Lee J. Cobb Movies
American character actor of stage, screen, and TV Lee J. Cobb, born Leo Jacob or Jacoby, was usually seen scowling and smoking a cigar. As a child, Cobb showed artistic promise as a virtuoso violinist, but any hope for a musical career was ended by a broken wrist. He ran away from home at age 17 and ended up in Hollywood. Unable to find film work there, he returned to New York and acted in radio dramas while going to night school at CCNY to learn accounting. Returning to California in 1931, he made his stage debut with the Pasadena Playhouse. Back in New York in 1935, he joined the celebrated Group Theater and appeared in several plays with them, including Waiting for Lefty and Golden Boy. He began his film career in 1937, going on to star and play supporting roles in dozens of films straight through to the end of his life. Cobb was most frequently cast as menacing villains, but sometimes appeared as a brooding business executive or community leader. His greatest triumph on stage came in the 1949 production of Arthur Miller's Death of a Salesman in which he played the lead role, Willy Loman (he repeated his performance in a 1966 TV version). Between 1962-66, he also appeared on TV in the role of Judge Garth in the long-running series The Virginian. He was twice nominated for "Best Supporting Actor" Oscars for his work in On the Waterfront (1954) and The Brothers Karamazov (1958). ~ All Movie Guide
Alex Segal directed this 1966 production of Arthur Miller's classic American play, Death of a Salesman. Lee J. Cobb stars as Willy Loman, the everyman who is suddenly faced with the glaring reality that he is past his prime and has begun living in a self-created fantasy world in which he is not obsolete. The performance also features James Farentino as Happy Loman, George Segal as Biff Loman, and a young, pre-fame Gene Wilder as Bernard. ~ Matthew Tobey, All Movie Guide
- Starring:
- Lee J. Cobb, Mildred Dunnock, (more)
James Coburn stars as super-spy Derek Flint in this action comedy which takes the tongue-in-cheek wit of the James Bond series and shifts it into high gear. Flint is an ultra-sophisticated operative of international intelligence agency Z.O.W.I.E. He's a master of martial arts, electronic gadgetry (his cigarette lighter can perform 83 special functions), languages both human and animal (he can communicate with dolphins in a pinch), and even gives ballet lessons to the dancers of the Bolshoi. So when his fellow agents begin dropping like flies, Z.O.W.I.E. assigns Flint the task of finding out who the killers happen to be. Eventually, Flint discovers that the killings are all part of the wicked machinations of G.A.L.A.X.Y., a cadre of world-wide villainy that plans to take over the world through weather control. Our Man Flint also stars Lee J. Cobb, Gila Golan, and Edward Mulhare. A sequel, In Like Flint, followed two years later, and in 1976, the character was revived for a TV movie, Our Man Flint: Dead on Target, with Ray Danton taking over the role of Derek Flint. ~ Mark Deming, All Movie Guide
- Starring:
- James Coburn, Lee J. Cobb, (more)
- 1963
This filmization of Neil Simon's first Broadway hit was adapted for the screen by Norman Lear. Once we get past the illogical casting of middle-aged Frank Sinatra and twentysomething Tony Bill as brothers, we're home free. Sinatra, a swinger supreme, uses his New York apartment as a harem of sorts for his legion of lady friends. Bill, wishing to break loose from his protective parents (Lee J. Cobb and Molly Picon), moves in with older brother Sinatra, hoping to emulate his sibling in the sex department. Sinatra teaches Bill the tricks of the trade--to his everlasting regret, since Bill soon wins such prizes as Jill St. John and Barbara Rush away from Sinatra. The third act finds Sinatra behaving more like a parent than his parents, steering Bill on the straight and narrow and finally settling down with Rush. Also appearing in Come Blow Your Horn is singer Phyllis McGuire (an offscreen Sinatra vis-a-vis), Dan Blocker, and, in the uncredited role of a wino, Dean Martin. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Lee J. Cobb, (more)
- 1962
Advertised on the sleeve of its home-video release as a "Charles Bronson western", Bull of the West is actually comprised of two episodes from the American TV western series The Virginian, edited together for theatrical release overseas. The segment in which Bronson appears was originally telecast as "The Nobility of Kings" on November 10, 1965. Two recurring characters on The Virginian, Trampas (Doug McClure and Randy (Randy Boone), helpfully inform newly arrived rancher Ben Justin (Bronson) that he has inadvertently violated the rules of the Stockman's Association. Conditioned by life's hard knocks to neither trust or listen to anyone but himself, the hard-drinking Ben tells Trampas and Randy to mind their own business. Another rancher, Suchette (George Kennedy), is so incensed by this attitude