Gary Cockrell Movies

Soured on America by his experiences as a POW in Vietnam, General Lawrence Dell (Burt Lancaster) hopes that his government will someday tell the truth about the Southeast Asian debacle, thereby allowing his country to embark upon a healing process. Regarded as a dangerous embarrassment by the higher-ups, Dell is framed on a manslaughter charge and sent to prison. Escaping with three hardened convicts (Paul Winfield, Burt Young, and William Smith), Dell takes over an SAC base, threatening to launch nine Titan missiles if his demands that top-secret Vietnam files be made public are not met. Thus, the fate of the world rests in the hands of the mentally unbalanced Dell, his former superior General MacKenzie (Richard Widmark), and U.S. president David Stevens (Charles Durning). For this picture, Edward Huebach and Ronald M. Cohen adapted Walter Wager's novel Viper Three. ~ Hal Erickson, All Movie Guide

The Bedford Incident was an attempt by Columbia Pictures -- which had previously made Dr. Strangelove and released Fail-Safe -- to tap the well of public anxiety surrounding nuclear weapons and the Cold War one more time. Reporter Ben Munceford (Sidney Poitier) is allowed aboard a navy ship on patrol near the Arctic Circle, under the command of Captain Eric Finlander (Richard Widmark). His job is to observe the ship in action and do an article on Finlander, a hard-as-nails sailor and a dedicated anti-Communist with a patriotic zeal that's extraordinary even in a man of his rank and position. Finlander's main problem, however -- when he's not sparring with the reporter -- is tracking and hunting a Soviet sub that he knows is patroling the same waters. What alarms Munceford (and the audience) is that Finlander acts like there is an actual "hot" war going on; he drives his men mercilessly, up to and past the breaking point, trying to hunt down the submarine and force it to surface, and nothing -- not the questions of the reporter, the angry protests of the newly-arrived medical officer (Martin Balsam), or the quietly voiced concerns of retired U-Boat commander Commodore Shrepke (Eric Portman), aboard as an observer, can get him to relent. Then, when it looks like Finlander has been proved right and has gotten away with his provocation of the "enemy," a mistake by one over-tired young officer (James MacArthur) suddenly unleashes all of the destructive power with which Finlander has been flirting. ~ Bruce Eder, All Movie Guide

The lively but somehow slightly distasteful The Americanization of Emily stars James Garner as a WWII naval officer who happens to be a craven coward. While his comrades sail off to their deaths, Garner makes himself scarce, generally hiding out in the London flat of his lothario navy buddy James Coburn. Garner falls in love with virtuous war widow Julie Andrews (the "Emily" of the title), but she can't abide his yellow streak. Meanwhile, crack-brained admiral Melvyn Douglas decides that he needs a hero--the first man to die on Omaha Beach during the D-Day Invasion. Coburn is at first elected for this sacrifice, but it is the quivering Garner who ends up hitting the beach. He survives to become a hero in spite of himself, winning Andrews in the process. Paddy Chayefsky's script, based on the novel by William Bradford Huie, attempts to extract humor out of the horrors of war by using broad, vulgar comedy instead of the light satirical touch that would seem to be called for. Americanization of Emily was Julie Andrews' second film; it should have led to a steady stream of adult-oriented roles, but the box-office clout of Mary Poppins and The Sound of Music consigned her to "wholesome family entertainment". ~ Hal Erickson, All Movie Guide

In this romantic comedy, a free-wheeling member of the U.S. Air Force goes AWOL. While traveling, the man and his girlfriend encounter another young couple. Both men are dressed exactly alike and are driving the same kind of bike. When the women climb aboard the wrong bikes, romantic mayhem ensues. ~ Iotis Erlewine, All Movie Guide

"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, All Movie Guide

Loosely based on a novel by John Hersey, this standard wartime drama stars Steve McQueen as Buzz Rickson, command pilot of a B17 bomber, and Robert Wagner as Ed Bolland, his co-pilot. When Buzz first comes on the scene, Ed admires him for his daring and skill in executing the bombing raids over Germany. But as time goes by, Buzz starts to fall for Ed's girlfriend Daphne (Shirley Ann Field) and at the same time, Ed begins to see that Buzz is only good at piloting bombers -- in civilian life he is a total washout. The contrasts between the men, Buzz's internal problems, and the love triangle provide the dramatic fodder throughout the 105-minute running time. ~ Eleanor Mannikka, All Movie Guide

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide