Frank Coghlan, Jr. Movies
Born in Connecticut and raised in Los Angeles, Frank Coghlan Jr. began appearing in films at age 3; his meager income helped to pay his father's way through chiropractic college. Though his mother was reluctant to allow her son to appear before the cameras, young Frank took to performing with ease, playing bits in 2-reel comedies. Placed under contract to Cecil B. DeMille, who considered the boy "the perfect example of a homeless waif," Frank became a popular juvenile performer. Billed as Junior Coghlan, he appeared prominently in such major silent films as The Yankee Clipper (1926), Let 'Er Go Gallegher (1927) and Slide, Kelly, Slide (1927). During the early talkie era, Coghlan was co-starred with fellow child actor Leon Janney in Penrod and Sam (1930) and played James Cagney as a boy in Public Enemy (1931). As a free-lancer, Coghlan appeared in several serials, including 1941's The Adventures of Captain Marvel, in which he was top-billed as the Captain's youthful alter ego Billy Batson. He also showed up in many bit roles, usually playing a Western Union messenger boy. With the onslaught of World War II, Coghlan began his 23-year Navy career as an aviator. He rose to the rank of Commander, and from 1952 through 1954 was in charge of the movie section of the Pentagon's Office of Information, acting as liaison and technical advisor for such films as The Caine Mutiny (1954) and Bridges of Toko-Ri (1955). He was later in charge of the navy's Hollywood office, coordinating official naval cooperation for films like In Harm's Way (1964) and TV series like Hennessey. After retiring from the Navy, Coghlan worked in public relations for the Los Angeles Zoo and the Port of Los Angeles. He also resumed his acting career, spending seven years as commercial spokesman for Curtis Mathes. As of 1995, Frank Coghlan Jr. was still very active on the nostalgia-convention circuit, and still as unfailingly courteous and likeable as ever. ~ Hal Erickson, Rovi- 1969
Filmed in 1966 (when screenwriter Richard Breen was still around), this made-for-TV feature marked the return of Jack Webb's classic 1950s cop series Dragnet after a seven-year absence. Ordered to cut his vacation short, Sgt. Joe Friday (played by Jack Webb) is assigned to investigate the mysterious disappeances of two beautiful models and a pretty young war widow. In concert with partner Bill Gannon (Harry Morgan), Friday does his best to follow the trail of evidence, only to be continually stymied by contradictory or reluctant eyewitnesses. Before arriving at the disturbing conclusion that the missing girls have been the victims of a voyeuristic serial killer, Joe and Bill manage to solve another, unrelated murder involving a visiting Frenchman. Several members of Jack Webb's radio and TV Dragnet stock company are cast in colorful supporting roles, including Virginia Gregg, Victor Perrin, and Herb Ellis, while L.A. Dodgers catcher John Roseboro is seen as a fellow cop. A powerful opening sequence and an thrilling action climax more than compensate for the unevenness of the script (the last such by veteran Webb collaborator Richard Breen) and the occasional pokiness of the direction. Although this 97-minute Dragnet was good enough to convince NBC to revive the vintage Jack Webb series on a weekly, half-hour basis (it ran successfully for three seasons), the film itself was shelved for several years, not making its network TV debut until January 27, 1969. ~ Hal Erickson, Rovi
- 1965
The Beverly Hillbillies launched its fourth TV season on September 15, 1965 with the series' first color episode, "Admiral Jed Clampett." This time out, banker Drysdale purchases a yacht for hillbilly millionaire Jed Clampett. After first overcoming Granny's fear of sharks, the Clampetts head to the dockyards, where Jed mistakes a Navy destroyer for his own vessel. Former child star Frank Coghlan Jr., recently retired from a 23-year-career as a Naval officer, was technical advisor for this episode and also played the small role of a helmsman. ~ Hal Erickson, Rovi
- 1946
In this comedy, an adaptation of the play The Animal Kingdom, a liberal, social reformist photographer falls in love with a wealthy gadabout, and finds she abhors his decadent life even though she loves him. She then takes up with another whom she marries. Unfortunately, she still loves the playboy. This does not make her new hubby very happy especially when she and her ex-love meet again and begin carrying on. The husband ends up headed for a quickie divorce in Reno. ~ Sandra Brennan, Rovi
- Starring:
- Ann Sheridan, Dennis Morgan, (more)
- 1943