that makes certain Ben's cattle will not be allowed access to the railroads. Caught in the middle of this range feud is Ben's tenderfoot son Will (Bob Random), who has been forbidden to help his dad around the ranch, and has not even been allowed to ride a horse. Working in secret with Trampas and Randy at the Shiloh Ranch, Ben's wife Mary (Lois Nettleton) sees to it that Will is given riding lessons--while Ben simmers and stews at home, convinced that Mary is having an affair with The Virginian (James Drury). "The Nobility of Kings" was spliced together with the Virginian episode of January 2, 1963, "Duel at Shiloh". While having nothing to do with the Bronson episode beyond the same setting and a few of the same characters, this episode is thematically similar in that it deals with a stubbornly rugged individualist--in this instance, a grizzled ranch hand named Johnny Wade (Brian Keith)--and a potentially deadly feud, unwittingly fomented by the men of the Shiloh ranch. Specifically, Johnny finds himself on opposite sides of the fence with his tenderfoot pal Steve Hill when the latter takes a job with the Shiloh's owner Judge Garth (Lee J. Cobb), while Johnny remains loyal to rival ranch owner Geraldine Brooks. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Bronson, Lee J. Cobb, (more)
Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- James Stewart, Henry Fonda, (more)
- 1962
There's a rumor that the MGM executive who thought that Glenn Ford could fill Rudolph Valentino's shoes in the 1962 remake of Valentino's Four Horsemen of the Apocalypse would have been arrested had it been sufficiently proven that he was competent to stand trial. The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter's allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb's grandson, has promised to honor his grandfather's memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm's Normandy headquarters. As unsuited as Glenn Ford was for his role, co-star Ingrid Thulin was even worse: her Swedish accent proved so impenetrable that MGM was obliged to have Angela Lansbury dub Ms. Thulin's voice. A major misfire for director Vincente Minnelli, The Four Horseman of the Apocalypse was an expensive flop, forcing MGM to hope and pray that their upcoming epic How the West Was Won would save the studio's hindquarters (it did). ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Ingrid Thulin, (more)
Produced and directed by Otto Preminger, Exodus is a 212-minute screen adaptation of the best-selling novel by Leon Uris. The film is concerned with the emergence of Israel as an independent nation in 1947. Its first half focuses on the efforts of 611 holocaust survivors to defy the blockade of the occupying British government and sail to Palestine on the sea vessel Exodus. Paul Newman, a leader of the Hagannah (the Jewish underground), is willing to sacrifice his own life and the lives of the refugees rather than be turned back to war-ravaged Europe, but the British finally relent and allow the Exodus safe passage. Once this victory is assured, 30,000 more Jews, previously interned by the British, flood into the Holy Land. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Eva Marie Saint, (more)
- 1959
Clark Gable stars in this standard romantic comedy, one of his last films before his death in 1960. Based on the play Accent on Youth, this adaption of the love affair between an older man and his 22-year-old secretary ends differently. Russ Ward (Gable) has been producing for thirty years, and when he decides to call it quits, his secretary Ellie (Carroll Baker) writes him a love note with her resignation. Russ opts for turning this intriguing situation into a hit play -- starring Ellie in the title role. At the same time, he romances Ellie and starts an internal struggle over his May-December affair. The title song, But Not for Me went on to become a popular hit. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Clark Gable, Carroll Baker, (more)
- 1959
This is a routine, sometimes unintentionally funny drama about a man whose moral backbone straightens up as he sets his sights on capturing a gangster -- his own boss. Richard Widmark is Ralph Anderson, the petty criminal who returns to his hometown with his mob boss Victor Massonetti (Lee J. Cobb). Massonetti is running from the law and waiting for a plane to come and take him away to safety. His henchmen make the mistake of killing Ralph's father (Carl Benton Reid), who just happens to be the sheriff. That act turns Ralph around, and the plot thickens as he plans to capture Massonetti and his men in spite of the hindrance of his alcoholic brother (Earl Holliman) and the amorous attentions of his sister-in-law (Tina Louise). ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Richard Widmark, Lee J. Cobb, (more)
- 1959
