Ann Codee Movies

In this western-style musical, a rakish gaucho rides off across the Argentine pampas to Buenos Aires in search of his stolen horse. Once there, he soon engages in hot pursuit of a lovely singing señorita. Soon he discovers that her manager just may be the thief he has been looking for. Keep a sharp eye out for a young Rita Cansino (later known as Rita Hayworth) in an early performance as a dance hall girl. Songs include: "Zamba" (Arthur Wynter-Smith), The Gaucho" (Buddy De Sylva, Walter Samuels), "Querida Mia" (Paul Francis Webster, Lew Pollack), "Love Song of the Pampas," "Veredita," and "Je t'Adore" (Miguel de Zarraga, Cyril J. Mockridge). ~ Sandra Brennan, All Movie Guide

In this Argentine western, a South American gaucho saves a beautiful girl from a shady bandido who masquerades as the Spanish don to whom she is betrothed. Songs include: "Little White Rose," "Song of the Open Road," "Bandit Song," and "Panchita." ~ Sandra Brennan, All Movie Guide

An American actress gets herself a titled husband in this routine comedy from Warner Bros. Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience? Of course they do, and in less than 60 minutes of screen time. M.K. Jerome and Jack Scholl provided three less-than-memorable songs to the rather trite proceedings: "Shall We Dream?," "Five Little Maids," and "Echo Mountain." ~ Hans J. Wollstein, All Movie Guide

Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide

This timely entry in Fox's Charlie Chan series is set in Paris during the Munich Crisis of 1938. Charlie Chan (Sidney Toler) arrives in the City of Light for a reunion with his war buddies, only to find those lights dimmed by a city-wide blackout. The murder victim this time out is munitions manufacturer Douglas Dumbrille, who sells out his country by selling arms to an unnamed enemy. Harold Huber shamelessly overacts as the Parisian inspector assigned to the case. Charlie Chan in City of Darkness ends on a prescient note, with Chan expressing trepidation over the "Peace in Our Time" solution to the Munich affair. ~ Hal Erickson, All Movie Guide

Twixt and tween his Dick Tracy movies, Ralph Byrd plays a Foreign Legionnaire in Drums of the Desert. Byrd and his pal Peter George Lynn alternately fight off the Riffs and fight each other over the affections of lovely Lorna Gray. Gee...we always thought that people joined the Foreign Legion to forget women. Monogram's resident black comedian Mantan Moreland is on hand for his usual impeccably timed (albeit politically incorrect) comedy routines. Drums of the Desert was directed by veteran actionmeister George Waggner, long before he began billing himself as "George WaGGner." ~ Hal Erickson, All Movie Guide

Charlie Chan in Rio is a remake of 1931's Black Camel, one of the few pre-1934 "Charlie Chan" entries still in existence. While the original film was set in Hawaii, the remake takes place in Brazil, but the basic intrigues remain the same. While vacation in Rio de Janeiro with his son Jimmy (Victor Sen Yung), Honolulu detective Charlie Chan (Sidney Toler) is asked by the local constabulary to help solve a double homicide. The motivation behind the two murders is apparently tied in with sinister psychologist Alfredo Marana (Victor Jory), who utilizes hypnotism as an adjunct to a clever blackmailing scheme. Cobina Wright Jr. shows up early on as one of the murder victims, alongside Jory, Mary Beth Hughes and the ubiquitous Harold Huber, cast as a foreign police official. Hamilton Macfadden, who directed the original Black Camel, shows up as one of the suspects in Charlie Chan in Rio. ~ Hal Erickson, All Movie Guide

Better known as Reunion in France, this women's-magazine-style romantic melodrama was the first major production for director Jules Dassin -- who was promptly demoted back to the MGM "B" department when the picture tanked at the box office. Joan Crawford stars as Frenchwoman Michele de la Becque, who comes to believe that her fiancé, wealthy munitions manufacturer Robert Cortot (Philip Dorn) is a Nazi collaborator. When her suspicions are apparently corroborated, Michelle falls in love with Pat Talbot (John Wayne), a downed American aviator stranded in occupied Paris. Only then does Michelle discover that she's been all wrong about Cortot -- but what to do about Talbot, who has been marked for death by the Gestapo? Ava Gardner has a tiny role as a Parisian shopgirl. ~ Hal Erickson, All Movie Guide

A timely film when first released in 1943, Tonight We Raid Calais survives as an entertaining adventure some fifty years later. John Sutton plays a British intelligence officer, sent into occupied France with a small unit to local a German munitions depot. While travelling under cover of darkness, Sutton confronts a French maiden (Annabella) who hates the British and the Germans with equal fervor. She eventually determines which side is the right side and allows Sutton to continue his mission. The officer is captured by the Nazis, but his comrades locate the munitions plant and notify the Allied bombers. The screenplay for Tonight We Raid Calais was written by future blacklistee Waldo Salt, whose liberal stance was politically correct during wartime but considered a "no no" once peace was declared. ~ Hal Erickson, All Movie Guide

