Phyllis Coghlan Movies

Generally considered one of director Ernst Lubitsch's lesser works, Angel stars Marlene Dietrich as Maria, the neglected wife of Sir Frederick Barker (Herbert Marshall), a British diplomat who travels often and seems little concerned with his spouse. Maria has nearly reached her breaking point when she travels to Paris to visit her old friend Anna Dmitrivena (Laura Hope Crews), a Grand Duchess who also operates an exclusive bordello. While in Paris, Maria meets Anthony Halton (Melvyn Douglas), a visitor from America who seems quite taken with her. While Maria enjoys Anthony's attentions, she backs off and retreats to England. Shortly after her return, Maria and Frederick attend the races and she spots Anthony in the crowd. Maria is tempted to continue her romance with Anthony (who now realizes that she's married), while Frederick begins to wonder if his wife might be growing restless. ~ Mark Deming, All Movie Guide

Of the many film versions of Alfred Lord Tennyson's narrative poem, 1936's Charge of the Light Brigade has the least relationship to the facts concerning the famous 19th century British military blunder in the Crimea. Reflecting the popularity of 1935's Lives of A Bengal Lancer, the film uses the climactic charge as the culmination of events which begin in British India. Errol Flynn and Patric Knowles are cast as cavalry officers who are also brothers; both love Olivia De Havilland, but it is Knowles who wins out (this should tip us off that the rest of the film is pure fantasy). Indian potentate C. Henry Gordon, angered that the British government has cut off his subsidy, stages a revolt against the English settlements. Ordered on maneuvers, Flynn is unable to bring rescue troops to the besieged fort commanded by De Havilland's father. Gordon supervises the slaughter of every man, woman and child at the fort, then leaves India in the company of his Russian advisors. Flynn and his fellow Light Brigade lancers are then transferred to the Crimea--where, as luck would have it, Gordon is now ensconced with the Russians. Thirsting for revenge, Flynn falsifies an official order so that he and the Light Brigade can battle Gordon and his allies at Balaclava (thus are Britons Lord Cardigan and Lord Ragan, the actual instigators of the doomed charge, exonerated). As passages from the Tennyson poem are superimposed on the action, Flynn leads a suicidal charge against the Russians; he manages to kill the treacherous Gordon before being slain himself. Its dozens of historical inaccuracies aside, The Charge of the Light Brigade is rousing entertainment. Animal lovers be warned, however: several horses were killed during the climactic charge, a fact that compelled Hollywood (under the auspices of the ASPCA) to install safer and more stringent standards concerning the treatment of animals. ~ Hal Erickson, All Movie Guide

The Right to Live was the second film version of Somerset Maugham's The Sacred Flame (the first, produced in 1929, starred Conrad Nagel), which in its original form posed the question "Can there truly be such a thing as a mercy killing?" Put simply, it is the tragic tale of two brothers: Colin Trent (George Brent), strong and virile, and Maurice Trent (Colin Clive), crippled and bedridden. Though there's no hope for Maurice's recovery, his wife Stella (Josephine Hutchinson) has vowed -- publicly at least -- to remain faithfully by his side until the bitter end. When that end finally comes, the family doctor declares that Maurice has died a natural death. But Nurse Weyland (Peggy Wood), who has long suspected that something has been going on between Stella and her healthy brother-in-law Colin, believes that Maurice was murdered. Her insistence upon an autopsy is as much a product of her dedication to duty as to her own silent yearning for Colin. Thanks to the newly-strengthened Production Code, Maugham's powerful ending could not be used, thereby watering down what might have been a truly compelling and controversial film. ~ Hal Erickson, All Movie Guide