In this musical drama, a Vermont farm lad goes to the Big Apple to become a member of the National Dairy Association. He happens to bring with him his beloved trombone. Soon, with the help of bandleader Skinnay Ennis, the boy gets a job in a nightclub and subsequently becomes a popular radio star. His girlfriend back home is not amused. Eventually she slides on back into his life. Songs include: "My Melancholy Baby," "My Devotion," "Ain't Misbehavin," "Swingin' the Blues," "Spellbound," "Hilo Hattie," "The Army Air Corps," "Rosie the Riveter," and "Don't Tread on the Tail of Me Coat." ~ Sandra Brennan, Rovi
- Starring:
- Eddie Quillan, Mary Beth Hughes, (more)
- 1943
In this musical, a gang of college students decide to play a little trick by creating the perfect student. The fictional gal has everything a university would ever want. The trouble begins when the campus psych professor becomes determined to meet this girl. If the gang cannot bring her forward, they will be expelled. They hire a New York actress to portray the imaginary girl and all is well at the end. Songs include: "It Seems I've Heard That Song Before," "You're So Good to Me" "If It's Love," "Man," "Gotcha Too Ta Mee," "You Got to Study, Buddy." All the songs were penned by Sammy Cahn and Jule Styne who went on to become one of Hollywood's top song-writing teams. ~ Sandra Brennan, Rovi
- Starring:
- John Hubbard, Ruth Terry, (more)
- 1942
Victor Mature plays an arrogant champion boxer who opts for an acting career on Broadway. He falls in love with his costar Betty Grable, who's secretly married to actor John Payne. Unwilling to make public her marriage lest it adversely affect her career, Grable is unsuccessful in fending off Mature's advance, which causes her hubby's blood to boil. As it happens, Payne is also in the show, cast as Mature's sparring partner, and it is within the bounds of this role that he gets his revenge on the pushy pugilist. With the three leading actors playing for laughs, one wonders why 20th Century-Fox put Phil Silvers in the picture. ~ Hal Erickson, Rovi
- Starring:
- John Payne, Betty Grable, (more)
- 1942
In this comedy, set in WW II, a Venezuelan rubber planter's son must travel to New York to try and secure a loan for the expansion of the family business. There he encounters an impoverished American girl whose fortune lies frozen in England until the war ends. To make ends meet, she rents her apartment to the Venezuelan and becomes his personal maid. Mayhem ensues as the two get involved in merry mix-ups, fall in love, fall out of love, and fall in love again. Eventually, she helps him get the loan he needs. ~ Sandra Brennan, Rovi
- Starring:
- Don Ameche, Joan Bennett, (more)
One of the first big-studio productions to acknowledge America's entry into WWII, 20th Century-Fox's To the Shores of Tripoli was filmed with full the cooperation of the US Marine Corps. John Payne plays Chris Winters, a wealthy, wise-lipped young Marine recruit who learns the true meaning of "Semper Fidelis" the hard way, courtesy of tough-as-nails drill sergeant Dixie Smith (Randolph Scott). Chris also falls in love with Navy nurse Mary Carter (Maureen O'Hara in her first Technicolor appearance), which leaves his poor hometown sweetheart Helene Hunt (Nancy Kelly) in the lurch. By film's end, Chris is one of the Few and the Proud as he and his buddies are shipped off to combat overseas. Portions of To the Shores of Tripoli were filmed in Hawaii just before the Pearl Harbor attack; according to studio publicity, some of the cameramen managed to capture portions of the Japanese raid on film, though none of these scenes seem to have made their way into the final release print. ~ Hal Erickson, Rovi
- Starring:
- John Payne, Maureen O'Hara, (more)
- 1942
Incredible as it may seem, rambunctious 18-year-old Andy Hardy (Mickey Rooney) finally makes it to college in Andy Hardy's Double Life. Just as he did at Carvel High School, Andy majors in "girls" at college, at one point finding himself engaged simultaneously to two different coeds. On a more serious note, Andy has his first major row with his father Judge Hardy (Lewis Stone) over such vital matters as money and poor grades. But in keeping with the "honor thy parents" edicts of MGM head-man Louis B. Mayer, the plot manages to reunite father and son in the final footage, with Andy respectfully bowing to the wisdom of the good gray judge. Much of Andy Hardy's Double Life is a showcase for MGM's new swimming star Esther Williams, as cute as all get out in a two-piece bathing suit. ~ Hal Erickson, Rovi
- Starring:
- Lewis Stone, Mickey Rooney, (more)
- 1942
