Leon Ames Movies
Hollywood's favorite "dear old dad," Leon Ames began his stage career as a sleek, dreamy-eyed matinee idol in 1925. He was still billing himself under his real name, Leon Waycoff, when he entered films in 1931. His best early leading role was as the poet-hero of the stylish terror piece Murders in the Rue Morgue (1932). In 1933, Ames was one of the founding members of the Screen Actors Guild, gaining a reputation amongst producers as a political firebrand--which may have been why his roles diminished in size during the next few years (Ironically, when Ames was president of the SAG, his conservatism and willingness to meet management halfway incurred the wrath of the union's more liberal wing). Ames played many a murderer and caddish "other man" before he was felicitously cast as the kindly, slightly befuddled patriarch in Meet Me in St. Louis (1944). He would play essentially this same character throughout the rest of his career, starring on such TV series as Life With Father (1952-54) and Father of the Bride (1961). When, in 1963, he replaced the late Larry Keating in the role of Alan Young's neighbor on Mr. Ed, Ames' fans were astounded: his character had no children at all! Off screen, the actor was the owner of a successful, high profile Los Angeles automobile dealership. In 1963, he was the unwilling focus of newspaper headlines when his wife was kidnapped and held for ransom. In one of his last films, 1983's Testament, Leon Ames was reunited with his Life With Father co-star Lurene Tuttle. ~ Hal Erickson, All Movie Guide- Starring:
- Leon Ames, Ruth Warrick, (more)
This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Joanne Woodward, (more)
Grace Metalious' once-notorious bestseller Peyton Place is given a lavish -- and necessarily toned-down -- film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion -- which resulted in her illegitimate daughter Allison (Diane Varsi) -- by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can't help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who'd like to be as footloose and fancy-free as the town's "fast girl" Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama's boy Norman Page (Russ Tamblyn). And while all this is going on, "white trash" Selena Cross (Hope Lange) is raped by her stepfather, drunken school caretaker Lucas Cross (Arthur Kennedy). Other characters essential to the action are wealthy Rodney Harrington (Barry Coe), who must pay the price for his dalliance with Betty Anderson; Nellie Cross (Betty Field), Selena's long-suffering mother; and the town's Voice of Reason, Dr. Swain (Lloyd Nolan). This 166-minute soap opera (whittled down to 157 minutes before release) culminates in a spectacular murder trial which lays bare the deep, dark secrets of Peyton Place. Filmed on location in Camden, Maine, Peyton Place was a huge moneymaker (even those who felt that the film was but a heavily laundered shadow of the Metalious original were pleased with the professionalism of it all); it not only spawned a 1961 theatrical sequel, but also a long-running prime time TV serial. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Hope Lange, (more)
Filmed in Cinecolor, Sabre Jet concentrates as much on a group of jet pilots' wives as on the pilots themselves. As their husbands fly combat missions over Korea, the wives remain behind in Tokyo, waiting, hoping and dreading. The most prominent of the female contingent is Jane Carter (Coleen Gray), the journalist wife of flyboy Gil Manton (Robert Stack). At first resenting her husband's life-threatening work, Jane comes to realize the importance of dedication and sacrifice during wartime. Julie Bishop delivers a strong performance as the wife of downed pilot (Richard Arlen). Sabre Jet is something of a precursor to the 1961 film X-15. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Stack, Coleen Gray, (more)
This tuneful remake of 1937's The Awful Truth centers on the rocky marriage of a philandering composer and the wife who has her fill and decides to get even by having an "affair" of her own. Actually, hers is quite innocent. Unfortunately, her husband doesn't known this and the couple get a divorce. But somehow, beneath all their anger, the two are still in love and show it by trying to make the other jealous at every opportunity. The wife allows a handsome Alaskan tycoon to court her while the composer uses a pretty young woman. Of course, it doesn't take the pair too long to realize the awful truth and reunite. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Wyman, Ray Milland, (more)