This romantic drama set in a Venezuelan jungle is based on a novel by W.H. Hudson about Rima, a mythical "bird-woman" and her love for Abel, a man running from political assassination. In this adaptation, Rima (Audrey Hepburn) is a real woman living in the jungle with her adopted grandfather Nuflo (Lee J. Cobb). Abel (Anthony Perkins) escapes his pursuers and meets Rima after a local tribe has taken him under their wing. The unlikely couple fall in love but Abel is haunted by his desire to go back into his world to avenge his father's murder at the hand of his political rivals. While he is struggling with his own dilemma, the local tribe is beginning to believe that Rima is an evil spirit they must destroy. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Audrey Hepburn, Anthony Perkins, (more)
Anthony Mann's final foray into the western genre is a disturbing examination of man's baser instincts, rising in intensity to the level of Shakespearean tragedy. The film begins as seemingly naive Link (Gary Cooper) leaves his family to take a train to Fort Worth. Also on the train is saloon singer Billie Ellis (Julie London), who is compelled by con man Sam Beasley (Arthur O'Connell) to cheat Link out of his money. But the con comes to naught when the nefarious Dock Tobin (Lee J. Cobb) and his gang rob the train. Link takes Billie and Beasley to Tobin's cabin, where it is revealed the mild-mannered Link is Tobin's nephew and a former member of his cutthroat gang. Dock Tobin draws up a plan to rob a bank which the outlaws find agreeable, but they're reluctant to have Link rejoin their group. Soon it becomes apparent why they feel this way; when Link rejoins his old gang, his shy demeanor falls away and his outlaw instincts rise to the surface. ~ Paul Brenner, All Movie Guide
- Starring:
- Gary Cooper, Julie London, (more)
- 1958
Vicki Gaye (Cyd Charisse) is a dancer at a night club in early 1930's Chicago. A healthy cynic who still possesses some ideals, she entertains no illusions about the "invitation" (or the $100 that goes with it) that she gets to a party hosted by mob kingpin Rico Angelo (Lee J. Cobb) -- but she still won't let Angelo's head torpedo Louis Canetto (John Ireland) get near her. Angelo's attorney Thomas Farrell (Robert Taylor) is another story -- he's a more complicated than the men he defends, and still enough of an idealist so that when he and Vicki cross swords about who is the worse hypocrite, it actually affects him. Farrell, whose right leg has been crippled from birth and getting worse, took the easy way to success by pursuing a criminal practice, including getting Canetto off a murder rap -- but after meeting Vicki he starts to see another path to take, and also embarks on a year of surgical procedures to cure the worst of the pain in his leg. And he comes out a new man, with a new plan in life, including starting over in a practice that doesn't involve criminal law. But Angelo plans on having Farrell fight an old friend, prosecutor Jeffrey Stewart (Kent Smith), who is trying to indict Angelo's associate Cooky La Motte (Corey Allen). Farrell resists, until Angelo threatens to harm Vicki -- and when the case and the trail blow up in both sides' faces, he finds himself caught between the mob and the law, with Vicki urging him to do the right thing. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Taylor, Cyd Charisse, (more)
- 1958
Dostoyevsky's novel The Brothers Karamazov is given a Hollywood screen treatment by producer Pandro S. Berman and director Richard Brooks. Yul Brynner plays Dmitri Karamazov, a callous Russian officer who cuckolds his domineering father (Lee J. Cobb) with the old man's mistress Grushenka (Maria Schell). Richard Basehart is Dmitri's intellectual brother Ivan, while William Shatner is the pious Alexey Karamazov; both men eventually enjoy the attentions of the willing Grushenka. The Karamazovs' half-brother is Smedyakov (Albert Salmi), an epileptic whose purpose in the story is clarified after the family patriarch's murder. It is now part of Hollywood folklore that Marilyn Monroe fought long and hard to be cast as the enigmatic Grushenka. ~ Hal Erickson, All Movie Guide
- Starring:
- Yul Brynner, Maria Schell, (more)
Vincent Sherman replaced an uncredited Robert Aldrich as director of this noirish and atypically pro-union film from the 1950's. Tulio Renata (Robert Loggia), an organizer for the International Ladies Garment Workers Union, campaigns to unionize the employees of dress factory owner Walter Mitchell (Lee J. Cobb). Viscerally opposed to the union, Mitchell has hired Artie Ravidge (Richard Boone) to thwart Renata's efforts. In a complex oedipal sub-plot, Walter's son Alan (Kerwin Matthews) returns home and joins the firm following the suspicious death of his father's partner. Alan is more sympathetic to the union and attempts to persuade his father to sign a contract. Only after Ravidge kills Renata, and the elder Mitchell finally admits to himself that Ravidge is a thug who also killed his partner, does he agree to negotiate with the union. Before he can do so, however, he, too, is murdered by Ravidge's goons. It