John Clive Movies

In Revenge of the Pink Panther, for the final time, the bumbling but impeturbable Inspector Clouseau (Peter Sellers) maddens his long-suffering boss Dreyfus (Herbert Lom), sharpens his wits and martial skills with his manservant Cato (Burt Kwouk) and foils the bad guys without ever having a clue about what he is doing. In the story, Clouseau allows a gang of drug racketeers to believe that he has been assassinated and dons a series of disguises as he travels all over the world in order to apprehend the culprits. He is assisted by Simone Legree (Dyan Cannon), the former girlfriend of the drug-lord Douvier (Robert Webber). Though it received a very mixed reception from critics, this, the fifth of the Pink Panther series, did very well at the box-office. Sadly, it was actor Peter Sellers' final screen appearance before his death in 1980 (the later film, The Trail of Pink Panther was composed of outtakes from previous Pink Panther films). ~ Clarke Fountain, All Movie Guide

This threadbare "Carry On" comedy is set in the 18th century and concerns a fellow with a dual identity: by day, he's the Reverend Flasher; after dusk, he moonlights as the treacherous highwayman Dick Turpin. (Both are played by Sidney James). Dogooders Captain Desmond Fancey (Kenneth Williams) and Sgt. Jock Strapp (Jack Douglas) search for this elusive scoundrel who is robbing travelers every evening. Adding fool to the fire is Mme. Desiree (Joan Sims) and her entourage of doxies. ~ Hal Erickson, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

The quintessential British caper film of the 1960s, The Italian Job is a flashy, fast romp that chases a team of career criminals throughout one of the biggest international gold heists in history. Michael Caine is Charlie Croker, a stylish robber and skirt-chaser just out of British prison. Shunning rehabilitation for recidivism, Croker takes over "The Italian Job," a complicated plan to hijack gold bullion from Italy -- right from underneath the noses of the Italian Police and the Mafia. The job, whose original mastermind was murdered, clearly requires the sponsorship of a richer, more established criminal than Croker. He turns to the auspices of the eccentric Mr. Bridger (Noël Coward in his last film role), a suave, regal, incarcerated English crime boss with a peculiar fascination with the Queen. Bridger provides Croker with a quirky group of Britain's most infamous computer hackers (including a lascivious Benny Hill), bank robbers, hijackers, and getaway drivers -- the ex-con is soon well on his way to relieving Italy of the gold. ~ Aubry Anne D'Arminio, All Movie Guide

In this youthful musical adventure, three lonesome, lovestruck teens decide to kidnap the men they idolize. One is the Minister of Pop Culture, another is a handsome singer, the third is a disc jockey. Naturally the three victims are unhappy with their circumstance, but the girls are nice and attractive so things aren't too bad. It does not stop one fellow from causing further problems by escaping and alerting the police. Trouble follows, but fortunately, everything works out in the end. ~ Sandra Brennan, All Movie Guide