Director Rouben Mamoulian completed a three-picture 20th Century Fox deal with this airy comic romance that attempted to ape the story and style of the previous year's The Lady Eve (1941) but without that film's success. While vacationing in Southern California, accountant John Wheeler (Henry Fonda) intends to purchase a boat, a luxury for which he's saved long and hard on his limited income. Maybelle (Spring Byington) and Warren (Laird Cregar), a pair of grifters on the prowl for a mark, overhear John discussing the upcoming transaction and mistake him for a millionaire. They persuade pretty sales clerk Susan Miller (Gene Tierney) to help them dupe John by pretending to be their daughter and fall in love with him. As the couple spends time together, however, Susan really does fall in love with John. She backs out of her agreement with the con artists, tells John the truth, and learns that he's not a man of means. The truth does nothing to diminish their feelings for each other, and the happy couple marries, but Warren and Maybelle are not quite done with Susan yet, and they embark on a scheme to find her a real millionaire. ~ Karl Williams, Rovi
- Starring:
- Henry Fonda, Gene Tierney, (more)
- 1942
MGM's "Andy Hardy" series continued to rake in the bucks with its 12th entry, The Courtship of Andy Hardy. The story takes off when Judge Hardy (Lewis Stone) tackles an unpleasant divorce case. Feeling that the root of the estranged couple's problem is the debilitating shyness of their daughter Melodie (Donna Reed), the Judge asks his son Andy (Mickey Rooney) to help the girl become more popular with her contemporaries. At first balking at the assignment, Andy agrees to instruct Melodie in the social graces at Carvel High School. As a result, Melodie falls in love with Andy, which causes a major personality transformation in him. One of the more treacly "Andy Hardy" episodes, The Courtship of Andy Hardy coasts along on the charm of its young stars. ~ Hal Erickson, Rovi
- Starring:
- Lewis Stone, Mickey Rooney, (more)
- 1941
The Hollywood "establishment" had been waiting a long time for maverick director Gregory La Cava to fall from grace, and when his Unfinished Business failed to live up to its expectations, La Cava's enemies swooped down like vultures. Seen today, the film is hardly one of the director's best efforts, but neither is it his worst. Irene Dunne stars as aspiring singer Nancy Andrews, who falls desperately in love with playboy Steve Duncan (Preston Foster). When it becomes clear that Steve isn't about to take their casual relationship seriously, Nancy marries his brother Tommy (Robert Montgomery) on the rebound. After a fun-filled honeymoon, the couple can't seem to adjust to the "normalcy" of married life; as a result of this and Nancy's ongoing fascination with older brother Steve, the disillusioned Tommy walks out on her and joins the army. Only when Nancy deals with the "unfinished business" of her unrequited love for Steve can she and Tommy find true happiness. There are many deft LaCava-esque directorial touches in Unfinished Business, but for the most part the film could have been made by any Hollywood director; still, the film does not deserve its current tarnished reputation. ~ Hal Erickson, Rovi
- Starring:
- Irene Dunne, Robert Montgomery, (more)
- 1941
Henry Aldrich for President was the second of Paramount's "Henry Aldrich" series to star Jimmy Lydon in the teenaged title role. This time Henry is pitted against an arrogant jock for the presidency of the Centerville High School student council. Henry's chances don't seem bright, especially since a pompous teacher (Lucien Littlefield) is writing the opponent's speeches for him. As often happens in these films, a misunderstanding threatens not only to lose Henry the election but to get him expelled from school as well. Somehow the plot is resolved by a wild climactic airplane ride, with hapless Henry at the controls. ~ Hal Erickson, Rovi
- Starring:
- Charles B. Smith, June Preisser, (more)
- 1941
Out of the Fog is the film version of the Irwin Shaw play The Gentle People, refashioned to mollify the Hollywood censors by expert wordsmiths Robert Rossen, Jerry Wald, and Richard Macaulay. Humphrey Bogart lobbied strenuously to play the leading role of charming but ruthless waterfront loan shark Harold Goff, but in the end Warners chose the more "bankable" John Garfield. The terror of Sheepshead Bay in Brooklyn, Goff is able to extort five dollars per week from people like tailor Jonah Goodwin (Thomas Mitchell) and short-order cook Olaf Johnson (John Qualen), knowing full well that his victims are too good-hearted to fight back. Making matters worse for Goodwin is the fact that his restless daughter, Stella (Ida Lupino), seeking to escape her humdrum existence, has fallen in love with the