Fred Coby Movies

Bank teller Lee Remick is accosted in her garage one dark night by asthmatic psycho Ross Martin. He forces her to go through with an elaborate robbery scheme, threatening to kill Lee's teen-aged sister Stefanie Powers if the police are summoned. FBI agent Glenn Ford suspects that something is amiss and advises Lee to play along with Martin, hoping in this way to capture this dangerous criminal with a minimum of bloodshed. Unfortunately, Martin is as clever as he is deadly, always managing to stay one step ahead of Ford. The now-famous climax of Experiment in Terror finds the feds closing in on Martin during a crowded night baseball game at San Francisco's Candlestick Park. Experiment in Terror is based on the Gordons' novel Operation Terror. ~ Hal Erickson, Rovi

Kate Maxwell (Georgann Johnson) turns down a marriage proposal from Fred Somers (Donald Murphy), convinced that her husband, a Marine pilot who has been MIA for two years, is still alive. Shortly afterward, Kate is walking alone in the park when she is attacked by a mugger. Screaming for help, she is rescued by a stranger who turns out to be...but wait, it simply can't be HIM, can it? Series host John Newland appears at the end to wrap things up--but not to provide an easy explanation. ~ Hal Erickson, Rovi

The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, Rovi

One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, "dangerous" Elvis that had won the hearts of the kids and earned the animosity of their elders. Presley plays a young buck who accidentally kills a man while protecting the honor of a woman. Thrown into prison, Elvis strikes up a friendship with visionary fellow-con Mickey Shaughnessy. Shaughnessy suggests that Elvis perform in the upcoming prison show. Ol' swivel-hips scores a hit, and decides to stay in showbiz after his release. Together with pretty Judy Tyler (the former Princess Summerfall Winterspring on Howdy Doody, who would die in a horrible traffic accident shortly after completing this film), Elvis sets up his own record company. Alas, success goes to his head, and soon Elvis plans to ditch Tyler in favor of signing with a big-time label. Shaughnessy shows up long enough to punch out Elvis for his disloyalty; as a result, Elvis' vocal chords are damaged and he is unable to sing. Deserted by his flunkeys and hangers-on, Elvis learns the value of friendship and fidelity when Tyler and Shaughnessy stay by his side in his darkest hours. His voice restored, Elvis climbs back up the charts--but this time, he's a much nicer fellow, and a lot more committed to Tyler. Usually the musical numbers in a Presley picture (this one has a doozy, complete with chorus boys dressed as convicts!) are more compelling than the plot. Jailhouse Rock is a perfect balance of song and story from beginning to end; seldom would Elvis be so well showcased in the future. ~ Hal Erickson, Rovi

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi

A car with two men visible in it pulls up to a Los Angeles service station at night, with a single attendant (Dub Taylor) working. As he starts to pump the gas, he doesn't see the third man come around the side until it's too late and he's knocked cold. The trio carries out their robbery but before they can finish, a motorcycle cop rolls up. A gun battle ensues, and one of the robbers is shot, as is the police officer. Now a manhunt is on for the trio, all escapees from San Quentin who were making their way south; the other two give the wounded man enough money to get to the apartment of a former cellmate of one of them, Steve Lacey (Gene Nelson). But Lacey is genuinely trying to go straight and live a clean, honest life with his wife, Ellen (Phyllis Kirk), and wants nothing to do with anyone he knew in prison, or with harboring an escaped prisoner. He's even more unhappy when Dr. Otto Hessler (Jay Novello), another ex-con and a veterinarian, arrives to treat the gunshot victim. But when the hood dies, matters get even more complicated -- Lacey's life becomes a nightmare as the police arrive, led by the hardboiled Det. Sgt. Sims (Sterling Hayden), who doesn't believe that any hood ever goes straight. Sims doesn't believe that Lacey's claim of knowing nothing of the escapees, and is ready to send him back to prison on a parole violation -- even though his parole officer (James Bell) believes him -- when he won't cooperate. And worse still, the other two escapees, Doc Penny (Ted de Corsia) and Ben Hastings (Charles Buchinsky, aka Charles Bronson), force their way into Lacey's home, insisting on hiding out there and threatening Ellen. And as they're now a man short, they want Steve's help on a major heist they're planning -- and will kill Ellen if he doesn't cooperate. Soon Lacey is up to his neck in a daylight bank robbery, timed to the minute, and his wife is at the mercy of a mentally deficient, sexually deviant confederate (Timothy Carey), while the police still seem to be following every trail but the right one. Steve realizes that he is the only one who is going to be able to save himself or his wife from this nightmare, and isn't convinced that he'll get out of it alive -- but by then, between being put on him by Sims and his unwanted companions, he's prepared to die in order to save Ellen. ~ Bruce Eder, Rovi

