Dick Cogan Movies

Sex symbol Marilyn Monroe went dramatic in 1952's Don't Bother to Knock. Monroe plays Nell Forbes, a beautiful but suicidal young woman, recently released from a mental institution. She doesn't mention this on her resumé when she takes a baby-sitting job in a posh hotel. Jed Towers (Richard Widmark), a hotel guest, tries to make time with Nell after his own girlfriend, played by Anne Bancroft, has told him to take a hike. As Nell and Jed neck on the couch, the little girl whom Nell is tending (Donna Corcoran) surprises the spooning couple. This drives the psychotic Nell over the edge, forcing Jed to try to keep the baby-sitter from killing both herself and the child. ~ Hal Erickson, All Movie Guide

Stanley Kramer's production unit at Columbia Pictures was known for its willingness to tackle subject matter that was not necessarily "box office" (much to the dismay, of course, of Columbia head man Harry Cohn!) Adapted by Michael Blankfort from the autobiography by Donald Powell Wilson, My Six Convicts is the true story of a prison psychologist and his efforts to "reach" his incarcerated patients. John Beal plays the Donald Powell Wilson counterpart, herein known simply as Doc. Convinced that psychological rehabilitation is, indeed, an option, Doc overcomes a great deal of opposition -- from both prison officials and prisoners -- to test out his theories. Once he's won the confidence of hardened safecracker James Connie (Millard Mitchell), Doc is able to bring five more convicts into his circle: murderous mobster Punch Pinero (Gilbert Roland); alcoholic, self-sacrificing Blivens Scott (Marshall Thompson); holdup man Clem Randall (Alf Kjellin); psychopathic killer Dawson (Harry Morgan -- yes, that Harry Morgan); and embezzler Steve Kopac (Jay Adler). These six cons learn to make their life behind bars not only tolerable but productive, and in so doing pass on their new outlook on life to their fellow inmates. Despite the seriousness of the subject matter, My Six Convicts is essentially a comedy, with the all-male cast working together in seamless perfection. ~ Hal Erickson, All Movie Guide

The title Street Bandits refers to the crooked slot machines peddled by racketeer Monk Walter (Roy Barcroft). Struggling attorney Fred Palmer (Robert Clarke), in need of ready money, aligns himself with Walter. This sits not at all well with Palmer's partner Tom Reagan (Ross Ford), nor with his wife Mildred (Penny Edwards). Eventually, Palmer's conscience gets the better of him, and he turns on the disreputable Walter. This cookie-cutter crime melodrama has the advantage of brevity, running a mere 54 minutes; it is also exceptionally well-photographed by veteran Republic Pictures megger R. G. Springsteen. ~ Hal Erickson, All Movie Guide

A virtual remake of the earlier The Purple Monster Strikes (1945) and containing an overabundance of stock footage from that serial and G-Men vs. the Black Dragon (1943), this 12 chapter science fiction serial from Republic Pictures featured former RKO contract player Walter Reed as owner of an air patrol company. Along with his lovely secretary, (Lois Collier), Reed is looking into the mysterious doings of a certain Dr. Bryant (James Craven). As it turns out, the good doctor is under the spell of none other than Mota (Gregory Gay), a visiting Martian in search of uranium and other materials needed to power his ferocious weapons of war. Establishing himself in the crater of a volcano, Mota embarks on a terror campaign against the earthlings which seemingly only Reed's Fowler Air Patrol is able to counter. In the end, both Mota and Dr. Bryant are destroyed by one of their own atomic bombs, leaving Reed and Collier able to plan a less stressful future. Cashing in on the enormous popularity of sci-fi in the late '50s, this serial was re-edited and released as a feature film under the new title Missile Monsters. Villain James Craven had played the same role in the earlier The Purple Monster Strikes and was obviously cast in order to match the stock-footage. Roy Barcroft, who had played the title role in "Purple Monster," did not repeat, however, but was still very visible in the re-edited footage. ~ Hans J. Wollstein, All Movie Guide

The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker. ~ Hal Erickson, All Movie Guide

This seedy anti-marijuana tract was distributed as She Shoulda Said No. The star is one Lila Leeds, who gained notoriety in 1948 when she and Robert Mitchum were arrested during a Hollywood pot party. Leeds plays an impressionable chorus girl who is hooked onto marijuana by her collegiate brother. Going from bad to worse, the girl becomes a dope pusher to support her reefer habit. Ultimately, she goes "cold turkey" and becomes a narc, working with the feds to smash the dope peddlers once and for all. Like most films of its ilk, Wild Weed is an unintentional laugh riot when seen today. The cast is a surprisingly good one, including Alan Baxter, Lyle Talbot, Michael Whalen and pianist Rudolf Friml Jr. Director "Sherman Scott" also travelled under the name of Sam Newfield. ~ Hal Erickson, All Movie Guide

This Technicolor follow-up to Columbia's 1946 blockbuster The Jolson Story again stars Larry Parks as legendary entertainer Al Jolson--and Jolson himself, as Parks' singing voice. The story concentrates on Jolson's tireless activities entertaining the troops during WW II. After VJ day, Jolson finds that his services are no longer required. Fortunately, he stages a spectacular comeback, thanks in great part to the release of The Jolson Story! The film's Pirandellian overtones come to a head when Larry Parks as Jolson meets Larry Parks as Larry Parks. Also returning from The Jolson Story are William Demarest as the title character's manager Steve Martin, Bill Goodwyn as Broadway-producer Tom Baron, and Ludwig Donath and Tamara Shayne as Jolson's old-world parents. Barbara Hale appears as Jolson's wife (his third, though this fact is not dwelled upon), renamed Ellen Clark for the moment, while Myron McCormick plays a composite character based on several Hollywood executives (including, one supposes, Columbia mogul Harry Cohn). Song highlights include "After You've Gone", "You Made Me Love You", "Let Me Sing and I'm Happy", "Sonny Boy", "About a Quarter to Nine", "April Showers", "Back in Your Own Backyard", and, of course, "Mammy". ~ Hal Erickson, All Movie Guide