fascinating Goff, leaving her mild-mannered sweetheart George Watkins (Eddie Albert) in the cold. The Irwin Shaw play was a symbolic plea for a united front against European fascism, suggesting that the only way that dictatorial bullies like Goff can be destroyed is for good men to forget such edicts as "turn the other cheek" and "love thy neighbors." Originally, The Gentle People ended with Jonah and Olaf, pushed to the brink when Goff seduces Stella and then demands all their money, conspiring to murder the villain-and getting away with it. Hollywood's Hays Office, however, would never approve of an unpunished murder, no matter what the justification, so the screenplay contrives to have Goff killed by accident. This still doesn't resolve the moral guilt suffered by the two elderly conspirators, so the screenplay takes several dizzying twists and turns before it can arrive at a censor-proof happy ending. Atmospherically photographed by James Wong Howe, Out of the Fog was film noir before the term was even invented. ~ Hal Erickson, Rovi
- Starring:
- Ida Lupino, John Garfield, (more)
- 1941
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The Adventures of Captain Marvel is a 12-episode Republic serial based on the comic book character of the same name. Young Billy Batson (Frank Coghlan Jr.) is part of a scientific expedition in a remote section of Siam. Trapped in an ancient tomb, Billy happens upon an ancient shaman acronymically named Shazam (each letter in his name stands for a famous Greek or Roman god). Because Billy has obeyed the warnings written on the sacred chamber, the old man rewards the boy with the ability to turn into superhero Captain Marvel (Tom Tyler). Billy can make the transformation only by uttering the word "Shazam!"--which explains why the script, for suspense purposes, contrives to have Billy bound and gagged at crucial moments. Young Batson finds that his alter ego comes in handy in determining the identity of "the Scorpion," a member of the expedition who plans to kill his colleagues after learning the secret hiding places of the components of a super-weapon called the Golden Scorpion. A well-above-average Republic entry, The Adventures of Captain Marvel is distinguished by the eye-popping stunt work of David Sharpe and by Captain Marvel's utterly convincing flying scenes, courtesy of special-effects maestros Howard and Theodore Lydecker. ~ Hal Erickson, Rovi
- Starring:
- Tom Tyler, Frank Coghlan, Jr., (more)
The George S. Kaufman/Moss Hart Broadway hit The Man Who Came to Dinner was inspired by the authors' mutual friend, waspish critic/author Alexander Woollcott. Generously bearded ex-Yale professor Monty Woolley, no mean curmudgeon himself, plays the Woollcott character, here rechristened Sheridan Whiteside. While on a lecture tour in Ohio, Whiteside slips on the ice outside his hosts' home; until his broken leg heals, the hosts (Grant Mitchell and Billie Burke) are forced to put up (and put up with) the imperious Whiteside. This means enduring an unending stream of Whiteside's whims, caprices and vitriolic bon mots, as well as his long-distance phone calls, eccentric guests and a variety of critters, ranging from penguins to octopi. Like the real Woollcott, Whiteside insists upon stage-managing the lives of everyone around him. He is particularly keen on discouraging a romance between his faithful secretary Maggie Cutler (top-billed Bette Davis) and local newspaper editor Bert Jefferson (Richard Travis). Once he realizes he's gone too far in this respect, Whiteside is forced to reunite the lovers. That's only one aspect of a three-ring-circus plotline that accommodates a Lizzie Bordenish axe murderess, takeoffs of Woollcott intimates Harpo Marx, Noel Coward and Gertrude Lawrence, and a general practitioner who's willing to let his patients suffer for a chance to pitch his interminable memoirs to Whiteside. Featured in the cast are Jimmy Durante as "Banjo" (the Harpo clone), Reginald Gardiner as the Noel Coward-like Beverly Carlton, Anne Sheridan as the predatory Gertrude Lawrence counterpart Lorraine Sheldon, and Mary Wickes as the long-suffering Nurse Preen ("You have the touch of a love-starved cobra!") The script, by the Epstein brothers, manages to retain most of the play's best lines and situations, even while expanding Bette Davis' role to justify her start status; it's a shame, though, that we are robbed of Sheridan Whiteside's imperishable opening line, "I may vomit!" ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Ann Sheridan, (more)
Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, Rovi
- Starring:
- Pat O'Brien, Gale Page, (more)
- 1940