is then left to Alan, increasingly involved with Renata's widow Theresa (Gia Scala), to run the business, bring Ravidge to justice, and settle with the union. Similar to Herbert Biberman's Salt of the Earth (1954) in its overt support of the labor movement, The Garment Jungle is clearly a liberal, not a radical, film. Rather than advocate class warfare, it asserts that honest unions and decent capitalists can work together honorably. The film's real fire is found in the personal conflicts between Tulio and Theresa and Walter and Alan. Cobb, Loggia, and Scala perform with intense and multi-dimensional passion. Particularly noteworthy is Theresa's fury at her husband for taking excessive, and ultimately fatal, risks. ~ Steve Press, All Movie Guide
- Starring:
- Lee J. Cobb, Kerwin Mathews, (more)
When Alistair Cooke shows up to introduce Three Faces of Eve, we know that the fact-based story will bear more than a little fidelity to truth. Joanne Woodward won an Academy Award for her portrayal of Eve, a young Georgia housewife suffering from multiple personalities. Eve's husband (David Wayne), confused by his wife's aberrant behavior when assuming her two "other selves," seeks out help from a psychiatrist (Lee J. Cobb). Carefully probing Eve's subconscious via hypnosis, the doctor finds out that, though each of Eve's personalities is aware of the other's existence, none are related. After months of therapy, Eve is purged of her negative selves and is totally cured. Ironically, Joanne Woodward would herself play a psychologist confronted with a multiple-personality case in the Emmy-winning 1976 TV movie Sybil. ~ Hal Erickson, All Movie Guide
- Starring:
- Joanne Woodward, David Wayne, (more)
A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Lee J. Cobb, (more)
- 1956
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This meticulous and unusually long cinemadaptation of Sloan Wilson's best-selling novel The Man in the Grey Flannel Suit stars Gregory Peck as an ex-army officer, pursuing a living as a TV writer in the postwar years. Hired by a major broadcasting network, Peck is assigned to write speeches for the network's president (Fredric March). Peck comes to realize that the president's success has come at the expense of personal happiness, and this leads Peck to ruminate on his own life. Extended flashbacks reveal that Peck had experienced a torrid wartime romance with Italian girl Marisa Pavan, a union that produced a child. Peck is torn between his responsibility to his illegitimate son and his current obligations towards his wife (Jennifer Jones), his children, and his employer. Among the many life-altering decisions made by Peck before the fade-out is his determination to seek out a job that will allow him to spend more time with his family, even if it means a severe cut in salary. The superb hand-picked supporting cast of The Man in the Grey Flannel Suit includes Ann Harding as March's wife, Keenan Wynn as the man who informs Peck that he'd fathered an Italian child, Henry Daniell as a detached executive, and an unbilled DeForrest Kelley as an army medic (who gets to say "He's dead, captain"!) ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Jennifer Jones, (more)
- 1956
Like most Sam Katzman efforts of the late 1950s, Miami Expose laid claim to being "torn from today's headlines." Lensed on location, the film stars Lee J. Cobb as dedicated police lieutenant Bart Scott. Though he'd like nothing better than to smash Miami's gambling racketeers, Scott is forever stymied by legal loopholes. It becomes personal when an old friend of Scott's is killed during a turf war between ageing gambling czar Raymond Sheridan (Alan Napier) and hot-headed upstart Louie Ascot (Michael Granger). Patricia Medina plays Lila Hodges, sole witness to the murder, who is placed in protective custody by Scott all part of a master plan to bring the syndicate bosses out in the open. Also appearing as a "bought" politician is Edward Arnold, who died during production. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee J. Cobb, Patricia Medina, (more)
- 1955
After a bank cashier's mundane existence is disrupted by signs of mental illness, he becomes a potential candidate for electroshock therapy. Guest starring Lee J. Cobb. ~ John Bush, All Movie Guide
- 1955
The CinemaScope process gets a rugged workout in Henry Hathaway's The Racers. Kirk Douglas stars as an Italian bus driver who dreams of entering the Grand Prix as a world-famous race car driver. Being Kirk Douglas, he achieves his goal, racing in all the major events around the globe. Dedicated to the philosophy of "winning is the only thing", Douglas alienates his fellow racers and everyone else with whom he comes in contact. Only when he is on the verge of losing his sweetheart Bella Darvi does our hero put his priorities in order. Adapted from a novel by Hans Ruesch, The Racers was remade in a 60-minute version as Men Against Speed, an entry in the weekly TV anthology The 20th Century-Fox Hour. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Bella Darvi, (more)
