Michael Ames Movies

The Last Ride was also the last production to emanate from Warner Bros.' B-picture division. The plot involves the illicit wartime market in stolen tires (rubber was, of course, a priority), with Richard Travis and Charles Lang as Pat and Mike Harrigan, brothers on the opposite sides of the law. Borrowing a few elements from the 1936 Warners film Bullets or Ballots, police detective Pat Harrigan is dishonorably discharged from the force, but it's merely a ploy to bring the black-market tire thieves out in the open. The plan hinges on whether or not Pat can convince Mike to turn honest before the final reel. Eleanor Parker plays Kitty Kelly, whose primary function in the film is to get kidnapped during the climactic showdown. The Last Ride was directed by D. Ross Lederman, whose legendary ability to match new footage with old stock shots is given quite a workout here. ~ Hal Erickson, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide

It takes a while for the viewer to catch on, but the 1942 quickie Spy Ship is a remake of the 1934 crime melodrama Fog Over Frisco. The main difference is that the film's principal murder victim, the sister of the heroine, is transformed from a dizzy socialite to an out-and-out villainess. The story is re-set during the months before America's entry into WW2. Famed aviatrix Pamela Mitchell (Irene Manning), a devout and outspoken isolationist, is secretly in the employ of the German government. Her younger sister Sue (Maris Wrixon) worries about the company Pamela keeps, and expresses these concerns to hotshot reporter Ward Prescott (Craig Stevens). When Pamela is killed by her Nazi confreres to keep her from revealing all to the world, Sue finds herself among the suspects. It all comes to an end on the spy ship of the title, where a kidnapped Sue is rescued in the nick of time by Ward and practically every cop in New York. ~ Hal Erickson, All Movie Guide

A remake of Ceiling Zero (1936), International Squadron stars Ronald W. Reagan (in the old James Cagney role) as a hotshot flying who joins the Royal Air Force in England. Reagan refuses to mend his barnstorming ways, and thanks to his recklessness two pilots are killed. The headstrong young flyer redeems himself by going on a suicide bombing mission, from which he never returns. International Squadron costars James Stephenson, a veteran character actor who'd recently achieved prominence thanks to a strong role in the 1940 Bette Davis vehicle The Letter. Unfortunately, Stephenson died shortly afterward, cutting short what might have been a stellar film career. ~ Hal Erickson, All Movie Guide