Filmed with the full cooperation of the Golden Gloves Tournament Association, this Paramount programmer stars Richard Denning as promising pugilist Bill Crane. Though tempted to sign up with crooked Joe Taggerty (J. Carrol Naish) for a series of fixed bouts, Crane is saved from himself by sportswriter Wally Matson (Robert Paige), the organizer of the local Golden Gloves program. Taggerty tries to get even by pitting the amateur Crane against a seasoned professional, but to no avail. James Cagney's sister Jeanne Cagney is an appealing heroine, while Crane's duplicitious ring opponent is played by Robert Ryan in his first screen appearance. ~ Hal Erickson, Rovi
- Starring:
- Richard Denning, J. Carrol Naish, (more)
- 1940
Seventeen-year-old Linda Darnell received her first big break in the appropriately titled 20th Century Fox production Star Dust. Discovered by talent scout Thomas Brooke (Roland Young), teenager Carolyn Sayres (Darnell) is brought to Hollywood, where she is turned down for a contract because she is considered too young. Down but not out, Carolyn falls in love with studio contractee Bud Borden (John Payne), who promises to help her achieve her career goals. Teaming up with Brooke, Borden succeeds in winning a screen test for Carolyn, and the rest is gravy. As can be seen, Star Dust draws most of its inspiration from Linda Darnell's real-life rise to fame, which gives the clichéd screenplay a bit of added depth and humanity. It's also amusing to watch William Gargan, cast as studio executive Dane Wharton, perform a devastating (albeit affectionate) take-off of 20th Century Fox head man Darryl F. Zanuck, right down to DFZ's habit of swinging a polo mallet during story conferences. ~ Hal Erickson, Rovi
- Starring:
- Linda Darnell, John Payne, (more)
Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, Rovi
- Starring:
- James Cagney, Pat O'Brien, (more)
- 1940
Murder Over New York finds Honolulu-based detective Charlie Chan (Sidney Toler) arriving in the Big Apple for a policeman's convention. No sooner has he arrived than Charlie is up to his neck in a murder mystery. This time the killing is tied in with a gang of enemy saboteurs, bent upon scuttling the test flight of a revolutionary new bomber plane. With the "help" of willing but inept Number Two Son (Victor Sen Yung), Charlie wades through a sea of suspects to finger the genuine killer. Among the film's highlights is a very funny "line-up" bit by an uncredited Shemp Howard; its low point is a lamentable stretch of racist humor involving black actor Clarence Muse. ~ Hal Erickson, Rovi
- Starring:
- Sidney Toler, Marjorie Weaver, (more)
- 1940
William Holden and Bonita Granville, heavily if not convincingly decked out in "old age" makeup, recall on their 35th wedding anniversary how they first met in 1904. Holden was a brash college freshman, while Bonita was the daughter of a local judge (Vaughn Glaser). Since Holden couldn't stay out of trouble, the judge prohibited him from visiting his daughter, but the boy opposed the edict and ended up being arrested--with Bonita managing to have herself thrown in jail as well. The anecdotal storyline comes to a comically ironic conclusion when the ageing Holden complains that he can't control his own headstrong son. Based on the "Siwash" stories by George Fitch, Those Were the Days gets by on its nostalgic appeal, but cannot be considered one of William Holden's more significant pictures. ~ Hal Erickson, Rovi
- Starring:
- William Holden, Bonita Granville, (more)
- 1940
Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, Rovi
- Starring:
- Lynn Bari, Mary Beth Hughes, (more)
Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, Rovi
- Starring:
- Clark Gable, Vivien Leigh, (more)
- 1939
Bing Crosby plays a tune-happy cab driver who finds himself the reluctant recipient of an abandoned baby. Together with his roommate, dour doorman Mischa Auer, Crosby offers care and shelter to the infant until he can locate the parents. The baby brings in some unwanted publicity for Crosby, which costs him his job--no real problem, in that a happy ending is obviously in the offing. East Side of Heaven was the first of a two-picture deal between Bing Crosby and Universal Pictures, which turned out to be a smart move money wise for both parties. Crosby's leading lady is the vivacious Joan Blondell, who later characterized her costar as "Aloof...I think he was born that way." The infant in the story is played by Baby Sandy (Sandra Henville), who was subsequently launched into a brief "B" series of her own before retiring at the advanced age of four. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Joan Blondell, (more)
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