James Coco Movies

Fans of movie industry satire will want to see That's Adequate, an all-star production which spoofs the popular series of documentary films honoring MGM's musical comedies, That's Entertainment. Narrated by Tony Randall, this mock-history chronicles the film output of the second-rate "Adequate Film Studios" during its six precarious decades of existence. At times the humor gets very broad, including a fair amount of vulgarity. We see clips from such Adequate Studios monstrosities as "Singing in the Synagogue," and "Sluts of the South." Some of the stars enlivening these parodies are Bruce Willis, Robert Downey, Jr., James Coco, Anne Meara, Professor Irwin Corey, Jerry Stiller and Robert Vaughn. ~ Clarke Fountain, All Movie Guide

This film takes place in that strange bastion of middle-class living, Stepford, CT. The trouble begins when a former resident returns with his new family and forces them to become as strangely contented as their neighbors. ~ Sandra Brennan, All Movie Guide

In this drama, a formerly famous star returns from an insane asylum and tries to make a comeback. Despite the objections of her teen-age son, the woman embarks upon a risky romance with a dashing stranger. The story is based on a novel by James Kirkwood. ~ Sandra Brennan, All Movie Guide

The duplicitous owner (James Coco) of a popular theme park engages Jessica (Angela Lansbury) to design a "house of horror". Shortly, thereafter, the owner is murdered in his underground office--an "impossible" crime, inasmuch as the office was securely locked from the inside. Inasmuch as the wife of investigating detective Lt. Donovan (James Stephens) is Jessica's niece Carol , it is perhaps a "given" that our heroine will take a hand in solving the murder. Incidentally, the two Donovan children are played by a very young Joaquin Phoenix (here billed as "Leaf") and his sister Summer Phoenix. ~ Hal Erickson, All Movie Guide

This 116-minute TV adaptation of Kaufman and Hart's Pulitzer Prize-winning You Can't Take It With You was taped during a stage performance before a live audience. Staged by Ellis Rabb, this is a faithful rendition of the original, concentrating on the zany goings-on of the Sycamore household, stage-managed by Grandpa Vanderhof (Jason Robards). With everyone doing just what he or she wants, regardless of what outsiders may think, there is eccentricity to spare at the Sycamores. Their freewheeling lifestyle is briefly threatened by the IRS and by the staid parents of Alice Sycamore's boyfriend Tony Kirby, but everything turns out OK by the final curtain. The cast of 19 includes George Rose as a snide ballet impresario, Elizabeth Wilson as would-be novelist Penny Sycamore, and James Coco as iceman-turned-model Mr. DePinna. First telecast in May of 1984 on the Showtime Cable service, You Can't Take It With You was repeated the following November on PBS. ~ Hal Erickson, All Movie Guide

Playwright Neil Simon made one of his periodic forays into serious themes with the drama The Gingerbread Lady, and while this screen adaptation adds a bit more wit to the proceedings, it remains a change of pace from his usual breezy comedies. Georgia (Marsha Mason) is a successful actress who has just spent 90 days in a rehab clinic in an effort to beat her addiction to alcohol. A number of crises are waiting for Georgia upon her return; her teenage daughter Polly (Kristy McNichol), whom she neglected as a child, wants to move back in, though they still have a ways to go in repairing their relationship. And her ex-husband David (David Dukes), a writer, has just penned a new drama that he wants her to star in -- a fictionalized version of their often-combative marriage. Georgia also has to tend to her best friends, bitter socialite Toby (Joan Hackett) and Jimmy (James Coco), a gay actor who drowns his sorrows in food. Only When I Laugh garnered Oscar nominations for Mason, Coco, and Hackett, while the latter won a Golden Globe for her performance. ~ Mark Deming, All Movie Guide

The diary of teenaged Holocaust victim Anne Frank was first published in book form in 1952, then adapted into a Pulitzer Prize-winning stage play by Frances Goodrich and Albert Hackett two years later. Director George Stevens converted The Diary of Anne Frank into a film in 1959, an effort which required three hours' running time. This TV movie version, which first aired November 17, 1980, telescopes the material into two hours, downplaying the story's suspense in favor of character development. Melissa Gilbert stars as Anne Frank; Maximilian Schell and Joan Plowright play her parents; Melora Marshall is seen as Anne's sister, Margot. Doris Roberts and James Coco are cast as the Van Daans, with Scott Jacoby as their son (and Anne's first love), Peter. Clive Revill appears as fussy, obnoxious dentist Dussel. Rounding out the cast are Erik Holland and Anne Wyndham as the non-Jewish Dutch citizens who hid Anne, her family, Dussel, and the Van Daans in a tiny Amsterdam garret for two years during World War II. ~ Hal Erickson, All Movie Guide

Lafayette (Gerard Depardieu), a young-ish misfit Frenchman and Nocello (Marcello Mastroianni), an older misfit Italian, live in a run-down section of New York City and are friends. Lafayette works for Flaxman (James Coco), an excitable antiquarian who owns and runs something called the "Roman Museum," by means of which he upholds the standards of a former age. Lafayette also works for a women's lib group, which one day decides to "rape" him to see how the shoe fits on the other foot. Rather than being much bothered, Lafayette starts a liaison with the woman who actually had sex with him. In this rambling tale, these men are shown to have great difficulty enduring intense emotions, and the situations that arise force them to confront this difficulty repeatedly. ~ Clarke Fountain, All Movie Guide

Spoofing the entire 1940s detective genre, and his own performances as a bumbling private detective, Peter Falk plays Lou Pekinpaugh, a San Francisco private detective accused of murdering his partner at the instigation of his mistress, the partner's wife, Georgia Merkle (Marsha Mason). Police Lieutenant DiMaggio (Vic Tayback) has his eye on Lou and blunders around in a way which complicates Lou's efforts to clear his name. Lou gets a new client when Mrs. Montenegro (Madeline Kahn) and her cronies (John Housman, Paul Williams and Dom DeLuise) hire him to search out a dozen diamond eggs. Marlene DuChard (Louise Fletcher) also comes to him for help of a complicated nature. In this madcap comedy written by Neil Simon, obstacles and complications appear every few minutes, and a great many famous actors show up in hilarious cameos. ~ Clarke Fountain, All Movie Guide

As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, All Movie Guide

Dale Wasserman's long-running Broadway smash comes to the screen in this musical based on Miguel de Cervantes' classic satire Don Quixote de la Mancha. Cervantes (Peter O'Toole) is arrested and put in prison by the soldiers of the Spanish Inquisition after staging a comic performance which mocked the Spanish government. Cervantes' fellow inmates are eager to divvy up his belongings, but the author is desperate to save a manuscript of his latest work; in order to win the prisoners over, he stages, with their assistance, his latest comedy about the delusional knight Don Quixote (O'Toole). Don Quixote, with the help of his loyal manservant Sancho Panza (James Coco), is determined to battle evil, though he most often finds himself combating windmills. Don Quixote encounters the beautiful virgin Dulcinea -- personified by a jailed prostitute, Aldonza (Sophia Loren) -- and is certain he has found the love of his life. However, tragedy befalls Don Quixote when a band of savages rape Dulcinea as he sleeps, and he must decide where his greatest loyalty lies when his niece Antonia (Julie Gregg) arrives, asking Quixote to please return home to his family. In a move which was widely criticized at the time of the film's release, Peter O'Toole's singing voice was dubbed for most of his musical numbers, while Sophia Loren did all of her own vocal tracks. ~ Mark Deming, All Movie Guide

Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide