Tristram Coffin Movies

The 1954 musical remake of A Star is Born could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Star is Born costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Star is Born included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 A Star is Born apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, A Star is Born was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Lux Radio Theatre adaptation of the original A Star is Born). ~ Hal Erickson, Rovi

Byington, a retired teacher, sells her apartment complex to ex-gangsters who begin kicking out the tenants. Byington tries to help the reformed mobsters, headed by Caruso, to undergo a change of heart. But one of the group, Karnes, still is out to cheat the system. ~ Rovi

The 15th film in the Bowery Boys series, Angels in Disguise combines lowbrow humor with "film noir" melodramatics. Bowery boys Slip (Leo Gorcey) and Sach (Huntz Hall) are copy boys for a crusading newspaper, whose publisher (Ray Walker) is trying to crush the notorious "Loop Gang". When the boys' policeman pal Gabe (Gabriel Dell) is wounded in a shoot-out with the Loop mob, Slip and Sach take it upon themselves to expose the gang. All the Bowery boys (including sweet-shop proprietor Louie) disguise themselves as gangsters and infiltrate the Loop Gang, which is run by a young, erudite intellectual (Mickey Ryan). The scheme to destroy the Loop mob from the inside is flummoxed by the crusading newspaper's cartoonist, actually a member of the crooked gang who has been sending out coded tips in his comic strip. The Loop Gang gives the Bowery Boys a real "going over", but the cops arrive in time to round up the crooks. ~ Hal Erickson, Rovi

After several dismal Westerns, Tex Ritter found a winner in Arizona Frontier, which was filmed in glorious locations near Prescott, Arizona. Ritter played Tex Whitedeer, a white boy reared by the Indian Grey Cloud (real-life native American sports legend Jim Thorpe). Tex's ancestry becomes an issue when as an agent for the government he is charged with deciding where the East and West branches of the railroad shall meet. Joe Lane's (Hal Price) freight company is being raided by what appears to be Indians, but Tex suspects the criminals to be white men in disguise. He is soon falsely accused by a rival army lieutenant (John Merton) of leading the marauders himself. Further investigation, however, discloses that the raiders are indeed a gang of white villains headed by Graham (Tristram Coffin), who is ultimately caught by Ritter and Grey Cloud's Indian braves. Despite his fame as an athlete, Jim Thorpe was sadly misused by Hollywood who usually saw him only in stereotypical terms. Thorpe's personal friendship with Ritter landed him the role of Grey Cloud in Arizona Frontier and he gave what was perhaps his best performance. ~ Hans J. Wollstein, Rovi

In his final film before entering war service, Gene Autry joins the World Wide Wild West Show, a faltering enterprise about to be taken over by the more powerful Johnson Bros. Rodeo, and his success as the Singing Bronco Buster allows the show to open at San Capistrano instead of the rival outfit. Stag Johnson (Morgan Conway), who is sweet on World Wide's owner Jennifer Benton (Virginia Grey), is inclined to leave things as they are but brother Jed (Tristram Coffin) and jealous show girl Jackie Laval (Marla Shelton) do what they can to sabotage the competition, including forcing Mom (Claire DuBrey) and Pop McCracken (Lucien Littlefield), Jennifer's foster-parents, off the road. Gene at first blames himself for all the troubles but then joins sidekicks Frog Millhouse (Smiley Burnette) and Tadpole (Joe Stracuh, Jr.) in battling the increasingly desperate Johnson brothers. When not rescuing the heroine from runaway buckboards and other such Wild West shenanigans, Gene Autry, Smiley Burnette, Joe Strauch, Jr. and company perform "In Old Capistrano", "At Sundown", "Forgive Me", "Don't Bite the Hand That's Feeding You", and "Fort Worth Jail". According to some reports, Bells of Capistrano), which was produced on an impressive budget of $500,000, employed two camera crews in order to finish principal photography prior to Autry's induction into the Army Air Force. Gene Autry Entertainment restored the film to its original length in 2001. ~ Hans J. Wollstein, Rovi

Ever in pursuit of novelty, Republic Pictures assembled a series of westerns in the early 1950s starring youngsters Michael Chapin and Eileen Janssen. In Buckaroo Sheriff of Texas, the kids are left virtually alone when their elders ride off to war. Bad guy Tristram Coffin tries to take advantage of the situation by going on a land-grabbing spree. With the help of old codger James Bell, the kids manage to foil the villains. Watch for future Wyatt Earp star Hugh O'Brian in a supporting role. ~ Hal Erickson, Rovi

