Lee J. Cobb Movies

Superior locations, above-average direction, better than usual lighting and competent acting were the ingredients that made producer Harry Sherman's Hopalong Cassidy vehicles perhaps the finest series of B-Westerns of its time. The fifth in the series, North of the Rio Grande introduced former grip Russell Hayden in the continuing role as young Lucky Jenkins and remains one of the best of the early entries. When Hopalong's brother Buddy is murdered during a train holdup, and it is pronounced an accidental death by the town's kangaroo court, Cassidy (William Boyd) and sidekick Windy (George Hayes) hasten back to Cottonwood Gulch. The former arrives disguised as Wild Bill Dynamite McGrew, a "notorious" train robber, while Windy obtains a job tickling the ivories at the local saloon. Hayes' stint as an Irish-accented bar pianist leads to one of the film's many delights, as veteran silent screen villain Walter Long leads the assembly in a sing-along of Wearing of the Green. Hopalong, meanwhile, robs a train to get the attention of the mysterious Lone Wolf, the master criminal responsible for his brother Buddy's death. Lone Wolf is soon revealed to be leading citizen Henry Stoneham (Stephen Morris alias Morris Ankrum), who in desperation kidnaps Windy and the train. With Hopalong, Lucky, and the posse in hot pursuit, the chase ends with Windy making the unwanted acquaintance of a painful-looking cactus. Saloon Belle Bernadene Hayes, the film's otherwise rather superfluous leading lady, is awarded the closing line: "Funny, all my life, men like Cassidy have been saying goodbye to me." Lee J. Cobb (billed simply as "Lee Cobb") made his screen debut as a railroad president, and Bernadene Hayes' sister Lorraine played Hopalong's grieving sister-in-law. With one "Hayden" and two "Hayes" already in the cast, producer Sherman renamed the actress Lorraine Randall for the occasion. North of the Rio Grande was filmed on locations at Sonora, California, with interiors done at the Grand National studios in Hollywood. ~ Hans J. Wollstein, All Movie Guide

This murder mystery is set behind-the-scenes of a radio station. the trouble begins when a hated cad of a sponsor is found murdered during the climax of a live radio show. The sponsor had a reputation for using women. A clever radio engineer solves the mystery. ~ Sandra Brennan, All Movie Guide

This Thing Called Love extracts its laughs from the prehistoric concept of sexual frustration. Business partners Rosalind Russell and Melvyn Douglas marry, but only on a trial basis. Russell wants to prove that a married couple can function merely as friends, and to that end she denies her husband access to the conjugal bed for three months. By the time she's ready, he isn't, having contacted a vicious case of poison oak. All experimentation dissolves by the fade-out, when Russell and Douglas surrender to the passions that have been smouldering from the outset. This Thing Called Love is a remake of the 1929 film of the same name, which starred Constance Bennett and Edmund Lowe. ~ Hal Erickson, All Movie Guide

In this sequel to the 1938 boxoffice hit Boys Town, Spencer Tracy repeats his Oscar-winning role of Father Flanagan, with Mickey Rooney likewise reprising his characterization of reformed hoodlum Whitey Marsh. Still operating on the theory that "No boy is bad, if given a chance", Father Flanagan has created Boys Town, a nondemoninational sanctuary for wayward and homeless youngsters in Omaha, Nebraska. Despite the success of his operation insofar as building the character of his charges, the good Father is confronted with ever-mounting debts, and this time not even his old pawnbroker pal Dave Morris (Lee J. Cobb) can come to the rescue. Meanwhile, Whitey Marsh is adopted by the Maitlands, a wealthy couple--a fact that disillusions a sullen, crippled youngster named Ted Martley (Larry Nunn), who'd hoped that the Maitlands would choose him. Upon leaving Boys Town, Whitey tries to pay a visit to his old pal Miles Fenley, who is an inmate in a crooked reform school, but is denied entrance. Driving away from the reformatory, Whitey discovers that a boy from the school, Flips (Darryl Hickman), has stowed away in his car. Whitey agrees not to turn Flip in--a decision he has reason to regret when he is arrested for a robbery committed by Flip. Sent to the same reform school as Miles Fenley, Whitey learns first-hand of the institution's corruption and brutality. He manages to get word to Father Flanagan, who despite his ongoing financial woes takes on the reformatory's unsavory officials and secures a release for Whitey and Flip. But there is still one problem to overcome: Convincing the resentful Ted Martley that the world isn't as bad as he thinks it is. Boasting enough plots for ten films, Men of Boys Town may not have been as good as its predecessor, but it proved to be another box-office bonanza for Spencer Tracy and Mickey Rooney. ~ Hal Erickson, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

In this downbeat drama based on a novel by John Steinbeck (which was also adapted for the stage), German troops invade Norway during WWII, and Nazi forces occupy a small town. Col. Lanser (Cedric Hardwicke), the officer in charge of the occupation, believes that reason and the illusion of cooperation will achieve more than open hostility against the townspeople, and he tries to persuade the city fathers to work with him. However, an anti-Nazi resistance force soon springs into action, and they begin sabotaging German installations and materiel and assassinating Axis officers. Mayor Orden (Henry Travers) gently but stubbornly refuses to assist Lanser in any way, as he tacitly aids the resistance movement. Eventually, Lanser is forced to respond to the continuing anti-Nazi actions with a series of arrests and executions, but the Norwegians bravely remain steadfast against the enemies to the end. One of the children in the village is played by Natalie Wood, who was a mere five years old at the time (it was her second film, following a small role in Happy Land). ~ Mark Deming, All Movie Guide

