David Kennedy Movies

Brothers of the Head was adapted from Brian Aldiss' novel by screenwriter Tony Grisoni, and marks the narrative feature debut of Keith Fulton and Louis Pepe (Lost in La Mancha), who have structured Aldiss' story as a mock documentary. Twins Luke and Harry Treadaway star, respectively, as conjoined twins Barry and Tom Howe, joined at the torso. They were essentially purchased from their family as teens in the 1970s by a sleazy showbiz impresario, Zak Bedderwick (Howard Attfield), who planned to turn them into rock stars. Manager Nick (Sean Harris) kept the volatile Barry in line, sometimes violently, while musician Paul (Bryan Dick) taught the introspective Tom how to play the guitar, and helped the brothers write their songs. A documentary filmmaker, Eddie (Tom Bower), was hired to record the process. Their first live performance was a near disaster, as the rowdy pub crowd didn't welcome the sight of the two young men coming on-stage with their arms around each other, but Barry, the charismatically angry frontman, shocked the crowd by exposing the joint between them as he ripped into a snarling performance of their first single, "Two-Way Romeo," and the legend of their group, the Bang Bang, was born. As the proto-punk group's fame grew, Laura (Tania Emery), a young journalist, came to write an article about them, and quickly developed a romantic relationship with Tom, causing friction between the brothers. The film features interviews with some of the characters in the present day, and clips from an imagined unfinished Ken Russell film about the twins, starring Jonathan Pryce and Jane Horrocks. The music of the Bang Bang, performed by cast members and the band Crackout, was written and produced by Clive Langer. Brothers of the Head was shown at the 2006 Tribeca Film Festival. ~ Josh Ralske, Rovi

Medieval fantasy meets futuristic science fiction in this effects-heavy action epic from former X-Files director Rob Bowman. In present-day London, 12-year-old Quinn Abercromby witnesses the awakening of a hibernating dragon from a centuries-long slumber, the result of a construction dig supervised by his mother and an incident for which Quinn feels partially responsible. Twenty years later, the adult Quinn (Christian Bale) is the fire chief of a refortified castle community, responsible for dousing the blazes lit by the dragon's prodigious number of flame-spewing offspring, airborne juggernauts that have wreaked havoc across the globe, torching civilization and turning humans into an endangered species. Hope arrives in the form of Denton "Dragon Slayer" Van Zan (Matthew McConaughey), an American known to be the only man to ever kill one of the dragons, and Alex (Izabella Scorupco), a scientist/pilot who's a member of Van Zan's army, a zealous fighting force that includes a secret weapon: the Archangels, paratroopers using themselves as bait to attract and then dispatch the deadly beasts. Reign of Fire (2002) co-stars Gerard Butler, Alice Krige, and Alexander Siddig. ~ Karl Williams, Rovi

A portrait of a cold-blooded young gangster living and loathing in 1960s London, this drama features Malcolm McDowell in a major role in his first British picture in years. McDowell opens the film as the present day Gangster 55, who learns that an old associate, gangster Freddie Mays (David Thewlis), has just been released from prison after serving a 30-year sentence. The story then flashes back to 1968, when the young Gangster 55 (Paul Bettany) makes Mays' acquaintance and subsequently wins his trust by dealing with his enemies from a rival gang. The relationship between the two men is threatened when Mays falls for Karen (Saffron Burrows), a no-nonsense dancer. When 55 learns that Lennie (Jamie Foreman), a rival gang leader, plans to ambush Mays and Karen one night, he pits the two gangs against one another so that he can emerge as Gangster No. 1. The film was directed by Paul McGuigan, who previously examined the crusty underbelly of British society with his screen adaptation of Irvine Welsh's The Acid House (1998). ~ Rebecca Flint Marx, Rovi

It is a simple thing that police officer Tony Bourke has to do to regain his detective status. All he has to do is go to a remote outback town and clear the local police of any wrongdoing in the shooting of an Aboriginal suspect. After all, he himself recently suffered from being demoted because of an accidental shooting he committed while on the job. Nothing could be easier, except for one irritating little fact, which his superiors have ignored: Tony actually believes in the laws of the land. He is not prepared to whitewash the white cop's misdeeds (if that's what they are) just because they have been committed against a person of color. In this painful social drama, the tensions caused by discrimination in Australia are skillfully highlighted. ~ Clarke Fountain, Rovi

Scott B and Beth B, successful makers of short, experimental films made The Vortex an attempt at a "camp" film with a pessimistic "noirish" atmosphere. The detective Lunch (Lydia Lunch, a popular underground musician and poet) investigates a band of corporate businessman who seek government defense contracts through real "corporate wars" and the manipulation of politicians. Though a bit confusing, this film does have an excellent performance by Lunch, as the detective. ~ Linda Rasmussen, Rovi