John Pierce Jones Movies
- 1995
This British drama offers a gritty slice from the life of a hard-working Welsh single-mother. The story is set in the Rhondda Valley in southern Wales and follows the travails of young Jo, the mother of a young daughter. Jo works in a sweatshop as an ironer. Though she is rather poor, she has a good life. Her lover is Kevin, who is married. In her spare time, Jo studies. Recently she just moved into her own apartment in a project after spending several years with her slovenly father. To supplement her meager income, Jo sometimes models, and does the occasional phone sex gig. She uses part of this extra money to help out her troubled little sister, Andrea, a heroin addict. Jo's life begins to fall apart when she learns that she is 15-weeks pregnant. Upon hearing this, her charming lover, Kevin, backs off. She then discovers that he has also been sleeping with one of her friends. Then she hears that Andrea was nearly arrested and simultaneously, her mother becomes deathly ill. Jo knows that she cannot legally get an abortion, and so decides to take another course. With little self-pity or remorse, she conceals the pregnancy, bears the child in the woods, and promptly kills it. She then goes back to resume her life. Unfortunately, her troubles are not over, for the police find the infant's corpse floating in a river and launch a massive search for the murderous mother. ~ Sandra Brennan, All Movie Guide
Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide
- Starring:
- Jonathan Pryce, Michael Palin, (more)
- 1983
Faye Dunaway stars in Michael Winner's labored re-make of the 1945 swashbuckler, which was co-scripted by Leslie Arliss, the original director of the 1945 film. Dunaway is Lady Barbara Skelton, a lady of the royal class, who becomes a highway robber, taking up with Captain Jerry Jackson (Alan Bates), a highwayman and her lover. Because of a notorious whiping scene in which Lady Barbara and Jackson's girlfriend (Marina Sirtis) take horsewhips to one another, tearing their clothing to strategically-placed ribbons, the film was held back from release because Winner refused to cut the salacious footage. After corralling author Kingsley Amis, and directors John Schlesinger, Karel Reisz, and Lindsay Anderson to attest to the redeeming social value of the scene, the scene stayed in the film. ~ Paul Brenner, All Movie Guide
- Starring:
- Faye Dunaway, Alan Bates, (more)
In this uneven dramatization of a legendary sword-and-sorcery tale, the Green Knight (Sean Connery) is a magician who appears at King Arthur's court brandishing an axe and challenging anyone to do battle with him. When no one responds, King Arthur himself steps into the breach -- but is turned back when Gawain (Miles O'Keeffe) takes up his axe to stand in for the king -- and promptly decapitates the Green Knight. But lo-and-behold, the Knight's magic is so great that he puts head and body back together again and then further challenges Gawain with a riddle that must be solved within the next 12 months or Gawain is dead. Lucky for Gawain, the riddle involves several rescues of the charming Princess Linet (Cyrielle Claire) -- but how will he manage to outfox the Green Knight and the evil Morgan La Fay (Emma Sutton)? ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Miles O'Keeffe, Cyrielle Claire, (more)
- 1981
This provocative film, based on a short story by Dylan Thomas, is set in Wales during the turmoil of WW I. ~ Sandra Brennan, All Movie Guide