More serious and less colorful than The King And I, Anna And The King Of Siam is still a well-crafted and elaborate spectacle. Leonowens (Irene Dunne) and her son travel to the tiny kingdom of Siam, where she has been hired to teach Western ways and culture to the multitudes of children sired by the King (Rex Harrison). All too soon, however, the King and Anna clash over the differences in their ways and cultures; Anna is also drawn into a palace romance between the concubine, Tuptim (Linda Darnell), and another man, which ends in tragedy. Whereas The King And I focused on the budding relationship between Anna and the King, the non-musical version is a more straightforward reading of Margaret Landon's book about the real Anna Leonowens. Harrison made his screen debut in the role, which became synonymous with Yul Brynner in the 1956 musical version. ~ Don Kaye, All Movie Guide

Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life -- including Nelle (Ellen Drew), Pete's wife -- figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture, The Hustler. ~ Mark Deming, All Movie Guide

Casting Frank Sinatra as a Pennsylvania priest is but one of the many miscalculations made by the producers of Miracle of the Bells. Adapted by Ben Hecht and Quentin Reynolds from the best-selling novel by Russell Janney, the story revolves around an aspiring actress named Olga Treskovna (Alida Valli). Escaping the sooty environs of Coaltown, Pennsylvania, Olga heads to Hollywood, where through a series of incredible circumstances she manages to land the highly coveted leading role in a film based on the life of Joan of Arc. Tragically, Olga dies suddenly after wrapping up the film's final scene. Producer Marcus Harris (Lee J. Cobb) wants to reshoot the film with another, better-known actress, rather than risk losing a fortune on an "unknown" whom he can no longer groom for stardom. But press agent Bill Dunnigan (Fred MacMurray), who has journeyed to Coaltown to learn Olga's life story, tries to persuade Harris to release Joan of Arc as filmed, and to this end he enlists the aid of local priest Father Paul (Sinatra). To show their support for the late, lamented Olga, all the churches of all denominations in Coaltown ring their bells, nonstop, for three days. This man-made miracle not only convinces Harris to change his mind, but leads to a genuine miracle at the fadeout. Reviewers were unanimous in condemning Miracle of the Bells as a pretentious failure: the kindest comments ranged from "mawkish" to "nauseating." The picture hasn't improved much with age, but should be seen at least once on the strength of its cast alone. If it is seen, however, it's best to stick with the original black-and-white version and avoid the colorized TV print. ~ Hal Erickson, All Movie Guide

In this documentary-inspired thriller, P.J. McNeal (James Stewart) is a reporter who is asked by his editor to look into a potential story: their newspaper has been carrying an ad offering a substantial reward for information regarding the murder of a policeman that occurred eleven years ago. It turns out the ad was placed by a cleaning woman named Tillie Wiecek (Kasia Orzazewski); her son Frank (Richard Conte) was convicted of the crime, but she is thoroughly convinced her son had nothing to do with the killing. McNeal doesn't believe for a moment that Frank could be innocent, but he sees a good human interest story in Tillie and writes a piece that receives a great deal of favorable attention. Brian Kelly (Lee J. Cobb), McNeal's editor, thinks there might be more to this story and asks P.J. to look into the original murder case. To McNeal's surprise, Frank passes a lie detector test in which he proclaims his innocence, and the more he digs into records on the case, the more he finds wrong with the original investigation; some evidence is missing, much is inconclusive, and the reporter begins to wonder if Frank might have been railroaded after all, or if the police might be trying to keep something quiet. Call Northside 777 was based on a true story. ~ Mark Deming, All Movie Guide

Thieves' Highway is set in San Francisco and the surrounding countryside. Richard Conte plays Nick Garcos, an American GI who returns from WWII to find that his father Yanko (Morris Carnovsky), a produce trucker, has lost the use of both legs because of a fight with crooked truck driver Mike Figlia (Lee J. Cobb). Nick is a clean-cut guy who was set on marrying his sweetheart Polly Faber (Barbara Lawrence). Instead, Nick gets embroiled in his father's feud with Mike, buying a truck and falling deeper into racketeering. He delivers a truckload of apples to Mike as part of a scheme to expose his cheating. A prostitute, Rica (Valentina Cortesa), tells Nick that Mike has his own plot to trap him. Nick and Rica help Mike's henchmen learn that Mike has also been cheating them, and Nick eventually gets his revenge. But Nick has permanently lost Polly because of his involvement with the gangsters and his change in personality from a good guy to a more sinister businessman. Director Jules Dassin was blacklisted from Hollywood for supposed communist sympathies after making this 1949 picture, but he went on to have success with more caper movies while in exile in France. ~ Michael Betzold, All Movie Guide

A lawyer must make the most difficult decision of his life in this crime drama that begins when the attorney's son inadvertently kills his best friend. No one was around to see what happened and only his family is the wiser. But the death creates a rift in the family. His father wants him to confess while his mother begs him to stay quiet. Eventually she prevails and the father promises to keep the secret. Then he finds himself appointed to defend the innocent man accused of the killing. ~ Sandra Brennan, All Movie Guide

Based on The Mexican, a novel by Jack London, this is the story of a young man whose family, girlfriend and village were destroyed by the forces of a ruthless dictator. When he joins the revolutionaries who are seeking his overthrow, he finds that his boxing abilities are perhaps a means for him to make a contribution to the effort. He takes on a big-prized match with one of the best Mexican fighters to help subsidize the guerrilla efforts. Along the way, romance takes its course in the ranks of the revolutionaries. ~ Tana Hobart, All Movie Guide