- 1953
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By the Light of the Silvery Moon was a sequel to Warner Bros' On Moonlight Bay (1951); both films were loosely based on the "Penrod" stories by Booth Tarkington. Penrod himself (played by Billy Gray) takes a back seat to the main plot, concerning the hot-and-cold romance between Doris Day and Gordon MacRae. Gordon will not marry Doris until he is financially able to do so, which results in several breakups and reunions before the final clinch at the local ice rink. A silly subplot involves Penrod's suspicions that an attractive French schoolteacher (Maria Palmer) is not only romancing his father (Leon Ames), but is also an enemy spy! Set shortly after the end of World War I, Silvery Moon takes full advantage of that era's popular songs. The film isn't quite as good as On Moonlight Bay, but fans of Day and MacRae went home happy. Also: watch closely, and you'll spot Merv Griffin in a minor role. ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Gordon MacRae, (more)
Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Jean Simmons, (more)
Cattle Drive stars Joel McCrea as boss drover Dana Mathews. It is Mathews' task to make a man out of Chester Graham Jr. (Dean Stockwell), the spoiled-rotten son of railroad executive Chester Graham Sr. (Leon Ames). Accidentally left behind when his dad's train pulls out of a small cow town, Chester Jr. resents being forced to work side by side with Mathews and his drovers, but soon proves to be every bit as virile and capable as his co-workers (shades of Captains Courageous). Reportedly, much of the cattle utilized in Cattle Drive came from Joel McCrea's own ranch. Though the film has no leading lady, a photograph is briefly shown, revealing that Dana Mathews' sweetheart is none other than McCrea's real-life wife Frances Dee. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Dean Stockwell, (more)
Booth Tarkington's Alice Adams, coupled with his Penrod stories, were incorporated in the script of the 1951 Warner Bros. musical On Moonlight Bay. The role of the incorrigible Penrod is played by future Father Knows Best regular Billy Gray, but his is a strictly secondary part herein. The emphasis is on Penrod's hoydenish older sister, played by Doris Day. She falls in love with Gordon MacRae, whose mildly anti-capitalist sentiments sit not at all well with Doris' banker dad (Leon Ames). Once a subplot involving Penrod's prevarications concerning his father's drinking habits is out of the way, we are treated to several romantic scenes involving Doris and Gordon, and a steady stream of early-20th-century standards like "Till We Meet Again," "I'm Forever Blowing Bubbles," "Cuddle Up a Little Closer," and the title song. On Moonlight Bay ends with MacRae marching off to World War I and Doris promising she'll wait for him; she did, as was proven in the 1953 sequel By the Light of the Silvery Moon. ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Gordon MacRae, (more)
Ambush is a tight, well-paced western, expertly assembled by veteran director Sam Wood, whose last film this was. Robert Taylor stars as an Indian scout, sent to rescue a woman who is somewhere deep in Apache territory. The woman's sister, naturally, goes along for the ride: she is played by Arlene Dahl, then in her considerable prime. Outside of its feminine angle, Ambush is packed with action from first frame to last. Released to theatres at the tail end of 1949, the film was an unqualified success with holiday audiences. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, John Hodiak, (more)
Cary Grant's utter credibility in the role of a brilliant, world-famous brain surgeon Dr. Eugene Norland Ferguson is the single element that keeps Crisis afloat. While vacationing in a politically unstable Latin American country, Ferguson and his wife, Helen (Paula Raymond), find themselves the unwilling house guests of dictator Raoul Farrago (José Ferrer). Suffering from a brain tumor, Farrago insists that Ferguson operate at once. The "crisis" of the title arises when revolutionary leader Gonzales (Gilbert Roland) demands that Farrago be killed on the operating table -- and kidnaps Dr. Ferguson's wife to bind the bargain. Unaware of his wife's plight, Ferguson proceeds with the operation, setting into motion a series of events leading to a grimly ironic denouement. Director Richard Brooks adapted the screenplay of Crisis from a story by George Tabori. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, José Ferrer, (more)
Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ethel Barrymore, Gary Cooper, (more)
Louis B. Mayer's nephew Gerald proved himself an able director with the MGM "B" thriller Dial 1119. Marshall Thompson stars as an emotionally disturbed young man who pulls out a gun at a bar and holds the patrons hostage. As the police gather outside, the film concentrates on the various bar customers, each of whom has his or her own deep-rooted problems. Thompson is on the verge of killing everyone around him when a telephoned ruse breaks the crisis. A raw-nerved 75 minutes' worth of entertainment, Dial 1119 was a personal favorite of actress Virginia Field, who played one of the hostages. ~ Hal Erickson, All Movie Guide
- Starring:
- Marshall Thompson, Virginia Field, (more)
Owen Johnson's novel The Lawrenceville School Stories (compiled from short stories originally published in The Saturday Evening Post) was the basis for The Happy Years. The film is set at an early 20th-century boy's prep school; Dean Stockwell plays an habitual troublemaker sent to this school as a means of straightening him out and making a man of him. At first bullied by the older kids, the pugnacious Stockwell stands his ground until he earns his fellow students' respect. The film adheres strictly to MGM's factory-tested Boys Town formula by having Stockwell cleaning up his act and becoming a worthwhile Lawrenceville student. Watch The Happy Years carefully and you'll spot an unbilled Robert Wagner, in his film debut. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Stockwell, Darryl Hickman, (more)
Watch the Birdie is a remake of Buster Keaton's The Cameraman; in fact, Keaton served as technical advisor, though it seems that most of his advice went unheeded. Red Skelton stars as photo-shop proprietor Rusty Cameron, who dreams of becoming an ace cinematographer. This gets him mixed up with a gang of crooked land developers, headed by Grantland D. Farns (Leon Ames). Rusty's photographic aspirations also mess up his romantic life with Lucia Corlaine (Arlene Dahl), who just can't understand why Rusty spends so much time with contest winner "Miss Lucky Vista" (Ann Miller). The best scene involves Rusty Cameron's man-to-man talks with his father and grandfather -- both of whom are also played by Red Skelton. Revived material from The Cameraman includes the scene wherein Skelton shares a crackerbox dressing room with surly Dick Wessel. Watch the Birdie winds things up with a zany slapstick chase, capped by one of the most abrupt endings in motion-picture history. ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton
Vincente Minnelli was slated to direct The Skipper Surprised His Wife, but Elliot Nugent stepped in when Minnelli was transferred to another MGM comedy, Father of the Bride. The titular skipper, Cmdr. William Lattimer, is played by Robert Walker, while his wife Daphne is portrayed by Joan Leslie. When Daphne is incapacitated by a broken leg, the skipper takes over management of their home. A stickler for nautical discipline, Lattimer tries to run things "the Navy way," but this proves not only futile but ridiculous. A secondary plot involves the efforts made by Lattimer and his superior officer Admiral Homer Thorndyke Edward Arnold to line up appropriate civilian jobs for other Navy husbands. Very slight stuff, The Skipper Surprised His Wife at least affords Robert Walker a rare opportunity to play comedy. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Walker, Joan Leslie, (more)
Nobody sits on the fence so far as The Big Hangover is concerned. Leonard Maltin considers it "predictable, as well as silly and boring," while the late William K. Everson regarded it as one of Hollywood's best and most underappreciated screwball comedies. Examine the premise and judge for yourself: Van Johnson plays David Maldon, an attorney with an acute allergy to liquor. It seems that, during the war, Maldon was nearly drowned in an overstocked wine cellar; ever since that time, he can't even smell booze without becoming inebriated. The young, rich, and pretty Mary Belney (Elizabeth Taylor) does her best to save Maldon from embarrassment whenever he comes into proximity with alcohol. Typical of many postwar comedies, Norman Krasna's screenplay has a sturdy inner lining of social consciousness: Maldon must choose between becoming a partner in a high-profile firm or devoting his time to fighting for the civil rights of minorities. In addition to his scripting chores, Krasna also produced and directed The Big Hangover. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Elizabeth Taylor, (more)
