protegees with him to Broadway, where Ruth becomes a huge success in spite of the machinations of prima donna Lucille Watson (Lilyan Tashman). Featured in the cast as Benny Day's mother is Jack Oakie's real-life mom Evelyn, who's absolutely terrific. A partial remake of 1929's Close Harmony, Too Much Harmony features such hummable Crosby tunes as Thanks, Black Moonlight and the self-parodying Boo Boo Boo. ~ Hal Erickson, All Movie Guide

This first film version of the popular Russell Medcraft-Norma Mitchell stage farce The Cradle Snatchers is also one of the earliest directorial efforts of Howard Hawks. Tired of their husbands' philandering, three wealthy matrons decide to fight fire with fire by hiring three college boys to pose as their "young lovers." The boys do their job so well that, for a while, it looks like everybody's going to end up in divorce court. Fortunately, however, the wandering husbands see the error of their ways and return to their spouses. Long believed lost, The Cradle Snatchers was rediscovered by Howard Hawks aficionado Peter Bogdanovich in the mid-1970s; while only 5 1/2 reels of the 7-reel picture could be restored, it was enough to prove that even this early in the game, Hawks was a master farceur (interestingly, the original stage version of the play co-starred Humphrey Bogart, who later collaborated with Hawks on To Have and Have Not and The Big Sleep). The property was remade as the Broadway and Hollywood musical Let's Face It. ~ Hal Erickson, All Movie Guide

Jewish comedian George Sidney stars as the title character in The Auctioneer. Sidney also doubles as a pawnbroker, which allows for a steady stream of colorful supporting characters. Our hero's lifestyle undergoes a radical shake-up when he takes over the mansion of a millionaire. He manages to solve everyone's problems before the house's real owner can reclaim the place. The Auctioneer was based on a stage play by Charles Klein and Lee Arthur. ~ Hal Erickson, All Movie Guide

As the comic relief in What Price Glory?, Sammy Cohen and Ted McNamara were hits. Unfortunately, when the Fox studios tried to feature them on their own, they weren't anywhere near as successful. Wealthy Dick Wright (Gene Cameron) wants to fight in WWI, but he's turned down by both the army and navy because he is a sleepwalker. He decides to join an ambulance unit, and his chauffeur and valet (Cohen and McNamara) go along to protect him. The three of them, however, wind up on a regular troop train and land in France as privates. They get involved in a lot of wild adventures, and the chauffeur and valet happen upon an enemy detachment. By disguising themselves in German uniforms, which fit almost as poorly as their army uniforms did, they capture the enemy soldiers. As a result, they return home as heroes. Cohen and McNamara were teamed a couple more times, including in director Henry Lehrman's When Sailors Go Wrong, but McNamara died in 1928, ending a partnership that was never very successful to begin with. ~ Janiss Garza, All Movie Guide

From the minute it opened on Broadway in 1924, Laurence Stallings and Maxwell Anderson's gritty WWI comedy-drama What Price Glory? was a center of controversy. Prudes and blue-noses condemned the play for its explicit language, while a group of politicians tried to bring about a federal action to halt its production because of its "disrespectful" treatment of military officers and traditions. Naturally, any play that engendered that sort of reaction had to be a hit. Two years after its stage debut, the play was adapted for the screen, with Victor McLaglen and Edmund Lowe as those eternally boozing and brawling U.S. Marines, Captain Flagg and Sergeant Quirt. After a prologue in the Orient, in which Flagg and Quirt duke it out over the affections of the saucy Shanghai Mabel (Phyllis Haver), the scene shifts to France in 1918, with the two male protagonists continuing their private war as all hell breaks loose around them. When they aren't blowing the brains out of the Germans, Flagg and Quirt are vying for the attentions of coquettish French girl Charmaine (Dolores Del Rio). The film alternates effectively between low comedy and grim melodrama throughout most of its running time, reaching a dramatic high point when mamma's-boy Private Lewisohn (Barry Norton), fatally wounded, screams "Stop the blood! Stop the blood!" When the smoke clears, Flagg and Quirt both decide to go AWOL for the sake of Charmaine, but when duty calls, the two friendly enemies march shoulder to shoulder towards new adventures. The battle scenes in What Price Glory? were terrifyingly realistic -- indeed, one man was actually killed during filming -- but the most memorable aspect of the picture is the ribald byplay between Flagg and Quirt (who would later be launched into a series of so-called sequels). This being a silent picture, actors McLaglen and Lowe were permitted to mouth any obscenity that came into their heads, allowing audiences in 1926 the spectacle of seeing two grown men hurling epithets that would never have been heard in any sort of polite society -- all the while strictly adhering to the rules set down by the Hollywood censors, who objected only to printed profanities. What Price Glory was unsuccessfully remade in 1952 by John Ford, who directed one scene of the original 1926 version; Barry Norton, who played Lewisohn in the original, appeared in the remake as a priest. ~ Hal Erickson, All Movie Guide