This French Underground melodrama stars George Sanders as a seemingly apolitical Parisian doctor who is actually a resistance leader. Sanders' nurse (Brenda Marshall) is likewise a French patriot--less so the nurse's husband (Philip Dorn), who has become disillusioned after two years in a POW camp. The husband changes his mind and joins the Resistance, though he and several other freedom fighters lose their lives to German bullets. Worth noting in Paris After Dark is the fact that several of the personnel involved were actual French refugees, including director Leonide Moguy and husband-and-wife supporting actors Marcel Dalio and Madeleine LeBeau. ~ Hal Erickson, All Movie Guide

From a novel of the same name by "Elizabeth", the film begins in 1914, with Bette Davis cast as vain, flighty society woman Fanny Trellis. Informed by Jewish-American financier Job Skeffington (Claude Rains) that her brother Trippy (Richard Waring) has stolen money to pay his gambling debts, Fanny marries Job, securing his promise that he won't prosecute her thieving sibling. Angered by Fanny's agreeing to this loveless union, Trippy runs off to join the army, and is killed during World War I. Fanny holds Skeffington responsible for her brother's death, and demands a divorce with a generous cash settlement. Despite Job's oft-repeated belief that "a woman is only beautiful when she is loved," Fanny uses her coquettish beauty to flit indiscriminately from man to man. While on a sailing trip with her latest beau, Fanny comes down with diphtheria. The disease destroys her facial beauty, and before long the shallow Fanny is left completely alone. Her self-centered efforts to reunite all of her old boyfriends for a party is a failure due to her pathetic middle-aged efforts to be kittenish, and the grotesqueness of the mounds of facial makeup she apples. Meanwhile, Skeffington, who has resettled in Europe with his daughter, is captured by the Nazis and placed in a concentration camp. He manages to escape, returning to the US totally blind and utterly penniless. A chastened Fanny comes back to her husband, promising to care for him for the rest of his life. Most TV prints of Mr. Skeffington run 127 minutes; the videocassette and cable TV versions have been restored to the original length. ~ Hal Erickson, All Movie Guide

The usual modus operandi for Hollywood "through the years" sagas was to gradually age its young actors in the course of the film. In Mrs. Parkington, 35-year-old Greer Garson appears in old-lady makeup for virtually the entire 124-minute running time, even though this filmization of Louis Bromfield's best-selling novel covers the years 1875 through 1938. Eightyish widow Mrs. Susie Parkington (Garson) gathers together all of her grown children in an effort to bail out son-in-law Amory Stilham (Edward Arnold), who's gotten in Dutch through crooked financial deals. As the children and grandchildren bicker over the "impossibility" of giving up any part of their inheritance, Mrs. Parkington's mind wanders back to her marriage to wealthy mine owner Maj. Augustus Parkington (Walter Pidgeon) and her own efforts, as an unlearned Nevada serving girl, to fit into proper Manhattan society. Augustus' ex-love Aspasia Conti (Agnes Moorehead, in a surprisingly sexy role) is engaged to teach Susie the in and outs of which fork to use and how low to curtsy. Shut out by the "400," Susie is avenged by her husband, who wheels and deals to ruin the snobs financially. Later on, he assuages his anger by conducting several extramarital affairs, before perishing in one of those convenient movie auto accidents. Just how all these incidents strengthen Mrs. Parkington's resolve to rescue her wastrel son-in-law is a mystery that even two viewings of this overlong soap opera may not solve. Incidentally, Greer Garson isn't the only one who is prematurely aged in Mrs. Parkington; keep an eye out for 27-year-old Hans Conried, convincingly playing a doddering musician. ~ Hal Erickson, All Movie Guide

Ostensibly taking place twenty-five years after the events of The Mummy's Ghost, this sequel marks the last of Universal's series featuring the evil mummy "Kharis," played by Lon Chaney, Jr.. A rather gruff-looking Chaney plays the loosely wrapped Egyptian high priest, who is extricated from his resting place in the bayous of Louisiana (relocated from New England after the previous film) by a team of archaeologists. Thanks to the procurement of some tanna leaves by sinister Egyptologist Izor Zandaab (Peter Coe) and his creepy-looking henchman Ragheb (Martin Kosleck), Kharis is up and around once again, seeking the reincarnation of his lost love Ananka (Virginia Christine, who would later portray Folgers coffee pitchwoman Mrs. Olsen). Though most installments of the Chaney mummy series tended to rehash story elements from Universal's Boris Karloff classic, this is one of the more original plotlines. ~ Cavett Binion, All Movie Guide