- 1955
Though running 90 minutes, Road to Denver moves along at a much faster clip than most Republic "A" westerns. John Payne and Skip Homeier star as the Mayhew brothers, Bill and Sam. Tired of pulling his headstrong younger brother Sam out of his various scrapes, Bill heads off to Denver alone. Here he takes a job as a stagecoach driver for livery stable owner John Sutton (Ray Middleton). Meanwhile, Sam falls in with crooked saloonkeeper Jim Donovan (Lee J. Cobb), the secret head of an outlaw gang. Inevitably, Bill and Sam find themselves on opposite ends of the law--not to mention rivals for the affections of Sutton's daughter Elizabeth (Mona Freeman). Andy Clyde, who hadn't been seen in a big-budget film in years, steals the show as a believeably comic stablehand. Also featured is Lee Van Cleef in one of his then-typical "laconic bad guy" roles. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Mona Freeman, (more)
- 1955
Humphrey Bogart stars in this improbable tale that marked Gene Tierney's return to the screen after battling mental illness for a number of years. Bogart plays Jim Carmody, an American soldier of fortune who, after crashing his plane in China, takes up with the Chinese warlord General Yang (Lee J. Cobb). Jim becomes Yang's advisor, but after watching one of the General's flunkies brutally kill a priest, Jim decides to leave. Unfortunately, Yang has declared that any deserter will be shot. Disguising himself as the slain priest, Jim sneaks out of the General's headquarters and makes his way to a mountain village where missionaries Beryl (Agnes Moorehead) and David (E.G. Marshall) take him in. Jim still is posing as the priest but his vows of celibacy are challenged when he falls in love with the attractive mission nurse Anne Scott (Gene Tierney). Anne feels ashamed because she is also attracted to him, but Jim writes to the bishop confessing that he is an impostor. At that moment, General Yang arrives, insisting that Jim rejoin his army or else he will burn down the village. ~ Paul Brenner, All Movie Guide
- Starring:
- Humphrey Bogart, Gene Tierney, (more)
This classic story of Mob informers was based on a number of true stories and filmed on location in and around the docks of New York and New Jersey. Mob-connected union boss Johnny Friendly (Lee J. Cobb) rules the waterfront with an iron fist. The police know that he's been responsible for a number of murders, but witnesses play deaf and dumb ("plead D & D"). Washed-up boxer Terry Malloy (Marlon Brando) has had an errand-boy job because of the influence of his brother Charley, a crooked union lawyer (Rod Steiger). Witnessing one of Friendly's rub-outs, Terry is willing to keep his mouth shut until he meets the dead dockworker's sister, Edie (Eva Marie Saint). "Waterfront priest" Father Barry (Karl Malden) tells Terry that Edie's brother was killed because he was going to testify against boss Friendly before the crime commission. Because he could have intervened, but didn't, Terry feels somewhat responsible for the death. When Father Barry receives a beating from Friendly's goons, Terry is persuaded to cooperate with the commission. Featuring Brando's famous "I coulda been a contendah" speech, On the Waterfront has often been seen as an allegory of "naming names" against suspected Communists during the anti-Communist investigations of the 1950s. Director Elia Kazan famously informed on suspected Communists before a government committee -- unlike many of his colleagues, some of whom went to prison for refusing to "name names" and many more of whom were blacklisted from working in the film industry for many years to come -- and Budd Schulberg's screenplay has often been read as an elaborate defense of the informer's position. On the Waterfront won Oscars for Best Picture, Best Director, Best Adapted Screenplay, Best Actor for Brando, and Best Supporting Actress for Saint. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlon Brando, Karl Malden, (more)
- 1954
The best way to described the economically assembled religious picture Day of Triumph is "sincere". Though the film details the Last Days of Jesus Christ (Robert Wilson), top billing is bestowed upon Lee J. Cobb as Zadok, leader of the Zealots. The all-character-actor cast includes James Griffith as Judas, Tyler McVey as Peter, Lowell Gilmore as Pilate and veteran western heavy Anthony Warde as Barabbas. The biggest "name" in the cast is Joanne Dru as Mary Magdalene, while relative newcomer Touch (later Michael) Connors appears as Andrew. The film was directed by Irving Pichel, who'd previously helmed the independently produced religious drama Martin Luther. Once an annual Easter TV attraction, Day of Triumph has in recent years been relegated to limited exposure on America's UHF religious stations. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee J. Cobb, Robert Wilson, (more)