Diminutive Frankie Darro was always a lot of fun to watch when given his head in a leading role. In Monogram's Chasing Trouble, Darro plays a fella named Cupid, who fancies himself a handwriting analyst. He tries out his dilettante talent when a gang of spies begins covert activities in his community. He wins the day, and the girl (Marjorie Reynolds). Two future TV-series regulars show up in the supporting cast of Chasing Trouble: George Cleveland, beloved old "Gramps" in Lassie, and Milburn Stone, cantankerous old "Doc" in Gunsmoke. Produced by actor Grant Withers and written by Mary McCarthy, Chasing Trouble is positively lavish by Monogram standards. ~ Hal Erickson, Rovi

This murder mystery is based on a forties radio program. It chronicles the exploits of a mail order detective who investigates a possible gangland murder. The film is also titled "Cosmo Jones." ~ Sandra Brennan, Rovi

Hoof and mouth disease reared its ugly head in this unusual Tex Ritter singing Western from Monogram. Ritter played Tex Rocketts, the sheriff of Sundown who is forced to quarantine the valley's cattle to prevent the spread of the disease. The desperate ranchers, all of whom are in debt to banker Cyrus Cuttler (George Pembroke) and his son Nick (Carleton Young), attempt to get their livestock to market anyway. When one of their number, Steve Davis (Dave "Tex" O'Brien), is arrested and jailed by Tex, the ranchers blame the lawman for their plight. Cuttler advises Steve to kill Tex but the latter, with assistance from government agent Bret Stockton (Glenn Strange), is able to prove that Cuttler's crew has been treating the cattle with acid to generate false symptoms of hoof and mouth disease. In between saving Sundown from the nefarious Cuttler gang, Ritter performed his own I've Done the Best I Could, a song reportedly inspired by the work of African-American folk musician Hudie "Leadbelly" Leadbetter. ~ Hans J. Wollstein, Rovi

A gangster is killed by a big man who pays no attention to bullets, and who leaves glowing fingerprints. Police scientist Chet Walker (Richard Denning) discovers that the fingerprints are radioactive -- as well as those of a dead man. We soon learn that this walking corpse was created by Dr. Wilhelm Steigg (Gregory Gaye); he's allowing secretly-returned deported gangster Buchanan (Michael Granger) to get revenge on those who were responsible for his conviction. Steigg removes part of the brains of recently-dead men, and replaces them with a device that allows them to control the body from a distance, like a robot; they can even see through the creature's eyes via television. Another atomic zombie kills the district attorney who convicted Buchanan, which leads Chet and his homicide detective friend Dave Harris (S. John Launer) to deduce that the killings are connected to the Buchanan case. Warnings are issued to other possible targets, but they're unable to prevent another death. The last two go into hiding. The movie concludes with a headline: "Creatures with the Atomic Brains Destroyed." This entertaining but cheesy little movie is completely unpretentious. Broad, surprisingly gruesome and well-paced, it's obviously aimed straight at the juvenile market -- and it hits it, too. A sterling artifact of its time: brisk, efficient and entertaining, even if it is awfully silly. ~ Bill Warren, Rovi

Rory Calhoun stars as veteran gunfighter Brett Wade in Dawn at Socorro. In a lengthy flashback, the audience learns why Wade has hung up his guns and turned to gambling. Upon meeting dance-hall girl Rannah Hayes (Piper Laurie), he vows to take her out of the shady saloon run by Dick Braden (David Brian). He engages Braden in a card game, winner take all, with Rannah as the stakes--only to lose everything. Sorely tempted to strap on his guns again to claim Rannah, Wade is saved from this fateful decision by the timely arrival of another notorious fast gun, Jimmy Rapp (Alex Nicol). Less of a traditional western than a character study, Dawn at Socorro received better-than-usual reviews when it first came out in July of 1954. ~ Hal Erickson, Rovi

Desert Vigilante perpetuated the long-running "Durango Kid" western series starring Charles Starrett. Per the title, Starrett gallops into a remote desert town, where he single-handedly (or so it seems) rounds up the villainous element. At this point in time, Starrett was being extensively doubled by the legendary Jock Mahoney, and the results were never less than spectacular. The subterfuge was helped along by the fact that Starrett's "Durango" character was required to wear a mask during most of the film. Desert Vigilante represented the first directorial assignment for Fred F. Sears, who remained with the Columbia "B" unit throughout the 1950s. ~ Hal Erickson, Rovi