Of the many film versions of Louisa May Alcott's Little Women, this 1949 MGM adaptation is by far the prettiest. Set in New England during the Civil War, the film relates the various adventures of the March sisters: Jo (June Allyson), Beth (Margaret O'Brien), Amy (Elizabeth Taylor) and Meg (Janet Leigh). Jo emerges as the main character, as she leaves hearth and home to try her luck as a novelist in New York. Moments of high comedy (the sisters' amateur theatricals) are counterpointed with grim tragedy (the death of the youngest March girl), with romantic interludes provided by the faithless Laurie (Peter Lawford) and the loyal Professor Bhaer (Rossano Brazzi). Unlike Selznick's 1933 Little Women or Gillian Armstrong's 1994 adaptation, this 1949 version tends to be more an extension of the old Hollywood contract-player typecasting system than a heartfelt evocation of the Alcott original. Even so, Little Women is consistently pleasing to the eye, especially when seen in its original Technicolor hues. ~ Hal Erickson, All Movie Guide
- Starring:
- June Allyson, Peter Lawford, (more)
In this light drama, Clark Gable once again played his stock-in-trade role of a rogue with a heart of gold. Charlie King (Gable) runs a casino, but, in a business that thrives among the unscrupulous, Charlie takes pride in running an honest game and treating his customers with fairness and respect. However, Charlie's wife Lon (Alexis Smith) doesn't care if he runs a fair game -- she regards gambling as a dirty and corrupt business, and no matter how honest Charlie may be, he's still involved in a wicked activity. Charlie's son Paul (Darryl Hickman) is also against him; when Paul gets in trouble and Charlie bails him out of jail, he refuses to leave with him, instead going home with mother. Charlie invites Paul to see what his casino is like, and Lon agrees that Paul should know just what his father does. ~ Mark Deming, All Movie Guide
- Starring:
- Clark Gable, Alexis Smith, (more)
Incoming MGM production head Dore Schary ramrodded Battleground into the studio's schedule over the virulent protests of MGM boss Louis Mayer. The result was an award-winning box-office hit, as well as the beginning of the end of Mayer's power. This dramatization of the battles of Bastogne and the Bulge in the waning days of World War II concentrates on a single infantry unit. Van Johnson and John Hodiak are the ostensible stars, but the film is stolen by James Whitmore as the cigar-chomping, battle-stained sergeant. Also appearing is Ian MacDonald as General McAuliffe, whose legendary response to the Nazi's suggestion that the Americans surrender consisted of a single four-letter expletive: "Nuts". Whitmore's final scenes of near-delirium before the relief troops arrive are unforgettable. Battleground tries within MGM limits to be wholly realistic, though it is slightly compromised by the scripters' inability to use Army profanity, and by pointless subplot involving actress Denise Darcel. The film doesn't hold up as well as such wartime efforts as The Story of GI Joe or Walk in the Sun, but in 1949 Battleground was regarded as an important milestone in the field of truthful, de-glamorized combat flicks. Please avoid the colorized version: this is a black-and-white subject if ever there was one. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, John Hodiak, (more)
The Dore Schary regime at MGM brought a much-needed dose of stark realism to the venerable studio. Van Johnson sheds his boy-next-door image to play L.A. plainclothes lieutenant Mike Conovan. Determined to bring a cop killer to justice, Conovan will let no man stand in his way -- not even his level-headed superiors. The detective's single-purposed pursuit causes a rift in his marriage to wife Gloria (Arlene Dahl). The film comes very close to the Dragnet school of unadorned, unglamorized police procedure: it adheres to standard MGM formula only in the final reconciliation scene. Officially a Harry Rapf production, Scene of the Crime was completed by another producer when Rapf died during filming. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Arlene Dahl, (more)