Nineteenth-century saloon gal Roxy McClanahan (Yvonne DeCarlo) manages to inveigle herself into the uppermost rungs of polite New Orleans society. But Roxy has not reckoned with her old friendly nemesis, merchant seaman Frank Truscott (Rock Hudson), whose bankroll Roxy had lifted back in her wilder and woollier days. For a price, Frank agrees not to blow the whistle on Roxy's checkered past. He further agrees to allow her to pass off an orphaned child as her own daughter, the better to maintain her pose as a fabulously wealthy widow. Several rambunctious scenes later, Frank and Roxy finally realize that they're made for each other, and to heck with Society. More fun than most costume melodramas of its kind, Scarlet Angel benefits from attractive production values and a top-flight supporting cast, included future Gunsmoke co-star Amanda Blake as a viper-tongued society belle. ~ Hal Erickson, Rovi

Walter Reed, who also starred in Flying Disc Man from Mars that year, played a government agent looking into a series of truck hijackings in this Republic Pictures action serial. The hijackers are after critical Government material and are led by "The Voice," one of those mystery men so popular in serials. Reed quickly realizes that "The Voice" is one of the four members of the Interstate Truck Owners' Association, but which one? ~ Hans J. Wollstein, Rovi

In Halls of Montezuma, Richard Widmark stars as Lt. Carl Anderson, a former schoolteacher who serves as a no-nonsense Marine officer during WW II. Anderson leads his patrol to a Japanese-controlled island, where the enemy has set up an experimental rocket base. The patrol's mission is to capture prisoners for interrogation, which proves a near-insurmountable task given the fact that the Americans are heavily outnumbered. Among the grime-covered Marines are Walter (Jack) Palance, Robert Wagner, Karl Malden, Richard Boone, Skip Homeier and Neville Brand. Jack Webb is a chain-smoking war correspondent, while Reginald Gardiner shows up as an aristocratic--but very tough--British officer. ~ Hal Erickson, Rovi

Superman and Dick Tracy star in Jungle Goddess--or rather, the actors who played Superman and Dick Tracy, George Reeves and Ralph Byrd. When pilots Mike Patton (Reeves) and Bob Simpson (Byrd) learn that the father of long-missing Greta Vanderhorn (Wanda McKay) is offering a huge reward for his daughter's return, they fly off to the African jungle where Greta's plane crashed many years ago. Mike and Bob trace Greta to a supersititious native tribe, where she reigns as queen. Bob has the misfortune to kill one of the natives, whereupon Greta condemns him to death. Eventually, the more sympathetic of the two pilots manages to make his escape, with Greta by his side. Filmed "in glowing Sepiatone", Jungle Goddess recently resurfaced as an object of derision on TV's Mystery Science Theater 3000. ~ Hal Erickson, Rovi

In later years, James Cagney regarded White Heat with a combination of pride and regret; while satisfied with his own performance, he tended to dismiss the picture as a "cheap melodrama." Seen today, White Heat stands as one of the classic crime films of the 1940s, containing perhaps Cagney's best bad-guy portrayal. The star plays criminal mastermind Cody Jarrett, a mother-dominated psychotic who dreams of being on "top of the world." Inadvertently leaving clues behind after a railroad heist, Jarrett becomes the target of the feds, who send an undercover agent (played by Edmond O'Brien) to infiltrate the Jarrett gang. While Jarrett sits in prison on a deliberately trumped-up charge (he confesses to one crime to provide himself an alibi for the railroad robbery), he befriends O'Brien, who poses as a hero-worshipping hood who's always wanted to work with Jarrett. Busting out of prison with O'Brien, Jarrett regroups his gang to mastermind a "Trojan horse" armored-car robbery. ~ Hal Erickson, Rovi

With Maurice Conn as producer and Peter Stewart (aka Sam Newfield) as director, one suspects that 20th Century-Fox's The Counterfeiters was actually produced by one of the minor companies like Film Classics or PRC. Scotland Yard investigator Jeff McAllister (John Sutton) teams with the FBI to track down a gang of clever counterfeiters, headed by Philip Drake (Hugh Beaumont). The plot becomes as thick as London pea soup when McAllister falls in love with Drake's daughter Margo (Doris Merrick). After attempting to protect her father from prosecution, Margo realizes that she's on the wrong side and throws in with McAllister. Lon Chaney Jr. does another variation of "Lennie" from Of Mice and Men as Drake's moronic henchman. ~ Hal Erickson, Rovi

In this below-average western serial, a Texas ranger goes undercover as "The Scarlet Horseman," a legendary figure for the Commanche tribe whose leadership they respect. The reason for the ranger's sudden interest in Commanche affairs stems from a series of kidnappings of wives and daughters of senators in an attempt to force a partition of Texas. Behind the scheme is Matosca, a mysterious woman who turns out to be the daughter of a discredited senator. The cast of this serial is more interesting than the overly complicated plot or the rather pedestrian action sequences. Peter Cookson, a typically bland 4F leading man of the early '40s, earned star billing, although the title role is played by Paul Guilfoyle, a sneaky-looking character actor who usually played hoodlums. Even more surprising than Guilfoyle's sudden heroics is the presence of Virginia Christine ("Mrs. Olsson" of coffee commercial fame), a blond dialectician rarely found in such slam-bang surroundings. Victoria Horne, the wife of comedian Jack Oakie, played a treacherous Indian squaw and Janet Shaw, an all-purpose Universal starlet, was the little seen heroine. ~ Hans J. Wollstein, Rovi