Based upon a story by William Mercer, The Velvet Touch stars Rosalind Russell as Valerie Stanton, a celebrated Broadway actress whose latest smash comedy is coming to the end of its successful run. The play's producer, Gordon Dunning, has produced all of Stanton's hits for the last decade, and takes credit for making her the star she is today. He is therefore upset when she informs him that she wishes to make a break with him by both marrying Michael Morrell, a renowned architect, and by taking a stab at one of the classic roles -- namely Hedda Gabler -- under the auspices of another producer. Dunning has no intention of letting her move forward with her plans, and he tells her that if she refuses to continue working with him in light, profitable comedies, he will reveal unflattering information about her to Morrell. Frightened that this will destroy her relationship, Stanton picks up a statue from Dunning's desk and delivers a fatal blow. Fortunately, because she is wearing her trademark long black gloves, there are no fingerprints, and Stanton creates a plausible alibi. Suspicion therefore shifts to Marian Webster, a rival of Stanton's who finds the body and was once romantically involved with Dunning. Stanton seems to have gotten away with murder -- but can she avoid making any mistakes as police captain Danbury proceeds with the investigation? ~ Craig Butler, All Movie Guide
- Starring:
- Rosalind Russell, Leo Genn, (more)
The title of this MGM musical alone should tip you to the fact that Esther Williams is the star. In this one, she plays a movie star (what an innovation!), Rosalind Reynolds, who is on location in Hawaii to shoot a picture. Peter Lawford plays the film's naval technical advisor, Lt. Lawrence Y. Kingslee, who naturally falls deeply in love with Rosalind. As a means of expressing his ardor, Kingslee genteelly kidnaps Rosalind by "accidentally" marooning her on a desert island. To the dismay of feminists everywhere, Rosalind comes to enjoy being Kingslee's prisoner, and all ends happily. Jimmy Durante breaks up da joint in the role of an assistant director, while music is provided by MGM's all-purpose bandleader Xavier Cugat. The Technicolor process is shown to supreme advantage whenever it concentrates on Esther Williams' form-fitting gold-colored swimsuit. On an Island with You was one of MGM's premiere moneymakers of 1948. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Peter Lawford, (more)
In this lightweight musical comedy, Judy Foster (Jane Powell) and Carol Pringle (Elizabeth Taylor) are teenagers and best friends who find their loyalties tested when they both fall for the same good-looking older man, Stephen Andrews (Robert Stack). This situation is particularly troublesome for Judy, who already has a boyfriend, "Oogie" Pringle (Scotty Beckett), Carol's brother. Meanwhile, the girls join forces for a little sleuthing when Judy discovers that her father, Melvin Foster (Wallace Beery), has been spending time with Brazilian bombshell Rosita Conchellas (Carmen Miranda). Judy and Carol suspect hanky-panky, but actually Melvin is taking dancing lessons from Rosita as a surprise for his wife. A Date With Judy certainly offers your only opportunity to see Wallace Berry dance the mambo, and it also features a guest appearance by Xavier Cugat and his band. ~ Mark Deming, All Movie Guide
- Starring:
- Leon Ames, Wallace Beery, (more)
Alias a Gentleman is impeccably tailored to the slovenly talents of MGM star Wallace Beery. He's cast as Jim Breeden, an ex-convict who finds himself wealthy overnight when oil is discovered on his property. His first order of business as a man of means is to locate his long-lost daughter. Hoping to get a piece of the financial action, several of Breeden's disreputable buddies try to palm off Elaine Carter (Dorothy Patrick) as his daughter -- and he falls for the ruse hook, line and sinker. Touched by Breeden's efforts to "do right" by her, Elaine comes to love the old soak and refuses to go through with his jailmates' shakedown scheme. They retaliate by kidnapping the girl, forcing Breedin to rely on his prison instincts to affect a rescue. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Tom Drake, (more)




















